The SCAN PROJECT ROOM aspires to become a reference project space in London, providing a platform for the contemporary art exhibitions and projects, featuring the work of the best creators of the new generation of Spanish and Latin American artists in dialogue with local artists.
Copperfield London is pleased to announce the first UK solo exhibition of Marco Godoy (b.1986 Madrid), following his MA at the Royal College of Art (2014) and subsequent inclusion in group exhibitions at the Palais de Tokyo and the Centre Pompidou.
Focusing on the visual and symbolic relationships between authority and power, Godoy analyses the social and political ramifications of the real and fictional divides that make up the European Union. Mixing sculpture, installation and performance, the exhibition frustrates any fixed conception of either physical or symbolic borders.
Just opened: Bête Noire Exhibition, MUSART-BERLIN 29 Apr 2016 – 27 May 2016
Curated by SCAN Spanish COntemporary Art Network
Bête Noire is an art exhibition that reflects on conceptual positions and creative opportunities of the colour black (and de-saturation) in the context of contemporary art practices. Includes the work of nine multidisciplinary emerging artists from Spain: Ruben Guerrero, Alain Urrutia, Maria Leon, Ubay Murillo, Anna Talens, Inma Femenia, Alex Marco, Maria Tinaut and Fernando Martin Godoy.
In an image-saturated age, digital media, internet, television, film, and video entertain, inform and surround us every waking hour. Hand-held technologies have made us not only incessant consumers but also constant maker/editors of images. The artistic value of the painted image has been in crisis for a century and particularly in recent decades, painting has been relegated to the periphery of contemporary art discourse. Amidst numerous and expanding media and visual technology, what is the role of painting now?
SATURATION looks at the persistence of painting in contemporary artistic production. Coinciding with the 100th anniversary of Kazimir Malevich’s Black Square, SATURATIONexplores the range, methods and means of painting production today through the work of seventeen Spanish painters in three simultaneous London exhibitions.
ROSANA ANTOL ANA BARRIGA GLORIA CEBALLOS VICTORIA IRANZO KEKE VILABELDA RUTH MORÁN PEPA PRIETO SANTIAGO YDAÑEZ
Figure/Ground explores readings of narrative and sub-narrative in works on canvas, paper, acrylic, and concrete. Drawing on techniques from film and photography, painters re-assemble appropriated imagery to overlay and alter associations, spatial and narrative hierarchies and meaning. Cut-and-paste, collage, scale distortions, photographic transfers and animation and video become tools for destabilising painting conventions and introducing fluidity and ambiguity to the medium.
What is foreground, what background? Is the viewer witness to the depicted event or a party to the act of witnessing itself? This reading of figuration elides such distinctions, offering both and neither. These borrowed images are neither stable nor steal- able. The fact of paint on a ground stands for itself alone.
16 July – 12 September 2015
Wednesday – Saturday 12 – 6pm and by appointment at any time
COPPERFIELD 6 Copperfield St London SE1 0EP
07845 594549 ADD SUBRACT DIVIDE
Add Subtract Divide sees artists revisit the abstract painting tradition with new media, processes and experimentation. Some works take physical issue with the discipline by disassembling or reconfiguring canvas and stretcher, preferencing material qualities over any notion of the picture plane. The historical reading of flatness in the language of Modernist geometric painting is investigated using trompe l’oeil and collage, flickering between picture plane and referent. Other works experiment with scale and non-traditional materials to re-position otherwise familiar forms, investing them with political or gender narratives; Geometric abstraction is reworked in stitched lines and layers of applied felt, transforming the medium and linking it to other traditions of making.
Ferran Gisbert wields a handmade paintbrush corresponding to his own height
ALAN SASTRE VICKY USLÉ FERRÁN GISBERT ROSANA ANTOLÍ
Performed Painting explores the act and re-enactment of painting whether directly on the gallery wall or abstracted into video or film. Physical and visual limits are probed and tools or technologies deployed to extend the artist’s reach, expand the extent of a brushstroke or amplify the colour spectrum visible to the human eye. The image can resemble a movement-map for the eye to wander over and revisit, trailing the artist’s hand. This is action painting – or an idea of action painting – we can no longer be certain.