Tag Archives: The Wallace Collection

Reminder: Murillo events in London, today and tomorrow (14–15 May 2018)

Symposium: ‘Collecting Murillo in Britain and Ireland,’ The Wallace Collection, London, 14 May 2018

exhibition_98_fullimagepath__murillo-marriage-side

Bartolomé-Esteban Murillo, The Marriage of the Virgin, c.1660-1670, The Wallace Collection

‘Oh wonderful Spain. Think of this romantic land covered in Moorish ruins and full of Murillos’

Benjamin Disraeli’s 1830 letter attests to the prominence of Bartolomé Esteban Murillo in the minds British travellers and collectors. In celebration of the 400thanniversary of Murillo’s birth, the Wallace Collection, in collaboration with the Centro de Estudios Europa Hispánica, will be exploring this further by hosting an international one-day symposium on 14th May 2018 entitled ‘Collecting Murillo in Britain and Ireland’.

Speakers include Thierry Morel, Veronique Gerard Powell, Xanthe Brooke, Hugh Brigstocke, Isabelle Kent, Xavier Bray, Claudia Hopkins, Thomas Bean, Hilary Macarney and Philip McEvansoneya. We are delighted to have this group of acclaimed scholars coming together to discuss new research surrounding the collecting of Murillo in Britain and Ireland.The seminars delivered will form the basis of a new volume on the subject to be published by CEEH.

Click here to buy a ticket to the symposium

Programme

09:30 – Registration

09:50 – Welcome

Session 1) Early Displays of Works by Murillo in Britain

10:00 – Sir Robert Walpole’s Spanish Pictures. Thierry Morel (Director and Curator at Large, Hermitage Museum Foundation)

10:30 – From Lord Godolphin to John Blackwood and Lawrence Dundas: the first British purchasers of Murillo. Véronique Gerard Powell (Honorary Senior Lecturer, Sorbonne University)

11:00 – tea and coffee break

Session 2) British Collectors in Seville and Madrid

11:30 – Collecting Murillo in Seville: the case of Julian Benjamin Williams (d.1866) and Frank Hall Standish (1799-1840). Xanthe Brooke (Curator of Continental European Art, Walker Art Gallery)

12:00 – William Eden: the discovery of Murillo with his friends in Spain. Travel and collecting. Hugh Brigstocke (independent scholar)

12:30 – The curious case of General Meade (1775 – 1849): his collection in Madrid and its dissemination. Isabelle Kent (Enriqueta Harris Frankfort Curatorial Assistant, The Wallace Collection)

13:00 – Break for lunch (not included)

14:00 – William Buchanan and James Irvine: In-situ talk in the Great Gallery. Xavier Bray (Director, The Wallace Collection) and Isabelle Kent

Session 3) Artists and Scholars travellers to Spain

14:30 – ‘All softness’ – Murillo through British artists’ eyes. Claudia Hopkins (Lecturer, University of Edinburgh)

15:00 – Hand-Book for Travellers in Spain and Richard Ford. Thomas Bean (private researcher)

15:30 – Accessing Murillo: Stirling Maxwell’s contribution to scholarship, collecting and taste in Britain. Hilary Macartney (Lecturer, University of Glasgow)

Session 4) Other Major Collectors

16:00 – Collecting and displaying Murillo in Ireland. Philip McEvansoneya (Lecturer, Trinity College Dublin)

16:30 – Close

Curator-Led Visit for ARTES MembersMURILLO: THE SELF-PORTRAITS, led by Letizia Treves, at the National Gallery, London, 15th May 2018 at 10:00 A.M.
Members must book by emailing artesiberia@gmail.com

ARTES Symposium: Murillo in Perspective, The Courtauld Institute of Art, London, 15 May 2018

13:00 – 14:30   13:00 – 14:30   Registration and opportunity to visit the drawings by Murillo and other Spanish masters in the Courtauld Prints and Drawings Study Room (Please note: directions to the Study Room and information on the visit will be provided upon registration)

14:30   Welcome

14:35 – 15:05   Manuela Mena Marqués, Senior Curator of 18th Century Painting and Goya, Museo Nacional del Prado, Madrid: “Murillo the Draughtsman”

15:05 – 15:35   Xanthe Brooke, Curator of Continental European Art, Walker Art Gallery, Liverpool: “Murillo’s Virgin and Child in Glory: The Afterlife of a Great Baroque Altarpiece”

15:35 – 16:05   Benito Navarrete Prieto, Professor, History of Art at the University of Alcala and Director of the Department of History and Philosophy: “Empathy and Prestige: The Real Reasons for Collecting Murillo’s Work in the Seville of his Patrons”

16:05 – 16:35   Tea

16:35 – 17:05   Laura Alba Carcelén, Conservation Scientist, Museo Nacional del Prado, Madrid’: “At Murillo’s Workshop: Pictorial Materials and Procedures”

17:05 – 17:35   Mairi Macdonald, Birkbeck College, University of London: “Murillo and Depictions of Poverty”

17:35 – 17:55   Discussion and close

18:00 – 19:00   Drinks and tapas

19:30   Invitation to attend a free concert of Spanish Renaissance and Baroque music organised by the Instituto Cervantes in Kings College Chapel (next door to the Courtauld). Please visit this link to book tickets.

For tickets to the conference, please click here

General public £16

Students £11

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Symposium: ‘Collecting Murillo in Britain and Ireland,’ The Wallace Collection, London, 14 May 2018

 

exhibition_98_fullimagepath__murillo-marriage-side

Bartolomé-Esteban Murillo, The Marriage of the Virgin, c.1660-1670, The Wallace Collection

‘Oh wonderful Spain. Think of this romantic land covered in Moorish ruins and full of Murillos’

Benjamin Disraeli’s 1830 letter attests to the prominence of Bartolomé Esteban Murillo in the minds British travellers and collectors. In celebration of the 400thanniversary of Murillo’s birth, the Wallace Collection, in collaboration with the Centro de Estudios Europa Hispánica, will be exploring this further by hosting an international one-day symposium on 14th May 2018 entitled ‘Collecting Murillo in Britain and Ireland’.

Speakers include Thierry Morel, Veronique Gerard Powell, Xanthe Brooke, Hugh Brigstocke, Isabelle Kent, Xavier Bray, Claudia Hopkins, Thomas Bean, Hilary Macarney and Philip McEvansoneya. We are delighted to have this group of acclaimed scholars coming together to discuss new research surrounding the collecting of Murillo in Britain and Ireland.The seminars delivered will form the basis of a new volume on the subject to be published by CEEH.

Click here to buy a ticket to the symposium

Programme

09:30 – Registration

09:50 – Welcome

Session 1) Early Displays of Works by Murillo in Britain

10:00 – Sir Robert Walpole’s Spanish Pictures. Thierry Morel (Director and Curator at Large, Hermitage Museum Foundation)

10:30 – From Lord Godolphin to John Blackwood and Lawrence Dundas: the first British purchasers of Murillo. Véronique Gerard Powell (Honorary Senior Lecturer, Sorbonne University)

11:00 – tea and coffee break

Session 2) British Collectors in Seville and Madrid

11:30 – Collecting Murillo in Seville: the case of Julian Benjamin Williams (d.1866) and Frank Hall Standish (1799-1840). Xanthe Brooke (Curator of Continental European Art, Walker Art Gallery)

12:00 – William Eden: the discovery of Murillo with his friends in Spain. Travel and collecting. Hugh Brigstocke (independent scholar)

12:30 – The curious case of General Meade (1775 – 1849): his collection in Madrid and its dissemination. Isabelle Kent (Enriqueta Harris Frankfort Curatorial Assistant, The Wallace Collection)

13:00 – Break for lunch (not included)

14:00 – William Buchanan and James Irvine: In-situ talk in the Great Gallery. Xavier Bray (Director, The Wallace Collection) and Isabelle Kent

Session 3) Artists and Scholars travellers to Spain

14:30 – ‘All softness’ – Murillo through British artists’ eyes. Claudia Hopkins (Lecturer, University of Edinburgh)

15:00 – Hand-Book for Travellers in Spain and Richard Ford. Thomas Bean (private researcher)

15:30 – Accessing Murillo: Stirling Maxwell’s contribution to scholarship, collecting and taste in Britain. Hilary Macartney (Lecturer, University of Glasgow)

Session 4) Other Major Collectors

16:00 – Collecting and displaying Murillo in Ireland. Philip McEvansoneya (Lecturer, Trinity College Dublin)

16:30 – Close

Symposium: ‘Collecting Murillo in Britain and Ireland,’ The Wallace Collection, London, 14 May 2018

 

exhibition_98_fullimagepath__murillo-marriage-side

Bartolomé-Esteban Murillo, The Marriage of the Virgin, c.1660-1670, The Wallace Collection

‘Oh wonderful Spain. Think of this romantic land covered in Moorish ruins and full of Murillos’

Benjamin Disraeli’s 1830 letter attests to the prominence of Bartolomé Esteban Murillo in the minds British travellers and collectors. In celebration of the 400thanniversary of Murillo’s birth, the Wallace Collection, in collaboration with the Centro de Estudios Europa Hispánica, will be exploring this further by hosting an international one-day symposium on 14th May 2018 entitled ‘Collecting Murillo in Britain and Ireland’.

Speakers include Thierry Morel, Veronique Gerard Powell, Xanthe Brooke, Hugh Brigstocke, Isabelle Kent, Xavier Bray, Claudia Hopkins, Thomas Bean, Hilary Macarney and Philip McEvansoneya. We are delighted to have this group of acclaimed scholars coming together to discuss new research surrounding the collecting of Murillo in Britain and Ireland.The seminars delivered will form the basis of a new volume on the subject to be published by CEEH.

Click here to buy a ticket to the symposium

Programme

09:30 – Registration

09:50 – Welcome

Session 1) Early Displays of Works by Murillo in Britain

10:00 – Sir Robert Walpole’s Spanish Pictures. Thierry Morel (Director and Curator at Large, Hermitage Museum Foundation)

10:30 – From Lord Godolphin to John Blackwood and Lawrence Dundas: the first British purchasers of Murillo. Véronique Gerard Powell (Honorary Senior Lecturer, Sorbonne University)

11:00 – tea and coffee break

Session 2) British Collectors in Seville and Madrid

11:30 – Collecting Murillo in Seville: the case of Julian Benjamin Williams (d.1866) and Frank Hall Standish (1799-1840). Xanthe Brooke (Curator of Continental European Art, Walker Art Gallery)

12:00 – William Eden: the discovery of Murillo with his friends in Spain. Travel and collecting. Hugh Brigstocke (independent scholar)

12:30 – The curious case of General Meade (1775 – 1849): his collection in Madrid and its dissemination. Isabelle Kent (Enriqueta Harris Frankfort Curatorial Assistant, The Wallace Collection)

13:00 – Break for lunch (not included)

14:00 – William Buchanan and James Irvine: In-situ talk in the Great Gallery. Xavier Bray (Director, The Wallace Collection) and Isabelle Kent

Session 3) Artists and Scholars travellers to Spain

14:30 – ‘All softness’ – Murillo through British artists’ eyes. Claudia Hopkins (Lecturer, University of Edinburgh)

15:00 – Hand-Book for Travellers in Spain and Richard Ford. Thomas Bean (private researcher)

15:30 – Accessing Murillo: Stirling Maxwell’s contribution to scholarship, collecting and taste in Britain. Hilary Macartney (Lecturer, University of Glasgow)

Session 4) Other Major Collectors

16:00 – Collecting and displaying Murillo in Ireland. Philip McEvansoneya (Lecturer, Trinity College Dublin)

16:30 – Close

Symposium: ‘Collecting Murillo in Britain and Ireland’; The Wallace Collection, London, 14 May 2018

 

exhibition_98_fullimagepath__murillo-marriage-side

Bartolomé-Esteban Murillo, The Marriage of the Virgin, c.1660-1670, The Wallace Collection

‘Oh wonderful Spain. Think of this romantic land covered in Moorish ruins and full of Murillos’

Benjamin Disraeli’s 1830 letter attests to the prominence of Bartolomé Esteban Murillo in the minds British travellers and collectors. In celebration of the 400thanniversary of Murillo’s birth, the Wallace Collection, in collaboration with the Centro de Estudios Europa Hispánica, will be exploring this further by hosting an international one-day symposium on 14th May 2018 entitled ‘Collecting Murillo in Britain and Ireland’.

Speakers include Thierry Morel, Veronique Gerard Powell, Xanthe Brooke, Hugh Brigstocke, Isabelle Kent, Xavier Bray, Claudia Hopkins, Thomas Bean, Hilary Macartney and Philip McEvansoneya. We are delighted to have this group of acclaimed scholars coming together to discuss new research surrounding the collecting of Murillo in Britain and Ireland.The seminars delivered will form the basis of a new volume on the subject to be published by CEEH.

Please follow this link to buy tickets for the conference.

Programme*

09:30 – Registration

09:50 – Welcome

Session 1) Early Displays of Works by Murillo in Britain

10:00 – Sir Robert Walpole’s Spanish Pictures. Thierry Morel (Director and Curator at Large, Hermitage Museum Foundation)

10:30 – From Lord Godolphin to John Blackwood and Lawrence Dundas: the first British purchasers of Murillo. Véronique Gerard Powell (Honorary Senior Lecturer, Sorbonne University)

11:00 – tea and coffee break

Session 2) British Collectors in Seville and Madrid

11:30 – Collecting Murillo in Seville: the case of Julian Benjamin Williams (d.1866) and Frank Hall Standish (1799-1840). Xanthe Brooke (Curator of Continental European Art, Walker Art Gallery)

12:00 – William Eden: the discovery of Murillo with his friends in Spain. Travel and collecting. Hugh Brigstocke (independent scholar)

12:30 – The curious case of General Meade (1775 – 1849): his collection in Madrid and its dissemination. Isabelle Kent (Enriqueta Harris Frankfort Curatorial Assistant, The Wallace Collection)

13:00 – Break for lunch (not included)

14:00 – William Buchanan and James Irvine: In-situ talk in the Great Gallery. Xavier Bray (Director, The Wallace Collection) and Isabelle Kent

Session 3) Artists and Scholars travellers to Spain

14:30 – ‘All softness’ – Murillo through British artists’ eyes. Claudia Hopkins (Lecturer, University of Edinburgh)

15:00 – Hand-Book for Travellers in Spain and Richard Ford. Thomas Bean (private researcher)

15:30 – Accessing Murillo: Stirling Maxwell’s contribution to scholarship, collecting and taste in Britain. Hilary Macartney (Lecturer, University of Glasgow)

Session 4) Other Major Collectors

16:00 – Collecting and displaying Murillo in Ireland. Philip McEvansoneya (Lecturer, Trinity College Dublin)

16:30 – Close

Prize-Giving Ceremony at the Wallace Collection, 29 June 2017

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Some of the Prize Winners pose with the ARTES committee and members at the prize-giving ceremony

On Thursday 29 June ARTES celebrated the winners of its annual scholarships and of the Juan Facundo Riaño Essay Prize with a ceremony held at the Wallace Collection in London. The Collection’s director Xavier Bray and Carmen Brieva Rodriguez from the Cultural Office of the Spanish Embassy joined the celebration.

ARTES started offering travel and PhD scholarships three years ago, with the aim to support and nurture young scholars in the field of Iberian and Latin American studies. The prizes are sponsored by Coll y Cortés and were awarded to the following researchers:

Travel Scholarships:

  • Ana Dias, a PhD candidate at the University of Durham, working on ‘The Apocalypse in early medieval Iberia: the function and impact of the illuminated ‘Beatus’ manuscripts.’ Ana will use her prize to conduct crucial fieldwork in three libraries in Spain, where she will examine three manuscripts of Beatus’ work to analyse at first hand their codicology, illumination and palette.
  • Maria Teresa Chicote Pompanin, a PhD candidate at the Warburg Institute, who will make three trips to Spain to examine archives, buildings and objects in connection with her research project, titled ‘Patronage, Fame and Memory in Late-Medieval Castile: Juan and Diego Pacheco, Marquises of Villena (1445 – 1529).’

PhD Scholarship for PhD students at working on Hispanic visual culture before 1800 at a UK University:

  •  Maeve O’Donnell, for her PhD at the Courtauld Institute of Art: ‘The Castilian Altar in the Thirteenth and Fourteenth Centuries: A social and material history.’ Maeve’s thesis approaches the medieval altar as an assemblage of artworks with individual and cumulative religious, social and material significance. By donating or producing the different furnishings of the altar, craftsmen, merchants, bishops, and monarchs established personal links to this sacred space. In addition, objects displayed on the altar in medieval Castile functioned as barometers of political and economic shifts in this dynamic kingdom. Her analysis of Castilian altarpieces, frontals, figurative sculptures, liturgical objects, reliquaries and textiles unearths works of art that have not been studied before while offering an innovative approach to the medieval altar.

Scholarship for PhD students or post-doctoral researchers based in Spain, Portugal or Latin America who wish to conduct research in the UK:

  • Ignacio J. López Hernández, who is working on a dissertation about Architecture and Military Buildings in the Spanish Caribbean under the supervision of Dr Alfredo Morales at the University of Seville.

This year the Scholarship Committee was able to make two additional awards:

  • Francisco de Asís García García, for his travel to the UK to study reports and files held at the V&A’s Archive related to Medieval and Early Modern textile acquisitions from Spain (or of possible Spanish origin) and the iconographical analysis of selected pieces. This work is a joint collaborative study with the Marie S.-Curie project “Interwoven” (no. 703711) led by Dr Ana Cabrera Lafuente at the V&A.
  • Sylvia Alvares-Correa, a PhD candidate at Oxford, whose research considers the Flemish artworks associated with Rainha Dona Leonor of Portugal (1458-1525), including Quentin Metsys’s The Seven Sorrows of the Virgin; Goswyn van der Weyden’s Presentation at the Temple; a number of manuscripts, and the anonymous Passion of Christ in Jerusalem panorama, amongst others. By investigating the historiography, materiality, and iconography of these works and their place within the ambit of Dona Leonor’s piety and patronage, this project will contribute to the broader understanding of patterns of patronage in early modern Europe, artistic exchange between Flanders and Iberia, and the devotional climate of Renaissance Portugal.

The winner of the 2017 Juan Facundo Riaño Essay Prize was also announced. This prize was set up 5 years ago with the generous support of the Office for Scientific and Cultural Affairs of the Embassy of Spain in London, and includes a cash prize and a specially designed bronze medal. Like the scholarships, the essay prize is intended to encourage promising scholars in the study of Spanish visual culture (from any period) and is open to students at UK universities at any level of study.

This year’s winner was David Cambronero, a MA student at the Courtauld Institute of Art, who gave a short presentation based on his essay on lighting in the Great Mosque of Córdoba in the caliphal period.

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