Category Archives: ARTES Event

ARTEMISIA GENTILESCHI VISIT TO THE NATIONAL GALLERY ON NOVEMBER 5TH

Artemisia Gentileschi, ‘Self Portrait as a Lute Player’, c. 1615-17, Wadsworth Atheneum Museum of Art, Hartford, Connecticut. Charles H. Schwartz Endowment Fund 2014.4.1 © Wadsworth Atheneum Museum of Art

We are pleased to let ARTES members know that a small visit to Artemisia Gentileschi will take place on Thursday  November 5th at 0915.

Gentileschi spent some years working in Naples (from 1630- until her death, thought to have occurred in 1652, when it was part of the Spanish Empire.) Her  patrons  included Phillip IV and his ambassadors and Viceroys, eg The Duke of Alcala. We thought it made sense to visit the exhibition and follow on developing our understanding of the Spanish in Naples. 

Due to the pandemic places are limited, to 10 only, masks must be worn and social distancing  of 2 metres observed. We cannot form groups as we go through the exhibition. 

If you want to include “Titian” please make an online booking for later that morning as  combining the two exhibitions is not now possible due to the pandemic.

Meet Susan Wilson at the Sainsbury Wing Entrance at 0900 to enter at 0915. 

Latecomers cannot be admitted. NB: If you reserve a place and cannot attend please let me know immediately as we can run a waiting list for this visit, but I would need to swap names over.

Please contact Susan Wilson at <susanruddwilson@gmail.com> asap if you wish to attend. 

CANCELLED: ARTES Event: Self-Guided Tours of the National Gallery Exhibitions: Artemisia and Titian, Thursday 23 April 2020, 9:00 – 11:30 am

Artemisia Gentileschi, ‘Self Portrait as Saint Catherine of Alexandria’, about 1615–17, National Gallery, London

Thursday 23 April 2020, 9:00 – 11:30 am

The National Gallery, London

You are cordially invited to self-guided tours of Artemisia and Titian. ARTES members will be able to access both exhibitions free of charge during the event (7 spaces are available).

9:00 am           

Entry via the Sainsbury Wing to the Artemisia exhibition (accessible via the Sainsbury Wing Entrance, to the far left of the main portico on Trafalgar Square, and descend to level -2). Names will be checked off a security list.

10:00 – 10:30 am

Coffee break at the National Gallery café.

10:30 – 11:30 am

Meet at the Titian exhibition entrance (via room 5) where exhibition curator Matthias Wivel will provide a brief introduction before the members’ self-guided tour.

Attendees may check their belongings into one of the Gallery’s cloakrooms. Large bags and suitcases may not be brought into the Gallery. Please note that this event is by invitation only. Places will be allocated on a first-come, first-served basis.

We kindly ask you to RSVP to akemi.herraezvossbrink@ng-london.org.uk by Friday 17 April 2020.

Several spaces still available for the ‘Bomberg and Spain’ discussion with exhibition curator Richard Cork at the National Gallery on Tuesday 25 February, 10:05 to 11 am [RSVP by Friday 21st]

You are cordially invited to an informal study morning in the exhibition Young Bomberg and the Old Masters (27 November 2019 – 1 March 2020)

David Bomberg
Study for ‘Sappers at Work: A Canadian Tunnelling Company, Hill 60, St Eloi’, about 1918–9
Oil on canvas
304.2 × 243.8 cm
Tate, London (T00319)
Purchased 1959
© Tate

10:05 am            

Meet at the exhibition in Gallery 1 (accessible via the Getty Entrance to the right of the main portico on Trafalgar Square).

Self-led tour of the exhibition and discussion (coordinated by National Gallery Spanish Paintings Curatorial Fellow Akemi Herráez). The discussion will take place during normal museum opening hours so please be mindful of other visitors.

10:30 – 11:00 am

Followed by curator Richard Cork’s overview of the exhibition and further discussion with a presentation including Bomberg’s paintings of Spain in the Wilkins Boardroom, Wilkins Building (Akemi Herráez will take the group from the exhibition to the conference room).

Attendees may check their belongings into one of the Gallery’s cloakrooms. Large bags and suitcases may not be brought into the Gallery. There is a bench in the exhibition for those who wish to sit. Please note that this study morning is by invitation only. Numbers are strictly limited to a quota of 13 people and places will be allocated on a first-come, first-served basis.

We kindly ask you to RSVP to akemi.herraezvossbrink@ng-london.org.uk by Friday 21 February 2020.

ARTES Members’ Event: Discussion on Bomberg and Spain, The National Gallery, London, 25 February 2020, 10:05–11:00am (RSVP by 21 February)

You are cordially invited to an informal study morning in the exhibition Young Bomberg and the Old Masters (27 November 2019 – 1 March 2020)

David Bomberg
Study for ‘Sappers at Work: A Canadian Tunnelling Company, Hill 60, St Eloi’, about 1918–9
Oil on canvas
304.2 × 243.8 cm
Tate, London (T00319)
Purchased 1959
© Tate

10:05 am            

Meet at the exhibition in Gallery 1 (accessible via the Getty Entrance to the right of the main portico on Trafalgar Square).

Self-led tour of the exhibition and discussion (coordinated by National Gallery Spanish Paintings Curatorial Fellow Akemi Herráez). The discussion will take place during normal museum opening hours so please be mindful of other visitors.

10:30 – 11:00 am

Followed by curator Richard Cork’s overview of the exhibition and further discussion with a presentation including Bomberg’s paintings of Spain in the Wilkins Boardroom, Wilkins Building (Akemi Herráez will take the group from the exhibition to the conference room).

Attendees may check their belongings into one of the Gallery’s cloakrooms. Large bags and suitcases may not be brought into the Gallery. There is a bench in the exhibition for those who wish to sit. Please note that this study morning is by invitation only. Numbers are strictly limited to a quota of 13 people and places will be allocated on a first-come, first-served basis.

We kindly ask you to RSVP to akemi.herraezvossbrink@ng-london.org.uk by Friday 21 February 2020.

ARTES event: Picturing a New World – Cortés – Moctezuma, 1519–2019: A Special Study Afternoon and Conversation

A guest post by Anna Espinola Lynn and Clare Hills-Nova

On 23 October, 2019, ARTES, together with the Bodleian Libraries, University of Oxford, hosted a transdisciplinary session at the University’s Weston Library, focusing on Mesoamerican manuscripts. The event was designed to mark the 500th anniversary of the historic meeting between the Spanish explorer Hernán Cortés (1485–1547) and the Aztec ruler Moctezuma the Younger (1466–1520), just outside Tenochtitlan (now Mexico City), on 8 November 1519. Attendees included students, academics and representatives of other cultural institutions.

Attendance at this exclusive event was by invitation only. Would you like to take part in similar visits in the future? Join ARTES today!

MS. Arch. Selden. A. 72 (3). Image courtesy the Bodleian Library, University of Oxford.

The afternoon began in the Weston Library’s Visiting Scholars’ Centre. On view were the Selden Roll (MS. Arch. Selden. A. 72 (3)) alongside two modern books produced by Alfonso García Tellez, using the traditional, amate paper-based techniques evidenced by rare Pre-Hispanic codices and rolls.

The session began with Sir John Elliott’s essay on the Cortez-Moctezuma encounter before moving on to presentations by Giuseppe Marcocci (University of Oxford), Emily Floyd (UCL), and the Bodleian Libraries’ Head of Conservation, Virginia Lladó-Buisán. 

Giuseppe followed Sir John’s paper with a consideration of the roles vision and visual culture took on in the encounter between the Spanish visitors and the Mexica. Turning to contemporary accounts of the encounter that emphasize vision, as well as representations of the imagined or real Other, Giuseppe pointed to visual asymmetries active in colonial contexts as they participated in relations of power. 

Emily, meanwhile, provided a reading of the pre-colonial Selden Roll as it expressed the formation of a new cycle of rule in central Mexico. She discussed the multiplicity of ways the Roll can be read, and invited further conversation as to possible representations of time, succession, generation and regeneration. Regarding the name of the Selden Roll, Emily noted that this was associated  with its colonial history of collecting more than with the Roll’s actual content, commenting that ‘The Roll of New Fire’ had recently been adopted as a more appropriate title for it. 

Virginia followed up with insights into the processes and materials used in creating the Roll, drawing upon the results of recent research. Participants in this session had the unique pleasure of getting up close to the Selden Roll and asking those experts present questions about anything from shifts in hue or line quality, to contexts of production in pre-colonial and colonial environments, and on the multivalent symbolisms in the Roll. 

Following a compelling period of conversation around and about the objects, the afternoon concluded with a visit to the Weston Library’s Talking Maps exhibition, where the Codex Mendoza (Bodleian Library MS. Arch. Selden. A. 1) was on display. Here, they were able to extend the conversation regarding the authorship, readership and linguistic referents of the pre-colonial Roll of New Fire versus the colonial era’s Mendoza Codex. 

Images courtesy the Bodleian Library, University of Oxford.

Reminder: ARTES AGM and Group Visit, V&A, London, Thursday 13 June 2019

ARTES’s AGM will take place at the V&A at 12:30 on 13 June 2019. It will be followed by a group visit to look at objects from the Iberian world in the 16th Century.

Meet at the V&A, Exhibition Road Reception, at 11:50. Sandwich lunch (GBP 5) and AGM from 12–2, followed by a group visit to look at objects from the Iberian world in the 16th and early 17th centuries.

***Attendees are asked to arrive punctually, as late arrivals may be difficult to  accommodate*** 

Please contact artesiberia@gmail.com to book a place.

‘Bartolomé Bermejo: Master of the Spanish Renaissance’ Study Morning, Thursday 27 June 2019, 9:00 am, The National Gallery, London

ARTES members are cordially invited to an informal study morning in the exhibition Bartolomé Bermejo: Master of the Spanish Renaissance, which will open on 12 June at the National Gallery, London (until 29 September 2019).

Programme (27 June 2019)

9:00 am: Meet at The National Gallery’s West Entrance (Staff Entrance to the left of the main portico on Trafalgar Square)

9:15 am: Welcome, curator’s introduction and discussion in the exhibition (led by Letizia Treves)

11:00–11:20 am: Complimentary tea and coffee in the Former Viewing Room, Wilkins Building

11:20–11:30 am: Brief overview of the exhibition Sorolla: Spanish Master of Light (Akemi Herráez) in the Former Viewing Room

11:30 am: Self-guided tour (complimentary tickets will be provided) of Sorolla: Spanish Master of Light (Sainsbury Wing, Level -2)

Attendees may leave their belongings at the West Entrance on arrival. After 11.30 am these must be checked into the Gallery’s cloakrooms. Large bags and suitcases may not be brought into the Gallery.

Please note that this study morning is by invitation only. Numbers are strictly limited and places will be allocated on a first-come, first-served basis. We kindly ask you to RSVP to colloquia.RSVP@ng-london.org.uk by Thursday 6 June 2019.

ARTES AGM and Group Visit, V&A, London, Thursday 13 June 2019

ARTES’s AGM will take place at the V&A at 12:30 on 13 June 2019. It will be followed by a group visit to look at objects from the Iberian world in the 16th Century.

Meet at the V&A, Exhibition Road Reception, at 11:50. Sandwich lunch (GBP 5) and AGM from 12–2, followed by a group visit to look at objects from the Iberian world in the 16th and early 17th centuries.

***Attendees are asked to arrive punctually, as late arrivals may be difficult to  accommodate*** 

Please contact artesiberia@gmail.com to book a place.

“A Lifelong Involvement with the Museo del Prado”: a lecture by Sir John Elliott at the Embassy of Spain, London, 23 May 2019

On 23 May 2019, 6pm–8.30pm, the Honorary President of ARTES, Sir John Elliott (Regius Professor Emeritus, University of Oxford), will deliver a lecture in celebration of the 200th anniversary of the Museo del Prado. The lecture will take place at the Embassy of Spain, 24 Belgrave Square, London SW1X 8QA. A limited number of tickets are available to ARTES members by emailing the Spanish Embassy (emb.londres.ofc@maec.es).