POSTPONED: Call for Papers: The Astorga Collection, National Library of Scotland, Edinburgh, 20 May 2020

ARTES members with experience of using the National Library of Scotland’s Astorga Collection or expertise in topics related to its formation and contents are encouraged to contribute to an upcoming conference organised by Dr Christopher Storrs, Reader in History at the University of Dundee, to be held in Edinburgh on Wednesday 20 May 2020.  TheContinue reading “POSTPONED: Call for Papers: The Astorga Collection, National Library of Scotland, Edinburgh, 20 May 2020”

CALL FOR PAPERS: [IN]MATERIALITY IN MEDIEVAL ART, Universidad Complutense de Madrid, November 12–13, 2020

Deadline: Apr 3, 2020 Ovid’s aphorism «Materiam superabat opus», evoked throughout the Middle Ages and beyond, reveals the special consideration given to skill, technique and craft in the artistic creation processes. Thus, ingenuity and mastery have been privileged qualities in our approach to works of art, according to a restricted vision assumed by Art HistoryContinue reading “CALL FOR PAPERS: [IN]MATERIALITY IN MEDIEVAL ART, Universidad Complutense de Madrid, November 12–13, 2020”

CFP: Travelling Objects, Travelling People: Art and Artists of Late Medieval and Renaissance Iberia and Beyond, c. 1400–1550, The Courtauld Institute of Art, 28–29 May 2020.

CALL FOR PAPERS – deadline tomorrow Deadline – Friday 10 January 2020 Travelling Objects, Travelling People aims to nuance our understanding of the exchanges and influences that shaped the artistic landscape of Medieval and Renaissance Iberia. Traditional narratives hold that late fifteenth-century Iberian art and architecture were transformed by the arrival of artists, objects andContinue reading “CFP: Travelling Objects, Travelling People: Art and Artists of Late Medieval and Renaissance Iberia and Beyond, c. 1400–1550, The Courtauld Institute of Art, 28–29 May 2020.”

CFP: Diego de Riaño, Diego Siloé y la Arquitectura en la Transición del Gótico al Renacimiento, Seville-Granada, May 11-15, 2020

CALL FOR PAPERS Deadline: December 15, 2019 The call for papers is open for the DR-DS 2020 International Congress, which will be hosted in the cities of Seville and Granada, from the 11th to the 15th of May, 2020. The congress will include inaugural and closing conferences by professors Amadeo Serra, from the Universitat deContinue reading “CFP: Diego de Riaño, Diego Siloé y la Arquitectura en la Transición del Gótico al Renacimiento, Seville-Granada, May 11-15, 2020”

CFP: Travelling Objects, Travelling People: Art and Artists of Late Medieval and Renaissance Iberia and Beyond, c. 1400–1550, The Courtauld Institute of Art, 28–29 May 2020

CALL FOR PAPERS Deadline – Friday 10 January 2020 Travelling Objects, Travelling People aims to nuance our understanding of the exchanges and influences that shaped the artistic landscape of Medieval and Renaissance Iberia. Traditional narratives hold that late fifteenth-century Iberian art and architecture were transformed by the arrival of artists, objects and ideas from FranceContinue reading “CFP: Travelling Objects, Travelling People: Art and Artists of Late Medieval and Renaissance Iberia and Beyond, c. 1400–1550, The Courtauld Institute of Art, 28–29 May 2020”

CFP: “Rethinking the Canon: Models, Categories and Prestige in Spanish Medieval Art”, 23–25 October 2019, Universidad Complutense, Madrid

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CFP: Canons and Repertoires: Constructing the Visual Arts in the Hispanic World, Durham University, 20–21 June 2019, deadline 31 March!

The visual arts in Spain have long been haunted by the spectres of six giants: El Greco, Ribera, Velázquez, Murillo, Goya and Picasso. Still today, these canonical figures tower over all others and continue to shape the story of Spanish art, which has been traditionally told in monographic form. Although the strength of the SpanishContinue reading “CFP: Canons and Repertoires: Constructing the Visual Arts in the Hispanic World, Durham University, 20–21 June 2019, deadline 31 March!”

CFP: Arts and Models of Democracy in post-authoritarian Iberian Peninsula, University of Huddersfield, 28–29 November 2019

The process of democratisation in Portugal and Spain originated from a similar socio-political context. Besides having an almost identical geographical context, two long authoritarian and military dictatorships shaped the two counties on the basis of a nationalist and deeply catholic identity. From the point of view of popular culture, both dictatorships promoted a disengaged culture, based on songs, football matches, bullfights andContinue reading “CFP: Arts and Models of Democracy in post-authoritarian Iberian Peninsula, University of Huddersfield, 28–29 November 2019”

CFP: ‘Imperial Entanglements: Trans-Oceanic Basque Networks in British and Spanish Colonialism and their Legacy’, Museum of Liverpool, Liverpool UK, 9–10 August 2019

Port-cities in Britain are known and studied as crossroads and gateways of empire. People, ideas, goods, money, etc. flowed in and out of these porous urban environments. For many people, port-cities were not only a place of transience, they could also be a home city with a strong sense of community. From the 16th throughContinue reading “CFP: ‘Imperial Entanglements: Trans-Oceanic Basque Networks in British and Spanish Colonialism and their Legacy’, Museum of Liverpool, Liverpool UK, 9–10 August 2019”

CFP: Canons and Repertoires: Constructing the Visual Arts in the Hispanic World, Durham University, 20–21 June 2019 

CANONS AND REPERTOIRES: Constructing the Visual Arts in the Hispanic World, Durham University, 20–21 June 2019  The visual arts in Spain have long been haunted by the spectres of six giants: El Greco, Ribera, Velázquez, Murillo, Goya and Picasso. Still today, these canonical figures tower over all others and continue to shape the story of Spanish art, whichContinue reading “CFP: Canons and Repertoires: Constructing the Visual Arts in the Hispanic World, Durham University, 20–21 June 2019 ”