CFP: VER Y CREAR: OBRADORES Y MERCADOS PICTÓRICOS EN LA ESPAÑA GÓTICA (1350-1500)

2015-03-Ver y crear conference
Call for papers
VER Y CREAR. OBRADORES Y MERCADOS PICTÓRICOS EN LA ESPAÑA GÓTICA (1350-1500)
11-13 November 2015
IX JORNADAS COMPLUTENSES DE ARTE MEDIEVAL
Proyecto de Investigación Formación del Pintor y Práctica de Pintura en los Reinos Hispanos (1350-1500)

SESIÓN I: La práctica de la pintura en el obrador
SESIÓN II: La formación artística y la transmisión del conocimiento en el periodo gótico
SESIÓN III: Las transferencias de conocimiento técnico
SESIÓN IV: Uso, visión y valoración

PRESENTACIÓN DE COMUNICACIONES

Las propuestas de comunicación, que podrán ser presentadas en español, inglés, italiano y francés, tendrán una extensión aproximada de 1000 palabras, y deberá incluirse la sesión en la que se incorporaría la comunicación y un breve curriculum vitae del comunicante. Se dará prioridad a las que presenten aspectos novedosos o aportaciones críticas relevantes en el marco concreto de los temas de las sesiones.

 

Deberán remitirse a la dirección de correo electrónico IXjornadas@ucm.es antes del 17 de mayo de 2015. Valorados los originales, el comité científico comunicará a los autores su aceptación antes del día 21 de junio de 2015.

Exhibition: Goya portraits: National Gallery, London

2015-02-GoyaSelfPort
Forthcoming exhibition:
Goya Portraits
National Gallery, London
Wed 7 October 2015 – Sun 10 January 2016

The first exhibition in the UK to focus solely on Goya’s portraits. It will look at a wide range of works across his career, from official commissions depicting monarchs and generals through to informal images capturing close friends and colleagues. Among them, court servants in Madrid,such as Andrés del Peral (c.1797), who was appointed guilder to the court of Charles III in 1785, only a year before Goya’s own appointment as court painter. The exhibition will present new research on the artist and sitters by its curator Xavier Bray, Chief Curator, Dulwich Picture Gallery and ARTES member.

Exhibition: Velázquez: Paris

2015-02-Velazquez-GrPalais
Exhibition:
Velázquez
Grand Palais
Paris, 25 March – 13 July 2015

The first monographic exhibition in France on the artis, surveying his entire career and his influence on contemporaries.
Organised by the Louvre’s curator of Spanish and Latin American art, Guillaume Kientz, with the support of the Prado and the Kunsthistorisches Museum in Vienna.

Exhibition Conscience and Conflict: British Artists and the Spanish Civil War: Newcastle upon Tyne

2015-02-ConscienceAndConflictExh
Exhibition:
Conscience and Conflict: British Artists and the Spanish Civil War
Laing Art Gallery, Newcastle upon Tyne
7 March – 7 June 2015

Previously on show at Pallant House, Chichester (closed 15 February 2015) this exhibition moves to the Laing Art Gallery.
Features British artists such as Henry Moore, Edward Burra, Wyndham Lewis and John Armstrong shown alongside work by Miró and Picasso’s Weeping Woman. The exhibition reveals how a generation of British artists were drawn into the Spanish Civil War. While some went to fight in the war themselves, others created posters campaigning for aid for refugees, or created works that made forceful political statements.

Exhibition: Imagining New Worlds: Wifredo Lam, José Parlá, Fahamu Pecou

001LamExhibition:
Imagining New Worlds: Wifredo Lam, José Parlá, Fahamu Pecou
High Museum of Art, Atlanta, Georgia
14 February – 24 May 2015

Retrospective (organised by the McMullen Art Museum, Boston College) of the Cuban twentieth-century artist Wifredo Lam (1902-1982) alongside responses to his legacy by contemporary artists. Traces his career from his early studies in Madrid, his move to Paris in 1938 where he became a member of the Surrealists in the 1940s before he developed his signature fusion of Cubism, Surrealism, Santería imagery and vivid Afro-Caribbean symbolism.
The exhibition will transfer to the Pompidou Centre, Paris, in September 2015.

 

Exhibition: El mundo al revés: El calotipo en España: Pamplona

2015-02-plazadesanfranciscoclifford1-CompressedAndResized

Exhibition:
El mundo al revés: El calotipo en España
Museo Universidad de Navarra, Pamplona
22 January – 26 April 2015
Brings together some 160 works of both negatives and positives, many from the University’s own collection. Featured calotypes include Claudius Galen Wheelhouse’s views of Cádiz and Seville taken in 1849, and work by Charles Clifford.
Also included is a copy of the illustrated edition of Stirling Maxwell’s Annals of the Artists of Spain published in 1849, the first photographically illustrated art history book.

Exhibition: La colección de María Josefa Huarte: Abstracción y modernidad: Pamplona

2015-02-MuseoUnivNavarraPamplona
La colección de María Josefa Huarte: Abstracción y modernidad
Museo Universidad de Navarra, Pamplona,
22 January – 31 August 2015

Inaugural exhibition in Pamplona’s newly opened gallery of modern art, designed by Rafael Moneo. Showcases the 48 paintings and sculptures presented to the University by María Josefa Huarte. Includes works by Picasso, Oteiza and Tàpies.
Catalogue of the exhibition and collection.

Goya in Madrid: The Tapestry Cartoons, Museo del Prado

2015-02-Goya-TapestryCartoons
Goya in Madrid. The Tapestry Cartoons 1775-1794
Prado Museum, Madrid
28 November 2014 – 3 May 2015

Curators: Manuela Mena, Head Curator of the Goya and 18th Century Art Department, and Gudrun Maurer, Curator of the Goya and 18th Century Painting Department at the Museo del Prado

The exhibition of over 140 works proposes a new approach to Goya’s tapestry cartoons by treating them as illustrating the artist’s thought processes and development at the beginning of his career. Cartoons are shown alongside the tapestries for which they were made in the Escorial and Pardo palaces. They are compared  with the work of contemporaneous and historic artists to illustrate Goya’s sources and inspiration.

CFP: First Durham-Northumbria Colloquium on Medieval and Golden Age Hispanic Studies, 9-10 July 2015

2015-02-Durham-Northumbria-ConferenceCall for Papers/Convocatoria:
First Durham-Northumbria Colloquium on Medieval and Golden Age Hispanic Studies
Primer Coloquio de Estudios Hispánicos Medievales y del Siglo de Oro (Universidades de Durham y de Northumbria)

Venue: Northumbria University (Newcastle upon Tyne), Sutherland Building
Date: 9-10 July 2015
Deadline 30 April 2015
Contact: Carlos Conde Solares: carlos.solares@northumbria.ac.uk; Lesley Twomey: lesley.twomey@northumbria.ac.uk; or Andy Beresford: a.m.beresford@durham.ac.uk

Individual papers as well as panel proposals are invited on any Hispanic Medieval or Golden Age topic, including the following:

  • Hispanic Poetry (1250-1650);
  • Peninsular Art (1200-1700);
  • Aspects of Hagiography (1250-1650);
  • Spirituality in Spain (1250-1650);
  • History of Spain (1300-1700);
  • Spain and Europe (1300-1650);
  • Women readers and writers (1300-1700);
  • Spanish fashion history, textiles, and clothing (1400-1700)Se convocan ponencias sobre cualquier tema hispanomedieval o del Siglo de Oro, incluyendo los siguientes:
    Poesía hispánica (1250-1650); arte peninsular (1200-1700); literatura hagiográfica (1250-1650); la espiritualidad en España (1250-1650); temas historiográficos (1300-1700); España en el contexto europeo (1300-1650); la indumentaria, la moda, y los textiles (1400-1700); las lectoras y las escritoras (1300-1700)

 

EXHIBITION – GOYA The Witches & Old Women Album – Courtauld Gallery – 26 Feb-25 May 2015

GOYA: THE WITCHES AND OLD WOMEN ALBUM

26 February – 25 May 2015
The Courtauld Gallery
London

 This major exhibition reunites all the surviving drawings from the Witches and Old Women Album for the first time, offering a fascinating and enlightening view of a very private and personal Goya.

Drawn in the last decade of his life, the album was never meant to be seen beyond a small circle of friends. Goya gave free rein to his creativity, inventing extraordinary images that range from the humorous to the sinister and the macabre.

In this exhibition visitors are invited to discover the private world of Goya’s boundless imagination, expressed through visions and nightmares, superstitions, and the problems of old age. Above all the drawings reveal Goya’s penetrating observation of human nature: our fears, weaknesses and desires.

For full details of opening times and entrance fees see www.courtauld.ac.uk