ARTES

Exhibition: El mundo al revés: El calotipo en España: Pamplona

Exhibition:
El mundo al revés: El calotipo en España
Museo Universidad de Navarra, Pamplona
22 January – 26 April 2015
Brings together some 160 works of both negatives and positives, many from the University’s own collection. Featured calotypes include Claudius Galen Wheelhouse’s views of Cádiz and Seville taken in 1849, and work by Charles Clifford.
Also included is a copy of the illustrated edition of Stirling Maxwell’s Annals of the Artists of Spain published in 1849, the first photographically illustrated art history book.

Exhibition: La colección de María Josefa Huarte: Abstracción y modernidad: Pamplona

2015-02-MuseoUnivNavarraPamplona
La colección de María Josefa Huarte: Abstracción y modernidad
Museo Universidad de Navarra, Pamplona,
22 January – 31 August 2015

Inaugural exhibition in Pamplona’s newly opened gallery of modern art, designed by Rafael Moneo. Showcases the 48 paintings and sculptures presented to the University by María Josefa Huarte. Includes works by Picasso, Oteiza and Tàpies.
Catalogue of the exhibition and collection.

Goya in Madrid: The Tapestry Cartoons, Museo del Prado

Goya in Madrid. The Tapestry Cartoons 1775-1794
Prado Museum, Madrid
28 November 2014 – 3 May 2015

Curators: Manuela Mena, Head Curator of the Goya and 18th Century Art Department, and Gudrun Maurer, Curator of the Goya and 18th Century Painting Department at the Museo del Prado

The exhibition of over 140 works proposes a new approach to Goya’s tapestry cartoons by treating them as illustrating the artist’s thought processes and development at the beginning of his career. Cartoons are shown alongside the tapestries for which they were made in the Escorial and Pardo palaces. They are compared with the work of contemporaneous and historic artists to illustrate Goya’s sources and inspiration.

CFP: First Durham-Northumbria Colloquium on Medieval and Golden Age Hispanic Studies, 9-10 July 2015

Call for Papers/Convocatoria:
First Durham-Northumbria Colloquium on Medieval and Golden Age Hispanic Studies
Primer Coloquio de Estudios Hispánicos Medievales y del Siglo de Oro (Universidades de Durham y de Northumbria)

Venue: Northumbria University (Newcastle upon Tyne), Sutherland Building
Date: 9-10 July 2015
Deadline 30 April 2015
Contact: Carlos Conde Solares: carlos.solares@northumbria.ac.uk; Lesley Twomey: lesley.twomey@northumbria.ac.uk; or Andy Beresford: a.m.beresford@durham.ac.uk

Individual papers as well as panel proposals are invited on any Hispanic Medieval or Golden Age topic, including the following:

Hispanic Poetry (1250-1650);
Peninsular Art (1200-1700);
Aspects of Hagiography (1250-1650);
Spirituality in Spain (1250-1650);
History of Spain (1300-1700);
Spain and Europe (1300-1650);
Women readers and writers (1300-1700);
Spanish fashion history, textiles, and clothing (1400-1700)Se convocan ponencias sobre cualquier tema hispanomedieval o del Siglo de Oro, incluyendo los siguientes:
Poesía hispánica (1250-1650); arte peninsular (1200-1700); literatura hagiográfica (1250-1650); la espiritualidad en España (1250-1650); temas historiográficos (1300-1700); España en el contexto europeo (1300-1650); la indumentaria, la moda, y los textiles (1400-1700); las lectoras y las escritoras (1300-1700)

EXHIBITION – GOYA The Witches & Old Women Album – Courtauld Gallery – 26 Feb-25 May 2015

GOYA: THE WITCHES AND OLD WOMEN ALBUM

26 February – 25 May 2015
The Courtauld Gallery
London

This major exhibition reunites all the surviving drawings from the Witches and Old Women Album for the first time, offering a fascinating and enlightening view of a very private and personal Goya.

Drawn in the last decade of his life, the album was never meant to be seen beyond a small circle of friends. Goya gave free rein to his creativity, inventing extraordinary images that range from the humorous to the sinister and the macabre.

In this exhibition visitors are invited to discover the private world of Goya’s boundless imagination, expressed through visions and nightmares, superstitions, and the problems of old age. Above all the drawings reveal Goya’s penetrating observation of human nature: our fears, weaknesses and desires.

For full details of opening times and entrance fees see www.courtauld.ac.uk

FILM & ARTIST IN CONVERSATION – Carlos Amorales & Dawn Adès – Univ of Essex – Wed 11 March 2015 6.00pm

Film Screening

Carlos Amorales

The Man Who Did All Things Forbidden

Carlos Amorales EXHIIBITON Essex

Professor Dawn Adès will join Carlos in conversation, expanding on themes raised in this extraordinary work.

Wednesday 11 March 6.00 – 7.30 pm

Art Exchange
Univeristy of Essex
Wivenhoe Park
Colchester CO4 3SQ

Exhibition: Tuesday 10 February – Saturday 21 March 2015
Tues-Fri 11am-5pm Sat 12pm-4pm

Carlos Amorales

Carlos Amorales lives and works in Mexico City and has shown internationally including MUCA in Mexico City, Manifesta 9, Berlin Biennial 8, Tate Modern and Liverpool Biennial. His film The Man Who Did All Things Forbidden was commissioned for the Berlin Biennial 8 in 2014. This will be its first showing in the UK.

Exploring questions of concealment and identity, Carlos Amorales works with film, drawing, painting and performance. The current exhibition at At Art Exchange focuses on his latest film which follows the contradictory impulses of a man who did all things forbidden. Stylistically strikingly, with strong visual imagery and use of sound, as much is implied as said in this captivating film.

Professor Adès is a Fellow of the British Academy, a former trustee of Tate, Professor of the History of Art at the Royal Academy and was awarded a CBE in 2013 for her services to art history. She has been responsible for some of the most important exhibitions in London and overseas over the past thirty years, including Dada and Surrealism Reviewed, Art in Latin America and Francis Bacon. Most recently she organised the highly successful exhibition to celebrate the centenary of Salvador Dalí at the Palazzo Grassi in Venice (2004) The Colour of my Dreams: The Surrealist Revolution in Art, at the Vancouver Art Gallery (2011), and was Associate Curator for Manifesta 9 (2012) . She has published standard works on photomontage, Dada, Surrealism, women artists and Mexican muralists.

EXHIBITION & Private View – Kaleidoscope – MYA Gallery London E1 – 20 Feb-3 April 2015

EXHIBITION
(including Private View on 20 February – RSVP directly to MYA Gallery)
20 Feb- 3 April 2015

Kaleidoscope
work by artists who have created and led
the Urban & Contemporary art movement in Spain

MYA Gallery
150a Commericial Road
London E1 6NU
www.myagallery.com

EXHIBITION – Gloria Ceballos – Instituto Cervantes London – 12 Feb-15 March 2015

EXHIBITION
The Instituto Cervantes
102 Eaton Square
London SW1W 9AN

12 Feb – 13 March 2015

Gloria Ceballos: Nature a Cultural Artefact

This exhibition focuses on Gloria Ceballos’s continuing study into our relationship with nature.

As city inhabitants our experiences of nature are restricted to parks, gardens and other green areas: “cultured nature”. We call green spaces a natural environment, when in reality they are spaces controlled by man. In our aim to control everything, nature is classified, organised, designed, and theorised. The focus of Ceballos’s latest series of work is the concept of “three natures” , a concept created by Cicero and later developed by landscape theorist John Dixon Hunt.

http://www.gloriaceballos.com

ARTES Members Private Visit- Goya Drawings Exhibition – Courtauld Gallery – Thurs 5 March 2015

ARTES Members
are invited to a private visit of the exhibition

GOYA
The Witches and Old Women Album

with curator & ARTES member
Juliet Wilson Bareau

Thursday 5 March 2015
8.50 am
The Courtauld Institute

Please contact Morlin at artesiberia@gmail.com, if you would like to attend. Numbers are limited. Guests of members are very welcome to join us for a donation of £10 (payable on the day), or without charge if they become members (£35 /£20 students – see Join Us tab)

Coypel’s Don Quixote Tapestries: Illustrating a Spanish Novel in Eighteenth-Century France: Frick Collection, New York

Coypel’s Don Quixote Tapestries: Illustrating a Spanish Novel in Eighteenth-Century France
Exhibition, The Frick Collection, New York
25 February 2015 – 17 May 2015

Charles Coypel (1694−1752), painter to Louis XV, created a series of twenty-eight paintings (also called cartoons) to be woven into tapestries by the Gobelins manufactory in Paris. Twenty-seven were painted between 1714 and 1734, with the last scene realized just before Coypel’s death in 1751. In 2015 (the 400th anniversary of the publication of the second volume of Don Quixote), the Frick will bring together a complete series of Coypel’s scenes, which will be shown in the Oval Room and East Gallery.
The exhibition will include five of Coypel’s original paintings, never before seen in New York, on loan from the Palais Impérial de Compiègne and the Musée Jacquemart-André, Paris. These will be joined by three Gobelins tapestry panels from the J. Paul Getty Museum and two Flemish tapestries inspired by Coypel from The Frick Collection, which have not been on view in more than ten years. The series is completed by eighteen prints and books from the Hispanic Society of America, New York.