Joana Vasconcelos: Waddesdon Manor

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Joana Vasconcelos at Waddesdon Manor, Buckinghamshire

The Portuguese sculptor has unveiled the latest of her installations: a monumental pair of 7-metre-tall candlesticks created from glass wine bottles, on display at the North entrance of the 19th-century country house of the Rothschild family at Waddesdon Manor, Buckinghamshire. They have been bought for the Manor’s contemporary art collection and the bottles used in Vasconcelos’ fibre-optic lit sculpture came from the Chateau Lafite Rothschild vineyard in Bordeaux.

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Itinerarios XXI, Fundación Botín, Santander, 28 March – 31 May 2015
Exhibition of works by nine Spanish, Portuguese and Latin American contemporary artists who are the recipients of the 21st Fundación Botín Visual Arts Grants for 2013-2014. Carles Congost (Gerona, 1970), Albert Corbí (Valencia, 1976), Patricia Esquivias (Caracas, 1979), Jon Mikel Euba (Vizcaya, 1967), Rodrigo Oliveira (Portugal, 1978), Wilfredo Prieto (Cuba, 1978); Julia Spínola (Madrid, 1979), Justin Randolph Thompson (Peekskill, NY, 1979) and Jorge Yeregui (Santander, 1975).
A downloadable leaflet –at http://www.fundacionbotin.org/89dguuytdfr276ed_uploads/2015_03_26_06_31_03.pdf –illustrates examples of the artists’ works including sculptures, photographs and artist’s books.

Equipo Crónica, Bilbao,10 February – 18 May 2015

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Equipo Crónica, Museo de Bellas Artes, Bilbao,10 February – 18 May 2015

The most extensive retrospective to date of nearly 150 paintings, drawings, prints, posters and sculptures, covering Equipo Crónica’s entire creative career from 1964 when three Valencian artists, Rafael Solbes (1940-1981), Manuel Valdés (1942) and Juan Antonio Toledo (1940-1995) established the group, to 1981 when Solbes died.
Featuring major works from many collections both public and private, the exhibition gives pride of place to a large group on loan for the occasion from the IVAM, in Valencia. Against a background of Pop and new figuration, Equipo Crónica made a name for itself with a number of exhibitions in Paris in the 1960s. Their activity was deliberately linked to the social and political situation in Spain at the time and involved working as anonymous members of a team producing images, many of which were drawn from the media, or critically appropriated references from history and art. The group conjured up in visual terms a particular era in Spanish history, one that roughly coincides with the final ten years of the Franco régime and the beginning of Spain’s transition to democracy.
Art historians Tomàs Llorens Serra (who wrote the original short essays that provided theoretical backing for the group) and Boye Llorens Peters have curated the exhibition.

Helena Almeida and Lourdes Castro, London, 27 March – 22 May 2015

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Helena Almeida, Inhabited Drawings/Desenhos habitados, showing at Richard Saltoun Gallery, Great Titfield Street, London W1W 6RV, 27 March – 22 May, along with work by her Madeira-born contemporary Lourdes Castro (b.1930).

This is the first London show for Portuguese artist Helena Almeida, a student of the University of Fine Art, Lisbon, who has developed a body of work that marries unconventional materials with photography, drawings, and performance. She has had recent solo shows at Centro de Arte Moderna, Fundação Gulbenkian, Lisbon (2006), Kettle’s Yard, Cambridge, (2009), and the John Hansard Gallery, Southampton (2010). Her work is included in the collections of the Tate, the Museu d’art modern i contemporani de Palma, and she represented Portugal in 2005 at the Venice Biennale.

Spain and England: Juan Luis Vives and Thomas More: Exeter (UK), 13 April – 13 May 2015

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Spain and England: Juan Luis Vives and Thomas More

The Institute of Arab and Islamic Studies presents an exhibition on two Renaissance Humanists, the Valencian Juan Luis Vives and the Englishman Sir Thomas More.

The Street Gallery, University of Exeter
13th April – 13th May 2015 from 9am to 5pm

The exhibition, which premièred in Valencia in 2014 and has been brought to the UK by Hispanic Studies at the University of Exeter, examines, though visual media (videos, family trees, portraits, maps, flags) and explanatory panels, Renaissance Humanism across Europe, and, in particular, in Spain and England, through the figures of Juan Luis Vives and Thomas More.

Gabriele Finaldi, National Gallery, London

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Gabriele Finaldi to take up his new position as Director of the National Gallery, London, on 17 August 2015.
Dr Finaldi, a British citizen, is currently Deputy Director for Collections and Research at the Museo Nacional del Prado, Madrid where he has been since 2002. He was formerly a curator at the National Gallery, London, between 1992 and 2002, where he was responsible for the later Italian paintings in the collection and also the Spanish collection.

Miguel Falomir Faus, Museo Nacional del Prado

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The Royal Board of Trustees of the Museo Nacional del Prado has announced the appointment of Miguel Falomir Faus, current head of the Department of Italian Renaissance painting, as the Museum’s new Deputy Director for Collections and Research, succeeding Gabriele Finaldi, who has recently been appointed the new Director of the National Gallery in London.

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CFP: Polychrome Sculpture in Iberia and the Americas, 1200-1800. Deadline: 8 May 2015

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CAA 2016 session
Washington, DC
3-6 February 2016
CFP:

Polychrome Sculpture in Iberia and the Americas, 1200-1800
Sponsored by ASHAHS.
Chair: Professor Ilenia Colón Mendoza: ilenia.colonmendoza@ucf.edu

 

 

Reminder: College Art Association 2016: CFP Deadline: 8 May 2015

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CAA, Washington, DC, 3-6 February 2016

The deadline to propose a paper or presentation is Friday, May 8, 2015.

Propose a Paper or Presentation for the 2016 Annual Conference

The 2016 Call for Participation for the 104th Annual Conference, taking place February 3–6, 2016, in Washington, DC, describes many of next year’s programs sessions. CAA and the session chairs invite your participation: please follow the instructions in the booklet to submit a proposal for a paper or presentation. This publication also includes a call for Poster Session proposals and describes the Open Format Sessions.

 

CFP: The Cleric’s Craft: Crossroads of Medieval Spanish Literature and Modern Critique. Deadline: 1 June 2015,

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The Cleric’s Craft: Crossroads of Medieval Spanish Literature and Modern Critique

University of Texas, El Paso
22-24 October 2015

This interdisciplinary conference welcomes proposals on topics in a number of disciplines, including art history.  Deadline: 1 June 2015.
Programme
Click here for CFP