Tag Archives: The National Gallery

News: the National Gallery acquires a still life by Juan de Zurbarán

n-6669_432pxThe National Gallery, London, has recently acquired Still Life with Lemons, Lilies, Carnations, Roses and a Lemon Blossom in a Wicker Basket, the first work by Juan de Zurbarán to enter a public collection in the UK. On display at the Gallery since 25 April 2018, the work was painted in about 1643–49 by the son of leading Golden Age artist Francisco de Zurbarán. Long overshadowed by his father, Juan was a skilled still life painter documented in Seville between 1620 and 1649. Works by his hand are extremely rare as his career was cut short at 29 by the plague which halved the city’s population.

 

Job: Curatorial Fellow in Spanish Paintings, The National Gallery, London

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Diego Velázquez, The Toilet of Venus (‘The Rokeby Venus’)
1647-51, The National Gallery, London

Department: Curatorial
 

Salary: £26,126 – £32,734
Type: Fixed Term Full-Time
Closing date: 25 April 2018
Interview date:16th May 2018

Job ref:1608

This is a new curatorial position at The National Gallery generously supported by Centro de Estudios Europa
Hispanica (CEEH).

This post is a 22 month traineeship for a candidate with a scholarly background in European paintings and a special interest in Spanish paintings, who wishes to pursue a museum career. The Curatorial Fellow will have the opportunity to be involved in a full range of curatorial activities, including special projects, with a particular focus on Spanish paintings from 1450 to post-1800.

Click here to apply

Velázquez at Kingston Lacy: Lecture by Dr Gabriele Finaldi, 21 July

Philip IV hunting Wild Boar (La Tela Real)
Diego Velázquez, Philip IV hunting Wild Boar (La Tela Real), probably 1632-7, oil on canvas, 182 x 302 cm. The National Gallery, London, inventory no. NG197

A unique landscape by artist Diego Velázquez, painted for King Philip IV of Spain, is on loan from the National Gallery in London for the first time, and is exhibited at the National Trust’s Kingston Lacy in Dorset.
La Tela Real takes pride of place in the dining room, while Kingston Lacy’s The Judgement of Solomon by Sebastiano del Piombo is on loan to the National Gallery, where it joined a major exhibition charting Sebastiano’s extraordinary friendship with Michelangelo, master of the Italian High Renaissance.

La Tela Real is a landscape scene depicting a type of boar hunt, staged by the Spanish kings on feast days and to honour special guests. The quarry was hunted within a canvas (tela) enclosure (so giving the name La Tela Real, i.e. ‘The Royal Enclosure’). Owing to the tremendous expense and labour involved, only the king could afford such a spectacle.
Identifiable figures include Philip IV, in the right mid-ground, meeting the charge of the boar. Immediately to his left is the powerful Count-Duke of Olivares (first minister to the king) and beyond him most likely the Infante Don Carlos, Philip’s brother. The king’s first wife, Isabella of Bourbon, watches the events from the comfort and safety of one of the carriages inside the enclosure.

La Tela Real is exceptional amongst Velázquez’s body of work. An extremely rare and individual landscape, it was designed around 1636-8 for The Torre de la Parada, Philip IV’s hunting lodge near Madrid. At Kingston Lacey it will be possible to enjoy an intimate encounter with this artwork, similar to that enjoyed by the king and his court in its original private, royal setting.

Moreover, it will be possible to enjoy the painting together with Kingston Lacy’s remarkable collection of Spanish paintings, assembled by William John Bankes and proudly displayed in his opulent ‘Spanish Room’. The finest works include Velázquez’s portrait of Cardinal Camillo Massimi, and a near-contemporary copy of the artist’s Las Meninas, one of the most enigmatic and famous images in the history of Western art.

To reveal the story of La Tela Real and the fascinating associations with Kingston Lacy’s own outstanding collections, Dr Gabriele Finaldi, Director of the National Gallery,  will give a lecture  looking at Velázquez as an artist along with the history surrounding Philip IV of Spain and the art of boar hunting.

The lecture will take place on 21 July. Tickets are £12 per person, with a welcome drink from 6.30pm, time to explore the state rooms at Kingston Lacy, before the lectures start at 7pm.

Tickets must be booked in advance on 0344 249 1895 or online.
Visitors can see La Tela Real on display until September. The house at Kingston Lacy opens via a timed ticket system. Tickets can be booked online.

GOYA PORTRAITS – THE NATIONAL GALLERY LONDON – LUNCHTIME TALKS

EXHIBITION EVENTS

GOYA THE PORTRAITS

goya

The National Gallery, Sainsbury Wing Theatre

Lunchtime Talks – Free, no booking
Courses – £14/£12 concession/£10 members

October-December 2015

1.00-1.45pm

OCTOBER

Francisco de Goya, The Duchess of Alba (detail), 1797. © Courtesy of The Hispanic Society of America, New York

Lunchtime talk
Thursday 29 October 
Goya & the Duchess of Alba
Marcus B. Burke
Senior Curator, Museum Department, The Hispanic Society of America, New York

NOVEMBER

Course (Sainsbury Wing Theatre)
Thursday 12 November

11am-1pm
Fashioning identity
Tutor: Aileen Ribeiro
£14/£12 concessions/£10 members
Professor Aileen Ribeiro of the Courtauld Institute of Art explores themes of costume and national identity in Spain, England and France during the late 18th and early 19th centuries.

Altamira

Lunchtime talk
Monday 16 November
The Altamira Family, Goya and Portraiture
Xavier Salomon
Chief curator, The Frick Collection, New York

Study day
Saturday 21 November
11am-3.30pm
Sainsbury Wing Theatre
Subversive portraits: Goya and his legacy
Speakers: Juliet Wilson Bareau, Emma Barker, Xavier Bray, Gill Perry and Yinka Shonibare
£25/£14 concessions/£10 members and OU students
Explore portraits by Goya and other artists in the context of Napoleonic Europe, and discover why Goya has been such a key figure for modern and contemporary artists from Manet to Jake and Dinos Chapman. Held in collaboration with the Open University.

Lunchtime talk
Monday 30 November
Public faces, private views: Goya’s letters and the problem of portraiture
Sarah Symmons
Visiting Fellow, University of Essex

DECEMBER

godoy
Monday 7 December
Goya’s patron: Manuel Godoy
Isadora Rose-de Viejo

Monday 21 December
Painted Cloth: Goya and Dress
Jacqui Ansell

ARTES Visit – Exhibition – El Greco at the National Gallery – 18 June 2015

ARTES Members Private Visit

EL GRECO Adoration in the Name of Jesus

The National Gallery London 

El Greco at the National Gallery

Thursday 18 June 2015

8.50 am – 10.00 am (meeting at West Entrance)

This visit is at the kind invitation of Curator Letizia Treves of the National Gallery will be talking about the El Greco display. She will be joined by Xavier Bray from the Dulwich Picture Gallery will be talking about El Greco’s interest in sculpture and by Véronique Gerard Powell will be talking about the Louvre Crucifixion.

Please note, numbers for this event are limited. If you would like to attend or are interested in membership , please contact Morlin at artesiberia@gmail.com . While this visit is free for ARTES members, there will be a charge for guests.

Gabriele Finaldi, National Gallery, London

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Gabriele Finaldi to take up his new position as Director of the National Gallery, London, on 17 August 2015.
Dr Finaldi, a British citizen, is currently Deputy Director for Collections and Research at the Museo Nacional del Prado, Madrid where he has been since 2002. He was formerly a curator at the National Gallery, London, between 1992 and 2002, where he was responsible for the later Italian paintings in the collection and also the Spanish collection.

Exhibition: Goya portraits: National Gallery, London

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Forthcoming exhibition:
Goya Portraits
National Gallery, London
Wed 7 October 2015 – Sun 10 January 2016

The first exhibition in the UK to focus solely on Goya’s portraits. It will look at a wide range of works across his career, from official commissions depicting monarchs and generals through to informal images capturing close friends and colleagues. Among them, court servants in Madrid,such as Andrés del Peral (c.1797), who was appointed guilder to the court of Charles III in 1785, only a year before Goya’s own appointment as court painter. The exhibition will present new research on the artist and sitters by its curator Xavier Bray, Chief Curator, Dulwich Picture Gallery and ARTES member.

Spanish Art Symposium – Auckland Castle, The Bowes Museum & Durham University – Thursday 23 October to Saturday 25 October 2014

A symposium on Spanish Art will take place from 23-25 October in Co Durham, highlighting collections in the area and launching a book on treasures of Spanish Art in Country Durham. The three-day event will include exclusive access to view Zurbarán’s Jacob and his Twelve Sons and a conference dinner at Auckland Castle.

Below is a provisional programme for the event (the pdf is available here: Spanish Art Symposium Programme – Co Durham – 23-25 Oct 2014

To book a place, or for further information, please contact:

Rosie Bradford
Groups and Events Co-ordinator
The Bowes Museum

symposium@thebowesmuseum.org.uk
01833 694615

Thursday 23 October 2014
Auckland Castle, Market Place, Bishop Auckland, County Durham, DL14 7NR

Auckland Castle

Friday 24 October 2014
The Bowes Museum, Barnard Castle, County Durham, DL12 8NP

Bowes Museum Barnard Castle County Durham

Saturday 25 October 2014
Palace Green, Durham University, Durham, County Durham, DH1 3RN

Palace Green University of Durham

Jointly organised by Auckland Castle, The Bowes Museum, and Durham University, this three-day symposium aims to highlight the outstanding collections of Spanish art held in County Durham. Internationally renowned academics and museum professionals will present a wide range of papers that will place these significant collections within their artistic, cultural, and historic context. The symposium will also be an opportunity to consider the reception of seventeenth-century Spanish art in Britain, marking the bicentenary of the arrival of Velázquez’s The Rokeby Venus in Teesdale (now in the National Gallery, London).

County Durham has historically been a hot spot for the collection and display of Spanish art, which fascinated influential figures such as Bishop Richard Trevor, John and Joséphine Bowes, and Frank Hall Standish. Today the results of this interest are to be found in the collections at The Bowes Museum and Auckland Castle, which together represent the most significant UK holdings of Spanish Golden Age art outside of London.

The symposium heralds a wider, long-term vision shared by Auckland Castle, The Bowes Museum, and Durham University, to establish County Durham as a centre for the study of Spanish art in the UK, and as a world-class visitor destination.

El Greco, 1580-1589, The Tears of St Peter, ooc, The Bowes Museum, Castle Barnard, Co Durham

El Greco (1541-1641), The Tears of St Peter, 1580-1589, oil on canvas, The Bowes Museum

PROGRAMME

23 October 2014
Auckland Castle

09.30 – 10.00   Registration
10.00 – 10.30
Welcome Remarks
Jonathan Ruffer, Chairman of the Auckland Castle Trust
10.30 – 11.30
Zurbarán and Britain (Title TBC)
Gabriele Finaldi, Associate Director of Curatorship and Research, the Museo del Prado, Madrid
11.30 – 12.00   Coffee Break
12.00 – 13.00
Francisco de Zurbarán’s representations of Saint Francis in the National Gallery
Letizia Treves, Curator of Italian and Spanish Paintings 1600-1800, The National Gallery, London
13.00 – 14.30   Lunch – Tours of proposed Spanish Art Gallery site in Bishop Auckland Market Place
14.30 – 15.30
The Sons of Jacob: the first dysfunctional family why did Zurbarán paint them?
Alastair Laing, former Curator of Pictures and Sculpture, The National Trust
Thomas Gainsborough’s response to the work of Spanish masters
Anthony Mould, Fine Art Agent and Dealer specialising in British Art
15.30 – 16.00   Refreshments
16.00 – 17.00
The Museo del Prado and the visual construction 
of the history of Spanish painting in the nineteenth century
Javier Portús, Senior Curator of Spanish Painting, Museo del Prado, Madrid
17.00 – 17.45     Concluding Remarks
18.00 – 19.00     Drinks Reception and Book Launch
19.00 – 22.00     Conference Dinner                            

Francisco de Zurbarán, Levi, oil on canvas, Auckland Castle

Francisco de Zurbarán (1598-1664), Levi, 1640-45, oil on canvas, Auckland Castle, Bishop Auckland, Co Durham

24 October 2014
The Bowes Museum

09.30 – 09.45
Welcome and Introduction
Adrian Jenkins, Director of The Bowes Museum
09.45 – 10.25
Art collecting as a language of friendship and affinity between England and Spain
during the seventeenth century
Toby Osborne, Senior Lecturer in History, Durham University
10.25 – 11.05
Spanish masters and the spoils of war: the circulation of Spanish art in the era of Napoleon
Tom Stammers, Lecturer in History, Durham University
11.05 – 11.30   Coffee Break
11.30 – 12.10    
Preliminary thoughts on materiality and spirituality in the works of Francisco de Zurbarán 

Cordula van Whye, Lecturer in History of Art, University of York
12.10 – 12.50
Madrid’s monastic, artistic, and cultural heritage before the Confiscation of 1835. Report by the Royal Academy of Fine Arts of San Fernando
Itziar Aranna, Research Fellow, Academia de San Fernando,
12.50 – 14.00   Lunch – optional tours of the Museum
14.00 – 14.30
Frank Hall Standish (1799-1840), Collector of Durham, Duxbury and Seville
Howard Coutts, Keeper of Ceramics, The Bowes Museum
14.30 – 15.00
Frank Hall Standish and his paintings acquisitions in Seville
Xanthe Brooke, Senior Curator (Continental European Fine Art), Walker Art Gallery, Liverpool
15.00 – 15.40
John Bowes and the sale of the Quinto Collection: an opportunity or a question of taste?
Véronique Gérard Powell, Senior Lecturer (Honorary) University of Paris-Sorbonne
15.40 – 16.15   Tea Break
16.15 – 16.45   Closing Remarks
17.00 – 18.00   Tours of Picture Gallery and Exhibition
18.00 – 22.00   Drinks Reception and Conference Dinner

(c) The Bowes Museum; Supplied by The Public Catalogue Foundation

José Antolínez, The Immaculate Conception, oil on canvas, The Bowes Museum, Castle Barnard, Co Durham

25 October 2014
Durham University

09.30 ‒ 09.45   Arrival and Coffee
09.45 ‒ 10.15     
Sugar and spice and all things nice: José Antolínez and the Immaculate Virgin of the Bowes Museum

Lesley K. Twomey, Reader in Medieval and Golden Age Iberian Art, University of Northumbria
10.15 ‒ 10.45
Sacred skin: the martyrdom of St Bartholomew in Spanish Golden Age art
Andy Beresford, Professor of Spanish, Durham University
10.45 ‒ 11.10   Coffee Break
11.10 ‒ 11.40
The art of Seville and the collection of a scholar: Stirling Maxwell and the Fiestas de Sevilla
Hilary Macartney, Lecturer in Hispanic Art, University of Glasgow
11.40 ‒ 12.10
In the wake of Colonna and Mitelli: Quadratura in the Court of the Last Habsburg
Jeremy Robbins, Forbes Chair of Spanish, University of Edinburgh
12.10 ‒ 12.40
Spanish art and the Catholic Revival in Britain
Stefano Cracolici, Reader in Italian, Durham University
12.40 ‒ 13.30    Lunch
13.30 ‒ 14.30    Round Table Discussion
‘Engaging public interest in Spanish religious art’
14.45 ‒ 15.30    Optional Tour of Durham Castle Collection

(c) Durham University; Supplied by The Public Catalogue Foundation

Unknown artist, St Jerome, oil on canvas, Durham Castle Collection

Tuesday 16 September 2014 – Concert in London: Music and art in Toledo at the time of El Greco

A celebration of the music and art of Toledo in the 16th century will held at the Church of St James – London’s ‘Spanish Church’ – in the West End on Tuesday 16th September. The event is the being organised by the BritishSpanish Society.

At the time of El Greco, Toledo was a major centre for sacred music and for centuries Spanish sacred music was known as Canto toledano. It still houses one of the richest libraries of sacred music in Spain as well as an outstanding collection of Flemish Renaissance music.

Coro Cervantes

Music will be performed by the Coro Cervantes, the UK’s only chamber choir dedicated to Hispanic and Latin American classical music. Exploring these connections between music and art will be the choir’s musical director Carlos Fernández Aransay and Chief Curator of the Dulwich Picture Gallery and longtime supporter of ARTES, Xavier Bray.

Xavier+Bray+Jorge+Dezcallar+Sacred+Made+Real+IHsc4STTUCfl

Xavier has curated or co-curated all the major exhibitions of Spanish Golden Age art in London over the past 10 years: El Greco (National Gallery, 2004), Velázquez (National Gallery, 2006) and Murillo (Dulwich Picture Gallery, 2013); and is currently working on an exhibition of Goya’s portraits for the National Gallery in October 2015. In 2009 he conceived and curated the groundbreaking exhibition The Sacred Made Real: Spanish Painting and Sculpture 1600-1700 (2009), which was instrumental in bringing audiences in the UK and beyond to a greater understanding and appreciation of sacred Spanish art. The legacy of this exhibition continues. This summer Sotheby’s London held its first selling exhibition devoted exclusively to sacred paintings and sculpture; seventeen of the twenty-six works were Spanish. This exhibition, Contemplation of the Divine was masterminded by Alexander Kader, Senior Director & Head of Sculpture & Works of Art and ARTES member James Macdonald, Senior Director & Head of Private Sales, Old Master Paintings, both of whom were kind enough to take ARTES members on a private tour.

For more information see: ARTES post 24 Aug 2014, Fitzwilliam Museum Cambridge on Fundraising Drive to purchase a Pedro de Mena Mater Dolorosa. Particularly for the historic reception of Spanish art in the UK: Spanish Art in Britain and Ireland, 1750-1920. Studies in Reception in Memory of Enriqueta Harris Frankfort, edited by Nigel Glendinning & Hilary Macartney, Tamesis, 2011.

Tickets: £22 for non-members of the British Spanish Society, available from their Events Secretary or the Society’s website, www.britishspanishsociety.org. Membership of the Society is open to all (£25) and an application form can be found on the website. Tickets for members are £17.

Date Tuesday 16 September 2014 at 6.30pm, followed by a reception

Venue The Church of St James, Spanish Place, 22 George St, London W1U 3QY (near to the Wallace Collection). NB: Bond Street tube is not fully operational. Please check before using.

St James's Spanish Church London