Tag Archives: The Frick Collection

Opens Today: Zurbarán’s Jacob and His Twelve Sons: Paintings from Auckland Castle at The Frick Collection, New York

From January 31, 2018 to April 22, 2018

zurbaran_asher-343x700In collaboration with the Meadows Museum, Dallas, Texas, and The Auckland Project, County Durham, England, The Frick Collection is organising an exhibition of Jacob and His Twelve Sons, an ambitious series of thirteen paintings that depict life-size figures from the Old Testament. On loan from Auckland Castle, the works by the Spanish Golden Age master Francisco de Zurbarán (1598–1664) have never before traveled to the United States. Now on view in Dallas through January 7, 2018, Jacob and His Twelve Sons will be shown at The Frick Collection from January 31 through April 22, 2018. In preparation for this unprecedented American tour, these important seventeenth-century Spanish paintings, dating from the 1640s, have undergone a year-long in-depth technical analysis in the conservation department at the Kimbell Art Museum, Fort Worth, the most extensive study of the series to date. For its New York showing in 2018, the exhibition will be coordinated by The Frick Collection’s Senior Curator, Susan Grace Galassi.

Click here for more information.

Advertisements

Happy Birthday Murillo! Some Events in Seville

murillo_st_justa_and_st_rufina_2

Bartolomé Esteban Murillo 
Oil on canvas
200 x 176 cm
c. 1666
Museo de Bellas Artes, Seville

Baptised on 1 January 1618, Bartolomé Esteban Murillo (d. 1682) became the leading painter of late seventeenth-century Seville. He completed several religious commissions, especially compelling and innovative representations of the Immaculate Conception. He was also an outstanding portraitist, as revealed in the exhibition Murillo: The Self-Portraitson view at The Frick Collection in New York until February 4. The painter also excelled in genre pictures of children, a production which made him extremely famous among foreign connoisseurs and collectors, especially in England and France in the eighteenth- and early nineteenth-century.

As noted in a contemporary document, Murillo had ‘all his life been a parishioner of la Magdalena [in Seville] without any notable absence’. His oeuvre and memory are closely connected to this city in the South of Spain, then a flourishing emporium for trade with Latin America.

Unsurprisingly, this year the city will celebrate Murillo’s 400th birthday with a number of large-scale cultural events and exhibition. Information on many of these can be found on a dedicated website, Murillo y Sevilla. Here are some highlights:

Murillo y los Capuchinos de Sevilla. Reconstrucción (Murillo and the Capuchins of Seville. Reconstruction), exhibition curated by Maria del Valme Muñoz at the Museo de Bellas Artes. Until 1 April 2018.

Murillo y su estela en Sevilla (Murillo and His Followers in Seville), exhibition curated by Benito Navarrete at the Espacio Santa Clara. Until 8 April 2018.

Murillo IV centenario (Murillo’s 4th centenary), exhibition curated by María Valme Muñoz e Ignacio Cano at the Museo de Bellas Artes. 29 November 2018–17 March 2019.

International Conference Murillo ante su centenario: perspectivas historiográficas y culturales (Murillo at 400: historiographical and cultural perspectives), 19–22 March 2018, Universidad de Sevilla.

GOYA PORTRAITS – THE NATIONAL GALLERY LONDON – LUNCHTIME TALKS

EXHIBITION EVENTS

GOYA THE PORTRAITS

goya

The National Gallery, Sainsbury Wing Theatre

Lunchtime Talks – Free, no booking
Courses – £14/£12 concession/£10 members

October-December 2015

1.00-1.45pm

OCTOBER

Francisco de Goya, The Duchess of Alba (detail), 1797. © Courtesy of The Hispanic Society of America, New York

Lunchtime talk
Thursday 29 October 
Goya & the Duchess of Alba
Marcus B. Burke
Senior Curator, Museum Department, The Hispanic Society of America, New York

NOVEMBER

Course (Sainsbury Wing Theatre)
Thursday 12 November

11am-1pm
Fashioning identity
Tutor: Aileen Ribeiro
£14/£12 concessions/£10 members
Professor Aileen Ribeiro of the Courtauld Institute of Art explores themes of costume and national identity in Spain, England and France during the late 18th and early 19th centuries.

Altamira

Lunchtime talk
Monday 16 November
The Altamira Family, Goya and Portraiture
Xavier Salomon
Chief curator, The Frick Collection, New York

Study day
Saturday 21 November
11am-3.30pm
Sainsbury Wing Theatre
Subversive portraits: Goya and his legacy
Speakers: Juliet Wilson Bareau, Emma Barker, Xavier Bray, Gill Perry and Yinka Shonibare
£25/£14 concessions/£10 members and OU students
Explore portraits by Goya and other artists in the context of Napoleonic Europe, and discover why Goya has been such a key figure for modern and contemporary artists from Manet to Jake and Dinos Chapman. Held in collaboration with the Open University.

Lunchtime talk
Monday 30 November
Public faces, private views: Goya’s letters and the problem of portraiture
Sarah Symmons
Visiting Fellow, University of Essex

DECEMBER

godoy
Monday 7 December
Goya’s patron: Manuel Godoy
Isadora Rose-de Viejo

Monday 21 December
Painted Cloth: Goya and Dress
Jacqui Ansell

Coypel’s Don Quixote Tapestries: Illustrating a Spanish Novel in Eighteenth-Century France: Frick Collection, New York

2015-02-Coypel-Tapestries-Frick
Coypel’s Don Quixote Tapestries: Illustrating a Spanish Novel in Eighteenth-Century France
Exhibition, The Frick Collection, New York
25 February 2015 – 17 May 2015

Charles Coypel (1694−1752), painter to Louis XV, created a series of twenty-eight paintings (also called cartoons) to be woven into tapestries by the Gobelins manufactory in Paris. Twenty-seven were painted between 1714 and 1734, with the last scene realized just before Coypel’s death in 1751. In 2015 (the 400th anniversary of the publication of the second volume of Don Quixote), the Frick will bring together a complete series of Coypel’s scenes, which will be shown in the Oval Room and East Gallery.
The exhibition will include five of Coypel’s original paintings, never before seen in New York, on loan from the Palais Impérial de Compiègne and the Musée Jacquemart-André, Paris. These will be joined by three Gobelins tapestry panels from the J. Paul Getty Museum and two Flemish tapestries inspired by Coypel from The Frick Collection, which have not been on view in more than ten years. The series is completed by eighteen prints and books from the Hispanic Society of America, New York.

El Greco at the Frick Collection, New York: Final weeks

2015-01-FrickCollection-ElGreco-02
The Frick Collection, New York:
El Greco at the Frick Collection. Exhibition closes on 1st February 2015.
Henry Clay Frick had a deep appreciation for Spanish painting, particularly the work of El Greco. Frick traveled to Spain twice and acquired three works by the artist between 1905 and 1913. Here they are displayed side by side for the first time.
This exhibiton is in concert with El Greco in New York (also closing on 1st February 2015)at the Metropolitan Museum of Art. Together, the two exhibitions show all of El Greco’s work in New York public collections and mark the 400th anniversary of the painter’s death.

The Frick Collection, New York: Lecture on El Greco by Xavier Bray, 28 January 2015

St. Jerome
The Frick Collection, New York, Wednesday, January 28, 2015, 6:00–7:00PM: “Demystifying El Greco: His Use of Wax, Clay, and Plaster Models“. Lecture by Xavier Bray, Arturo and Holly Melosi Chief Curator, Dulwich Picture Gallery (London).
Free and open to the public on a first-come, first-served basis; reservations not accepted.
An inventory of El Greco’s studio made in 1614 at the time of his death lists some fifty models of plaster, clay, and wax. This lecture will consider how these models may have been used and the role they may have played in the creation of his quintessentially other-worldly style.
The event is held in conjunction with the exhibition, El Greco at the Frick Collection, on view until 1st February2015.

 

Sevilla – Simposio internacional sobre El joven Velázquez 15-17 octubre de 2014

Un simposio internacional sobre El joven Velázquez tendrá lugar en el Instituto de la Cultura y las Artes de Sevilla (ICAS), del 15 al 17 de octubre de 2014, bajo la dirección científica y coordinación de Benito Navarrete Prieto Universidad de Alcalá

contacto: Francesca Ortiz fortiz.cultura@sevilla.org

PROGRAMA

15 de octubre (tarde) 17:00
Presentación del simposio a cargo de Juan Ignacio Zoido, Alcalde de Sevilla, Salvador Medina, Santander Universidades y Jock Reynolds, Director de la Yale Art Gallery University.

Conferencia inaugural Salón Colón del Ayuntamiento de Sevilla 18:00
Xavier Salomon
 Chief Curator of The Frick Collection NY 18:00
El joven Ribera y el joven Velázquez

Espacio de Santa Clara
Sevilla en tiempos de Velázquez

Carlos Alberto Sánchez Universidad de Sevilla 19:30
De la pluma al pincel. Retóricas gráficas de la época de Velázquez

Alfredo Morales Universidad de Sevilla 20:00
“Un olor de ciudad, un otro no se que”. Arquitecturas de la Sevilla de Velázquez

16 de octubre (mañana)
La cultura y los círculos intelectuales

Vicente Lleó Cañal Universidad de Sevilla 10:00
El joven Velázquez y el círculo de Olivares

Fernando Marías Universidad Autónoma de Madrid 10:30
Materia, objetos y pintura en Velázquez

Luis Méndez Rodríguez Universidad de Sevilla 11:00
La cultura sevillana en la formación de Diego Velázquez

Tanya Tiffany Milwaukee University EEUU 11:30
El Retrato de Madre Jerónima de la Fuente de Velázquez y el Convento de Santa Clara de Sevilla

Descanso 12:00

Jeremy Roe Honorary Research Fellow University of Nottingham 12:30
La recepción de la pintura por el espectador culto: testimonios del “Arte de la Pintura” entre otras fuentes

Peter Cherry Trinity College Dublín 13:00
Velázquez el sevillano y el arte del retrato

16 de octubre (tarde)
La formación del genio. Pacheco y la cárcel dorada del arte

Bonaventura Bassegoda i Hugas Universidad Autónoma de Barcelona 16:30
Velázquez visto por Pacheco: de la perplejidad a la admiración

José Riello Universidad Autónoma de Madrid 17:00
El Greco y Velázquez: afinidades electivas

Enrique Valdivieso Universidad de Sevilla 17:30
Francisco Pacheco, maestro de Velázquez

Ignacio Cano Museo de Bellas Artes de Sevilla 18:00
El retrato como fundamento en Pacheco y Velázquez

Antonio Martínez Ripoll Universidad de Alcalá 18:30
Educación y aprendizaje. Diego Velázquez, pintor autodidacta

Descanso 19:00

José Roda Peña Universidad de Sevilla 19:30
La iconografía de Santa Ana enseñando a leer a la Virgen y sus modelos escultóricos en Sevilla

Odile Delenda Wildenstein Institute París 20:00
La educación de la Virgen: problemas de iconografía

17 de octubre (mañana)

Las formas y las obras: más allá de la pintura

José Manuel Cruz Valdovinos Universidad Complutense de Madrid 10:00
Constantes y variantes en la pintura sevillana de Velázquez 

Salvador Salort Pons Detroit Institute of Art (EEUU) 10:30
Velázquez y el Bodegón

Guillaume Kientz Museo del Louvre 11:00
Velázquez y el caravaggismo

Xavier Bray Dulwich Picture Gallery. London 11:30
Velázquez y la escultura policromada

Descanso 12:00

Véronique Gérard Powell Universidad de la Sorbona 12:30
¿Por qué perdimos de Sevilla las pinturas del joven Velázquez?

17 de octubre (tarde)

La técnica pictórica

Carmen Garrido  Museo del Prado 17:00
Estudio técnico de la Inmaculada de la Fundación Focus-Abengoa

Jaime García Mahiquez Museo del Prado 17:30
Los calcos de Velázquez

Valme Muñoz Museo de Bellas Artes de Sevilla 18:00
Estudio técnico de la “Santa Ana enseñando a leer a la Virgen” de Juan de Roelas: confluencias y disonancias con Velázquez

Mesa Redonda de Clausura: La Educación de la Virgen de Yale restaurada 18:30

John Marciari Independent Curator. Baltimore (EEUU)

Ian McClure Yale Art Gallery. Yale University (EEUU) 19:45

Carmen Albendea Yale Art Gallery. Yale University (EEUU)

Lawrence Kanter Yale Art Gallery. Yale University (EEUU)

Javier Portús Museo del Prado