Tag Archives: Pacheco

ARTES Travel Scholarship Report: Maria Teresa Chicote Pompanin

artesThanks to the generosity of ARTES and Coll y Cortés, I was awarded a Travel Scholarships which gave me the opportunity to carry out field research in Spain during the Spring and Summer Terms of the academic year 2016-2017. Even if I was based in Madrid, my research was often conducted outside the capital and I had the chance to visit several medieval monuments linked to the PhD thesis I am writing at the Warburg Institute (London).

The goal of my PhD research is to demonstrate that the first two Marquises of Villena, Juan Pacheco (1419-1474) and Diego López Pacheco (c.1445-1529), dedicated enormous efforts and energies in organising a complex cultural programme aimed at counteracting the negative image of their family that the Catholic Monarchs had created through a powerful political propaganda. My research includes the analysis of material and written sources, as their combined reading in historical terms is one of the best tools to understand how historical memory could be manipulated through acts of patronage at the dawn of the Early Modern Period.

During my stay in Spain, I visited many cities and villages that belonged to the Marquises of Villena during the fifteenth and early sixteenth centuries. Some of the most impressive castles I visited were those of Villena, Almansa, Escalona, Garcimuñoz, Chinchilla and Belmonte. Among the religious buildings, the most relevant for my research were the monasteries of Santa María del Parral, Saint Cataline of Siena and St Francis in Belmonte. These trips helped me to answer three fundamental questions of my PhD research: How did the Pachecos insert these buildings in the pre-existent urban landscape? In which way were they used by the Pachecos? And finally, what was their meaning and how were they perceived according to the standards of the visual culture of their time?

Being in Spain not only allowed me to visit and study in situ many buildings and artworks promoted by the Marquises of Villena, it also gave me the opportunity to carry out documentary research in various archives. The majority of the documents linked to the Pacheco family are preserved in the Archive of the Nobility, today in the Tavera’s Hospital in Toledo, a perfect place for all those who are interested in studying the great noble families of the medieval and early modern periods. Nonetheless, I also found interesting documents in the National Archive, the National Library, the Biblioteca Francisco de Zabálburu and the Biblioteca of the Museo Lázaro Galdiano.

While I was in Spain, I also dedicated part of my time in Spain to the drafting of a paper I presented at the Kings and Queens Conference: In the Shadow of the Throne, organised by the Royal Studies Network, which analysed the links between Diego López Pacheco and the inheritors to the Crowns of the Iberian Kingdoms. At the same time, I also had the chance to assist to several lectures and seminars, activities that were a useful platform to interact with scholars who are developing their research in Spanish institutions such as the CSIC, the Universidad Complutense de Madrid, the Universidad Autónoma de Madrid, the Museo del Prado, etc.

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Sevilla – Simposio internacional sobre El joven Velázquez 15-17 octubre de 2014

Un simposio internacional sobre El joven Velázquez tendrá lugar en el Instituto de la Cultura y las Artes de Sevilla (ICAS), del 15 al 17 de octubre de 2014, bajo la dirección científica y coordinación de Benito Navarrete Prieto Universidad de Alcalá

contacto: Francesca Ortiz fortiz.cultura@sevilla.org

PROGRAMA

15 de octubre (tarde) 17:00
Presentación del simposio a cargo de Juan Ignacio Zoido, Alcalde de Sevilla, Salvador Medina, Santander Universidades y Jock Reynolds, Director de la Yale Art Gallery University.

Conferencia inaugural Salón Colón del Ayuntamiento de Sevilla 18:00
Xavier Salomon
 Chief Curator of The Frick Collection NY 18:00
El joven Ribera y el joven Velázquez

Espacio de Santa Clara
Sevilla en tiempos de Velázquez

Carlos Alberto Sánchez Universidad de Sevilla 19:30
De la pluma al pincel. Retóricas gráficas de la época de Velázquez

Alfredo Morales Universidad de Sevilla 20:00
“Un olor de ciudad, un otro no se que”. Arquitecturas de la Sevilla de Velázquez

16 de octubre (mañana)
La cultura y los círculos intelectuales

Vicente Lleó Cañal Universidad de Sevilla 10:00
El joven Velázquez y el círculo de Olivares

Fernando Marías Universidad Autónoma de Madrid 10:30
Materia, objetos y pintura en Velázquez

Luis Méndez Rodríguez Universidad de Sevilla 11:00
La cultura sevillana en la formación de Diego Velázquez

Tanya Tiffany Milwaukee University EEUU 11:30
El Retrato de Madre Jerónima de la Fuente de Velázquez y el Convento de Santa Clara de Sevilla

Descanso 12:00

Jeremy Roe Honorary Research Fellow University of Nottingham 12:30
La recepción de la pintura por el espectador culto: testimonios del “Arte de la Pintura” entre otras fuentes

Peter Cherry Trinity College Dublín 13:00
Velázquez el sevillano y el arte del retrato

16 de octubre (tarde)
La formación del genio. Pacheco y la cárcel dorada del arte

Bonaventura Bassegoda i Hugas Universidad Autónoma de Barcelona 16:30
Velázquez visto por Pacheco: de la perplejidad a la admiración

José Riello Universidad Autónoma de Madrid 17:00
El Greco y Velázquez: afinidades electivas

Enrique Valdivieso Universidad de Sevilla 17:30
Francisco Pacheco, maestro de Velázquez

Ignacio Cano Museo de Bellas Artes de Sevilla 18:00
El retrato como fundamento en Pacheco y Velázquez

Antonio Martínez Ripoll Universidad de Alcalá 18:30
Educación y aprendizaje. Diego Velázquez, pintor autodidacta

Descanso 19:00

José Roda Peña Universidad de Sevilla 19:30
La iconografía de Santa Ana enseñando a leer a la Virgen y sus modelos escultóricos en Sevilla

Odile Delenda Wildenstein Institute París 20:00
La educación de la Virgen: problemas de iconografía

17 de octubre (mañana)

Las formas y las obras: más allá de la pintura

José Manuel Cruz Valdovinos Universidad Complutense de Madrid 10:00
Constantes y variantes en la pintura sevillana de Velázquez 

Salvador Salort Pons Detroit Institute of Art (EEUU) 10:30
Velázquez y el Bodegón

Guillaume Kientz Museo del Louvre 11:00
Velázquez y el caravaggismo

Xavier Bray Dulwich Picture Gallery. London 11:30
Velázquez y la escultura policromada

Descanso 12:00

Véronique Gérard Powell Universidad de la Sorbona 12:30
¿Por qué perdimos de Sevilla las pinturas del joven Velázquez?

17 de octubre (tarde)

La técnica pictórica

Carmen Garrido  Museo del Prado 17:00
Estudio técnico de la Inmaculada de la Fundación Focus-Abengoa

Jaime García Mahiquez Museo del Prado 17:30
Los calcos de Velázquez

Valme Muñoz Museo de Bellas Artes de Sevilla 18:00
Estudio técnico de la “Santa Ana enseñando a leer a la Virgen” de Juan de Roelas: confluencias y disonancias con Velázquez

Mesa Redonda de Clausura: La Educación de la Virgen de Yale restaurada 18:30

John Marciari Independent Curator. Baltimore (EEUU)

Ian McClure Yale Art Gallery. Yale University (EEUU) 19:45

Carmen Albendea Yale Art Gallery. Yale University (EEUU)

Lawrence Kanter Yale Art Gallery. Yale University (EEUU)

Javier Portús Museo del Prado