Tag Archives: Columbus Museum of Art

Featured Exhibition: Picasso/Rivera: Still Life and the Precedence of Form

mm-70-1000pxPicasso/Rivera: Still Life and the Precedence of Form, Meadows Museum, Dallas, USA, until  5 November

This focused exhibition of paintings is inspired by a work in the Meadows Museum’s collection, Picasso’s Still Life in a Landscape (1915). In the early 20th century, Picasso and the Mexican artist Diego Rivera both lived and worked in Paris. Initially friends, in 1915 they fell out because Diego Rivera accused Picasso of plagiarising the foliage from one of his own paintings.

The source of Rivera’s ire was the perceived semblance between his 1915 Zapatista Landscape (The Guerrilla) and Picasso’s Seated Man (1915-16), which in its first iteration – as seen by Rivera in another visit to Picasso’s studio in August 1915 – was known as Man Seated in Shrubbery. Rivera noted acute similarities between his canvas and that of the early state of Picasso’s work; namely, both works featured a similarly structured still life set outdoors. The Mexican artist’s very specific complaint was his former mentor’s liberal borrowing of Rivera’s formulaic foliage – scumbled patches of green and white paint on a dark ground.

Picasso/Rivera: Still Life and the Precedence of Form takes as its point of departure another case study of the two artists’ works: Picasso’s Still Life in a Landscape (1915) at the Meadows, which will be displayed for the first time with Rivera’s Still Life with Gray Bowl (Lyndon Baines Johnson Presidential Library, Austin), painted in the same year. Exhibited in close proximity, these two paintings together encapsulate the two artists’ overlapping of themes and motif appropriation during that period.

Picasso/Rivera: Still Life and the Precedence of Form affords a closer look at the development of Picasso’s Still Life in a Landscape in the Meadows collection by presenting it together with its analogue from the Columbus Museum of Art as well as Rivera’s variation on the theme from Austin. The visual dialogue taking place in 1915 between these two giants of modern art will be further outlined through the display of Rivera’s 1915 Still Life with Bread Knife, a second generous loan from the Columbus Museum of Art. Beyond the rich anecdotes regarding the relationship of the two artists, this group of paintings provides an opportunity to find parallels as well as deviations between these canvases. In spite of limited wartime resources, 1914-15 proved to be a fecund era of creativity for both Picasso and Rivera.

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Picasso in Columbus, Ohio

2016-08-Picasso-Columbus

Picasso: The Great War, Experimentation and Change

Columbus Museum of Art, Columbus, Ohio

10 June– 11 September, 2016

Exhibition (having toured from the Barnes Museum, Philadelphia) inspired by CMA’s  Picasso Still Life with Compote and Glass, 1914–15. It features some 50 works drawn from major museums and private collections from around the world. The exhibition explores how Picasso’s work was affected by the tumultuous years of the First World War, when the artist began experimenting with both cubist and classical modes in his art. Important canvases by Picasso’s contemporaries—including Henri Matisse, Amedeo Modigliani, and Diego Rivera— are also shown. The exhibition also features four costumes designed by Picasso for the avant-garde ballet, Parade, which premiered in Paris in 1917 and was the first cross-disciplinary collaboration of its kind. Picasso was the first avant-garde artist involved in such a production. The exhibition will be reviewed by The Burlington Magazine post July 2016. As a complementary display to the main exhibition the CMA will also be showing Pablo Picasso: 25 Years of Edition Ceramics, created by the artist in the decade following 1946 in collaboration with Georges and Suzanne Ramie of the Madoura pottery.