John Singer Sargent and Spanish Prosessional Sculpture: Photographs at the V&A
by Chloe Sharpe
Link to the V&A blog post about its John Singer Sargent collection of photographs.
John Singer Sargent and Spanish Prosessional Sculpture: Photographs at the V&A
by Chloe Sharpe
Link to the V&A blog post about its John Singer Sargent collection of photographs.
ARTES member Professor Jesusa Vega and keynote speaker at our Goya Symposium last November writes in El País on the decision by the Bosch Research and Conservation Project (BRCP) to deattribute two paintings in the Prado: The Seven Deadly Sins and the Four Last Things and The Temptation of St Anthony.
La Mesa de los pecados capitales no es de El Bosco (y no pasa nada)
El Pais – Arte y Mercado -19 March 2016
Exhibition of Contemporary Spanish Art in London
MARCO GODOY: EUROPE
Wed 25 May – Sat 16 July 2016
Wed – Sat 12.00 – 6.00 pm
Copperfield London is pleased to announce the first UK solo exhibition of Marco Godoy (b.1986 Madrid), following his MA at the Royal College of Art (2014) and subsequent inclusion in group exhibitions at the Palais de Tokyo and the Centre Pompidou.
For full exhibition details please click here
Focusing on the visual and symbolic relationships between authority and power, Godoy analyses the social and political ramifications of the real and fictional divides that make up the European Union. Mixing sculpture, installation and performance, the exhibition frustrates any fixed conception of either physical or symbolic borders.
COPPERFIELD
6 Copperfield Street, London SE1 0EP
For interviews and a full selection of high resolution images please email info@copperfieldgallery.com
Musée Picasso, Paris
22 March – 31 July 2016
Bibliothèque nationale de France, Paris
22 March – 28 August 2016
Born in 1957 in Majorca, Barceló is the first contemporary artist invited to present a monographic exhibition at the recently reopened Musée Picasso. Paintings, sculptures, ceramics, and works on paper, from the 1990s to the present day, are on display, highlighting the affinities with Picasso’s work processes and motifs.
The BnF, meanwhile, focuses on Barceló’s prints.

Museo Thyssen Bornemisza, Madrid,
9 February – 22 May 2016 — EXTENDED TO 29 MAY 2016
Shows the work of a group of modern and contemporary realist painters and sculptors, who have worked in Madrid since the 1950s. The display has a thematic structure and includes 89 works, oil paintings, sculptures, reliefs and drawings, all depicting domestic interiors, courtyards and street-views of the city of Madrid. Exhibition catalogue: texts by Guillermo Solana, Jürgen Schilling and Francisco Calvo Serraller.
Exhibition:
Joan Miró: Painting Walls, Painting Worlds
Schirn Kunsthalle, Frankfurt
26 February – 12 June 2016
A little known aspect of Miró’s oeuvre: Approximately 50 large-format works.

Exhibition:
Sorolla tierra adentro
Museo Sorolla, Madrid
9 February – 5 June 2016
Final month of an exhibition reuniting 35 landscape paintings belonging to the Sorolla Museum. Focuses on views of Spain’s interior, especially Castille’s central meseta, Asturian mountains and a series of cathedrals and Andalucian monuments, patios and gardens. Painted by Sorolla in 1902, alongside the landscape artist Aureliano de Beruete.
Prado Museum, Madrid
18 May 2016 – 04 September 2016
The result of a collaborative project between the National Media Museum in Bradford and the Centro de Estudios Europa Hispánica, the Museo del Prado has assembled for the first time the material used by the Scottish collector and Hispanist William Stirling Maxwell for the preparation of his book The Annals of the Artists of Spain, the first art historical publication to include photographic images. With the Annals, Spanish art became widely known abroad through its reproductions of works by 16th – 17th century Spanish artists, as well as Goya. On display are the proofs from the Henneman photographic studio, showing how the book was produced and the problems encountered.
Curated by founding ARTES member Hilary Macartney, University of Glasgow; and José Manuel Matilla, Head of the Department of Prints and Drawings at the Museo Nacional del Prado.

Mesoamerican Manuscripts: New Scientific Approaches and Interpretations
Conference, exhibition and workshop
31 May – 2 June
Weston Library, University of Oxford
Display and discussion of the Bodleian Library’s five pre-Colonial and early Colonial Mexican manuscripts: Codex Selden, Codex Bodley, Codex Mendoza, Codex Laud and The Roll of the New Fire (or Selden Roll).
Presents recent findings on the making and historical significance of the Bodleian’s and other early, pictorial Mesoamerican manuscripts, situating them in the context of the pre-Columbian and colonial societies that produced them, describing the world they depict, and reflecting upon their meaning in contemporary Mexico and beyond.
More information (including Programme and Registration): Click here.