Spain and England: Juan Luis Vives and Thomas More: Exeter (UK), 13 April – 13 May 2015

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Spain and England: Juan Luis Vives and Thomas More

The Institute of Arab and Islamic Studies presents an exhibition on two Renaissance Humanists, the Valencian Juan Luis Vives and the Englishman Sir Thomas More.

The Street Gallery, University of Exeter
13th April – 13th May 2015 from 9am to 5pm

The exhibition, which premièred in Valencia in 2014 and has been brought to the UK by Hispanic Studies at the University of Exeter, examines, though visual media (videos, family trees, portraits, maps, flags) and explanatory panels, Renaissance Humanism across Europe, and, in particular, in Spain and England, through the figures of Juan Luis Vives and Thomas More.

Gabriele Finaldi, National Gallery, London

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Gabriele Finaldi to take up his new position as Director of the National Gallery, London, on 17 August 2015.
Dr Finaldi, a British citizen, is currently Deputy Director for Collections and Research at the Museo Nacional del Prado, Madrid where he has been since 2002. He was formerly a curator at the National Gallery, London, between 1992 and 2002, where he was responsible for the later Italian paintings in the collection and also the Spanish collection.

Miguel Falomir Faus, Museo Nacional del Prado

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The Royal Board of Trustees of the Museo Nacional del Prado has announced the appointment of Miguel Falomir Faus, current head of the Department of Italian Renaissance painting, as the Museum’s new Deputy Director for Collections and Research, succeeding Gabriele Finaldi, who has recently been appointed the new Director of the National Gallery in London.

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CFP: Polychrome Sculpture in Iberia and the Americas, 1200-1800. Deadline: 8 May 2015

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CAA 2016 session
Washington, DC
3-6 February 2016
CFP:

Polychrome Sculpture in Iberia and the Americas, 1200-1800
Sponsored by ASHAHS.
Chair: Professor Ilenia Colón Mendoza: ilenia.colonmendoza@ucf.edu

 

 

Reminder: College Art Association 2016: CFP Deadline: 8 May 2015

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CAA, Washington, DC, 3-6 February 2016

The deadline to propose a paper or presentation is Friday, May 8, 2015.

Propose a Paper or Presentation for the 2016 Annual Conference

The 2016 Call for Participation for the 104th Annual Conference, taking place February 3–6, 2016, in Washington, DC, describes many of next year’s programs sessions. CAA and the session chairs invite your participation: please follow the instructions in the booklet to submit a proposal for a paper or presentation. This publication also includes a call for Poster Session proposals and describes the Open Format Sessions.

 

CFP: The Cleric’s Craft: Crossroads of Medieval Spanish Literature and Modern Critique. Deadline: 1 June 2015,

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The Cleric’s Craft: Crossroads of Medieval Spanish Literature and Modern Critique

University of Texas, El Paso
22-24 October 2015

This interdisciplinary conference welcomes proposals on topics in a number of disciplines, including art history.  Deadline: 1 June 2015.
Programme
Click here for CFP

 

 

 

 

“Sagrada Família – Gaudí’s Unfinished Masterpiece”, New York: Closes 8 May 2015

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Exhibition,  Sagrada Família – Gaudí’s Unfinished Masterpiece Bernard and Anne Spitzer School of Architecture
City College of New York (141 Convent Avenue, New York City).

The exhibit in the Spitzer School’s Atrium Gallery includes photographs, architectural models and casts used in construction. It also showcases the 3D computer imaging software used to analyze and draw precise tridimensional geometry. The exhibit is free and open to the public. Viewing hours are 9 a.m. – 5 p.m., Monday – Friday.

Reviewed in the Architectural Record

 

Anna McSweeney : “Arthur von Gwinner and the Alhambra cupola in Berlin”, 7 May 2015

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RESEARCH SEMINAR IN ISLAMIC ART
Department of the History of Art & Archaeology
SOAS, University of London

Anna McSweeney on “Arthur von Gwinner and the Alhambra Cupola in Berlin
Thursday 7 May 2015
5.30pm in Room B111 (Brunei Building)

2015-05-Alhambra_Kuppel_SMB_FriedrichAbstract: One of the jewels in the collection of the Museum für Islamische Kunst in Berlin is the so-called Alhambra cupola, a fourteenth-century wooden ceiling that once was part of the famous Islamic palace in Granada, Spain. Made from hundreds of pieces of intricately carved and painted wood, it is one of the earliest and finest surviving Nasrid ceilings. This paper will explore how the cupola ended up in Berlin, brought there in 1891 by the highly cultured German financier Arthur von Gwinner (1856-1931), who so fell for the charms of the Alhambra palace that he wanted a piece of it for himself. Why did he want it, how did he get hold of it, and what did he do with it once he had it? These are questions that will be addressed in this research seminar. (Poster is attached).

V Alfonso E. Pérez Sánchez International Prize “The Art of the Baroque” 2015

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Alfonso E. Pérez Sánchez International Prize “The Art of the Baroque” 2015
The Focus-Abengoa Foundation is pleased to announce the forthcoming Alfonso E. Pérez Sánchez International Prize “The Art of the Baroque”. As a university professor and as director of the Prado Museum, Alfonso E. Pérez Sánchez (NVPR-OMNM) was an outstanding historian of Spanish and Italian Baroque Art.
The Foundation awards this prize in order to promote exceptional study and research into Spanish Baroque Art and its possible relationship with Europe and the Americas.
The jury will also consider works with a multidisciplinary or integrative focus.
Deadline: 30 September 2015
Further details: Please click here

Goya Study Day, Courtauld Institute, Saturday, 2 May 2015

2015-04-Goya-CourtauldGOYA:  SATURDAY STUDY DAY
Goya: The Witches and Old Women Album – In Context
2 May 2015 10.30 – 16.30
Kenneth Clark Lecture Theatre, The Courtauld Institute of Art

The Courtauld Gallery’s exhibition reassembles all the known sheets from one of Goya’s eight celebrated albums of ‘private’ drawings.  These albums, each distinct in subject-matter, style and technique, were created relatively late in Goya’s life, after he had survived a near-fatal illness that left him profoundly deaf from his early fifties, but still drawing at the age of eighty-two. They have been described as journals that record, in virtuoso manner, Goya’s innermost reflections on the world around him and on human nature.

The exhibition curators, distinguished Goya-scholar Juliet Wilson-Bareau and Stephanie Buck, The Courtauld’s Curator of Drawings, and colleagues will shed light on this feat of international research and reconstruction, on the place of the album in Goya’s oeuvre, and on the themes of witchcraft and old age in art more widely.

Speakers are exhibition curators Dr Juliet Wilson-Bareau (independent scholar and curator) and Dr Stephanie Buck (Martin Halusa Curator of Drawings, The Courtauld Gallery); Kate Edmondson (Conservator of Works on Paper, The Courtauld Gallery); Peter Bower (forensic paper historian and paper analyst); and Professor Deanna Petherbridge and Gail Turner (independent scholars).

Provisional Programme
10.30 –11.00                 Registration and Coffee
11.00 – 11.05                Dr Anne Puetz (The Courtauld Institute of Art):
Introduction to the Study Day
11.05 – 11.50                Gail Turner: Goya – art and life
11.50 – 12.35                Dr Stephanie Buck, Kate Edmondson and Peter Bower: Album D’: A journey of discoveries
12.35 – 13.00                Q&A
13.00 – 14.15                Lunch
14.15 – 15.00                Professor Deanna Petherbridge: Malevolent or ridiculous old age: sources of Goya’s imageryower:
15.00 – 15.45                Dr Juliet Wilson-Bareau: Goya’s album drawings: a private/public world
15.45 – 16.00                Q&A
16.00 – 16.30                Tea      Close of the official programme – The exhibition can be visited until 18.00
Advance booking is necessary
£45 (concessions £40)
Includes free admission to the exhibition, with morning and afternoon tea and coffee
E: short.courses@courtauld.ac.uk t: 020 7848 2678