ARTES private visit to the V&A’s Opus Anglicanum exhibition, 9am, Weds 14 December

toledo-cope
The Toledo Cope (detail), copyright Toledo, Tesoro de la Catedral, Museo de Tapices y Textiles de la Catedral

 

The stunning exhibition of medieval English embroidery at the Victoria & Albert Museum includes several pieces long held in Spanish treasuries, including two wonderful copes from Toledo and Daroca. Curator Glyn Davies has kindly offered to take ARTES members on a private visit to the exhibition on Wednesday 14th December at 9am (ie before the exhibition opens to the public at 10am). Tom Nickson (ARTES Vice-Chair) will also speak briefly about how these English embroideries came to Spain, and their fate thereafter.

 

This event is open to ARTES members only. To join us (£35/£20) see details here. Members can confirm a place by emailing artesiberia@gmail.com, and should arrive at the V&A’s Secretariat Gate by 8.50am (NB, latecomers cannot be admitted).

‘Goyescas’: Music in the Time of Goya

2016-10-goyescas-listing-pic-frame-logoECHOES FESTIVAL

‘Goyescas’: Music in the Time of Goya
José Menor & The Latin Classical Chamber Orchestra

Wednesday, 2 November 2016, 7.00pm
St John’s Smith Square
Smith Square
London
SW1P 3HA

Join Spanish virtuoso pianist José Menor and The Latin Classical Chamber Orchestra on an exhilarating musical journey to 18th-century Spain as they mark the 2016 centenary of the great Spanish composer  Enrique Granados (1867-1916) with a  multi-media programme inspired by the life and times of Granados’ greatest muse, the Spanish painter Francisco de Goya (1746-1828).

Click HERE for more information.
Click HERE to watch a video.
Click HERE to listen to an audio clip.

Wifredo Lam at Tate Modern

2016-09-wifredolamWifredo Lam
Tate Modern
14 September 2016 –  8 January 2017

Click here for events associated with the exhibition.

Artist biography

Wifredo Lam born 1902 [- 1982]

Surrealist painter born in Sagua la Grande, Cuba, of a Chinese father and a mother of mixed African, Indian and European origin. Studied at the Academy of San Alejandro in Havana 1920-3, then went in 1924 to Madrid where he worked in the studio of Fernando Alvarez de Sotomayor, the Director of the Prado, and also in the evenings at the Free Academy. Left Spain in 1938 after taking part in the defence of Madrid, and moved to Paris. First one-man exhibition in Paris at the Galerie Pierre Loeb 1939. Friendship with Picasso, who enthusiastically encouraged him, and with Breton and the Surrealists. Became interested in African sculpture. Fled in 1941 to Martinique with Breton, Masson and Lévi-Strauss, then returned to Cuba where his work was influenced by savage rituals and the tropical jungle. Visited Haiti in 1945 and 1946 and discovered the Voodoo cult; later in 1946 met Gorky and Duchamp in New York and returned to Paris. 1947-52 in Cuba, New York and Paris; left Cuba in 1952 to live in Paris. Since 1960 has also worked regularly at Albisola Marina, Italy. Awarded the Guggenheim and Marzotto Prizes 1964-5. Lives in Paris and Albisola Marina.

Published in:
Ronald Alley, Catalogue of the Tate Gallery’s Collection of Modern Art other than Works by British Artists, Tate Gallery and Sotheby Parke-Bernet, London 1981, pp.404-5

 

CfP: St Louis University, 2017

2016-10-cmrs

CFP
Lineage, Loyalty, and Legitimacy in Iberia and North Africa (600­-1600)
Saint Louis, 19-21 June 2017)

The Center of Medieval and Renaissance Studies at Saint Louis University in conjunction with the Medieval Iberia and North Africa Group at the University of Chicago invite abstracts for an upcoming conference, “Lineage, Loyalty, and Legitimacy in Iberia and North Africa (600­1600),” to be held at the SLU campus on June 19­-21, 2017 during the 5th Annual Symposium of Medieval and Renaissance Studies.

The aim of this sub-conference is to build on recent scholarship which has sought to move beyond notions of “the state” as a mode of inquiry in Iberian and North African studies, and to promote instead a more holistic, interdisciplinary approach to the study of the politics, cultural production, and religious practices of these regions. Toward that end, this conference will bring together scholars from a range of disciplines in order to facilitate conversations about the relationships between politics, historiography, art, literature, and religion in medieval and early modern Iberia and North Africa.

Preliminary guiding questions for proposals include:
● How were kinship and patronage networks forged and negotiated, dismantled and maintained?
● What (in)formal bonds and socio­religious rituals demonstrated (dis)loyalty, whether within families or between political actors?
● How were institutions formed and maintained?
● How were concepts of (il)legitimacy produced, critiqued, and perpetuated during this period?
● What role did art, architecture and material culture play in the construction of notions of legitimacy and authenticity?
● How did the transmission or co­production of knowledge and culture across religious boundaries contribute to medieval and early modern genealogies of knowledge? How did these processes bolster or discredit claims to epistemological legitimacy?

These questions are meant to be interpreted broadly, and applicants are invited to submit brief proposals for papers addressing the conference’s title themes. Possible topics include but are not limited to: royal and noble families; inheritance and succession; marriage; dynastic politics and genealogical narratives; oaths and fealty; jurisprudence and theology; intellectual traditions and networks; textual and artistic production, especially the “co­production” of culture across social, ethnic, and religious boundaries; document authenticity and forgery; administrative precedent and innovation.

We encourage submissions for 20­ minute papers from a range of disciplines including: history, religious studies, literary studies, anthropology, archaeology, manuscript studies, and art history. The hope is that this conference will provide a forum for discussion and collaboration between scholars. Graduate students, post­doctoral researchers, and early­ career faculty are particularly encouraged to apply.

Please submit a brief CV along with an abstract of roughly 300 words to Edward Holt (eholt3@slu.edu) by December 15. Direct any questions or concerns to Edward Holt or Mohamad Ballan (mballan87@gmail.com).

Conference: X Jornadas Complutenses de Arte Medieval (Madrid)

2016-10-buscoconference

En Busc@ Del Saber: Espacios y Redes del Conocimiento en el Mediterráneo Medieval

Departamento de Historia del Arte Universidad Complutense, Madrid
2 – 4 November 2016

Sesiones
1. “El Espejo de príncipes: paideia, uirtus y adab”, centrada en las distintas formas de espacios seculares del conocimiento.
2. “La ciencia y su práctica”, dedicada a las redes y lugares donde se desarrolló y practicó la ciencia medieval.
3. “El libro y sus espacios”, orientada tanto a la producción medieval de libros como a los espacios de producción y disfrute de la obra escrita.
4. “Maestros, sabios y benefactores” visibiliza la relación de los patronos con los productores y gestores del conocimiento, valorando las sinergias generadas entre todos los agentes implicados en el desarrollo del saber.

Conference: La seda en la historia de España y Portugal (València)

2016-10-rutassedaSilk in the History of Spain and Portugal
Facultat de Geografia i Història of the Universitat de Valencia
26-28 October 2016

Congreso internacional sobre la influencia del cultivo de la morera y la manufactura de la seda en la historia de España y Portugal y su inserción en las rutas internacionales de la seda.

Program
Miércoles, 26 de Octubre de 2016

– 9,30 horas: Inauguración.
– 10 horas: Laura Rodríguez Peinado, Universidad Complutense de Madrid.
La seda en la antigüedad tardía y Al-Andalus
– 11 horas: Germán Navarro Espinach, Universidad de Zaragoza. Valencia en las rutas de la seda del Mediterráneo Occidental (siglos XIII-XV)
– 12,30: Ricardo Franch Benavent, Universitat de València.
La seda en la Valencia moderna: de la expansión productiva y manufacturera del siglo XVI al periodo de esplendor del siglo XVIII.
– 17 horas: Joana Sequeira, Universidade Nova de Lisboa. La seda en Portugal (siglos XIII-XVI)
– 18 horas: Félix García Gámez, Profesor de enseñanza secundaria. La seda en Andalucía durante la edad moderna: balance y perspectivas de estudio.
19 horas: Debate

Jueves, 27 de Octubre de 2016
– 10 horas: Adela Fábregas García, Universidad de Granada. La seda en el reino nazarí de Granada
11 horas: Francisco José Aranda Pérez, Universidad de Castilla-La Mancha.
El horizonte de la seda en el Reino de Toledo en la época moderna
– 12,30 horas: Pedro Miralles Martínez, Universidad de Murcia.
La seda en Murcia durante la Edad Moderna: del auge del hilado al fracaso del tejido
– 17 horas: José Nieto Sánchez, Universidad Autónoma de Madrid.
Producción, consumo y redistribución de la seda en el Madrid del siglo XVIII.
– 18 horas: Daniel Muñoz Navarro, Universitat de València.
La seda en el comercio colonial español de la segunda mitad del siglo XVIII.
19 horas: Debate

Viernes, 28 de Octubre de 2016
– 10 horas: Ana María Ágreda Pino, Universidad de Zaragoza. La seda en Aragón en época moderna.
– 11 horas: Àngels Solà Parera, Universitat de Barcelona. La seda en la Cataluña de los siglos XVIII y XIX.
– 12 horas: Debate 12,30 horas: Clausura
Tarde:
Visita al Museo del Colegio del Arte Mayor de la Seda de Valencia.

Organizers: Ricardo Franch Benavent – Germán Navarro Espinach
Secretaría Científica: Daniel Muñoz Navarro

Conference: Al-Murābiṭūn (Granada, 19-22 October 2016)

2016-10-univandalucia-logoAl-Murābiṭūn: Noveno centenario del esplendor de un Imperio Palace of Carlos V, Alhambra, Granada
19-22 October 2016

The Universidad Internacional de Andalucía and the Escuela de la Alhambra present this colloquium/course in honor of the memory of Prof. Henri Terrasse. Programme.

Art and Ideology in the Twelfth-Century Western Mediterranean (New York: 15 October 2016)

2016-10-bgcBard Graduate Center
38 West 86th Street, New York City
15 October 2016, 9:00AM – 5:50PM

In the twelfth century, new powers emerged throughout the Western Mediterranean, from the Almohads of North Africa to the Norman Kingdom of Sicily. In the Iberian Peninsula, upstart rulers with broad ambitions emerged in both Muslim and Christian territories. New city-states appeared with the dissolution of the Almoravid Empire in al-Andalus, and older kingdoms, including Castile-Leon and Aragon, began massive expansions under rulers who claimed imperial titles. This symposium explores how the rulers of this region deployed art (conceived in the broadest sense) to legitimise new claims, how they asserted their authority through the construction of palatial and liturgical spaces, and what kinds of objects their kingdoms produced, traded, or coveted. Talks will investigate how these rulers looked to imperial and caliphal precedents and rivals for models, how they elaborated on these models, and which communities of artisans and workmen they drew from. By bringing together scholars who work on the component kingdoms of this region, the symposium seeks to clarify the connections among them, crossing the geographic, ethnic, and religious lines imposed by modern scholarship. In doing so, it aims to develop new models for understanding the imbricated world of the medieval Western Mediterranean. Further details, Programme & Registration here.

Sponsored by the Trehan Research Fund for Islamic Art and Material Culture in conjunction with the Spain-North Africa Project.

 

Lecturer in Spanish, University of Edinburgh

2016-09-edinbgu-logoLecturer in Spanish

The Department of Hispanic Studies at the University of Edinburgh is advertising for a Lecturer in Spanish with a specialism in Peninsular Spanish Visual Media or Cultural Studies.

The successful appointee will have a record of excellence in research, with a portfolio of publications appropriate to their career stage. The appointee will provide teaching at all levels of the undergraduate curriculum, and will have a commitment to innovative approaches to teaching. The appointee will be expected to develop courses and modules for students at both first-year and Honours level which engage with aspects of Spanish culture and civilisation that go beyond the literary. The successful candidate will be expected to play a full part in the collegiate life of the subject area, of the Department, and of the School, and to undertake appropriate administrative roles. Click here for further details.

Deadline for applications: 26 October 2016.

 

PhD scholarship at The Courtauld Institute, London, sponsored by CEEH

logo-ceeh-bn-2Applications are invited for a fully funded doctoral scholarship in Spanish art-historical studies, commencing at The Courtauld Institute in London in the academic year 2019/20.

The scholarship has been created through the generosity of CEEH (Centro de Estudios Europa Hispánica), in association with ARTES

The Courtauld Institute is one of the world’s leading centres for art-historical research, and the scholarship will cover The Courtauld’s Home/EU/International tuition fees for three years (or four if required), together with an annual stipend of £12,000 for living costs and travel.

courtauld_institute-logo_teal-and-grey_gif-1

HOW TO APPLY

Applicants should apply to The Courtauld’s PhD programme following the standard process, and then submit an application via the Courtauld Scholarship application form

Applicants must demonstrate that Spanish art, architecture or visual culture forms the focus of their proposed research topic, and are advised to contact prospective supervisors to discuss research proposals at least eight weeks before the application deadline of 11 January 2019, and ideally earlier.  As a minimum, by the time they begin their doctoral studies, applicants are expected to hold a postgraduate qualification such as an MA or equivalent and should have at least reading knowledge in Spanish. In the first instance applicants should send prospective supervisors a CV, sample of written work in English, and a 300 word proposal. In assessing applications the scholarship committee will consider the extent to which the research proposal falls under the supervisor’s areas of research expertise.