Exhibition of 129 Spanish drawings from the sixteenth to the eighteenth centuries selected from the Uffizi’s holdings in Florence by Professor Benito Navarrete. The exhibition is the result of two years of research among drawings some 77 of which were previously considered to be Italian or north European and are now published for the first time as of Spanish authorship.The most important of these discoveries is a drawing, formerly considered German, and now attributed to Juan de Juanes for his lost painting Dead Christ supported by Angels. Other new works include drawings by Alonso de Berruguete, Vicente Carducho, Francisco Pacheco and Herrera the Younger all discovered among the ‘Italian’ works.
The origin of the Uffizi’s Spanish drawings was a collection put together in Madrid around 1745 by a Florentine merchant Giovanni Filippo Michelozzi; the rest were donated in 1866 by the sculptor Emilio Santarelli (1801-1886). Artists represented range from Gaspar Becerra to Meléndez and include works by Luis de Vargas Alonso Cano and Ribera.
The Spanish Gesture: Drawings from Murillo to Goya from the Hamburger Kunsthalle, Meadows Museum, Dallas, Texas, May 25-August 31, 2014.
The Kunsthalle of Hamburg holds one of the most significant collections of Spanish drawings found outside of Spain, containing works by Alonso Cano, Bartolomé Esteban Murillo, Juan de Valdés Leal and Francisco de Goya y Lucientes, among others. This is the first exhibition to present the collection on a large scale, 123 years after they were purchased. As part of the continued collaboration between the Meadows Museum and the Prado, the jointly organized exhibition will present around 80 drawings, first in Dallas, then at the Prado, Madrid.
Spanish drawings: From Valdés Leal to Sorolla, London (Master Drawings & Sculpture Week, 2014)
José de la Mano showing at Mackinnon 5 Ryder Street, St James’s, London, 4 – 11 July 2014
Includes drawings by Valdés Leal, including The Apparition of Christ to Saint Ignatius on his Way to Rome, (1660-1664) in black and red chalk, Ramón Bayeu (1744-1793) and a Vicente López. portrait of 1812.