Association for Spanish and Portuguese Historical Studies
Call for Papers: Annual conference, 17-20 March 2016.
Venue: Maritime Museum of San Diego and the University of California, San Diego.
Deadline for submissions: 1st November 2015
Call for Papers: Annual conference, 17-20 March 2016.
Venue: Maritime Museum of San Diego and the University of California, San Diego.
Deadline for submissions: 1st November 2015

Velázquez’s Infanta Margarita in a Blue Dress
Meadows Museum, Dallas
On show until 1st November 2015
The painting is on loan from the Kunsthistorisches Museum, Vienna.
Exhibition:
Blue on Blue: Indigo and Cobalt in New Spain
Museum of Spanish Colonial Art (Santa Fe)
Open until 28 February 2016.
This exhibition, in a sense, is complementary to The Red that Colored the World, recently on view at the Museum of International Folk Art (Santa Fe). The cochineal exhibition is due to open at its next venue, the Bowers Museum (Santa Ana, California), on 31 October.
The first in a series of lectures on Spanish medieval architecture, hosted by the Courtauld Institute, and sponsored by Coll & Cortes
Since the late 19th century, scholarship on 13th– and 14th-century Spanish architecture has largely depended on formal analysis and systems of cataloguing. From this have emerged fundamental studies of cathedrals, including those of Burgos, León and Toledo, of monasteries such as Las Huelgas in Burgos, or of parish churches such as Santa Maria del Mar in Barcelona. But what are the premises of such approaches? As interest in gothic architecture wanes amongst early 21st-century art historians, some of Spain’s most significant buildings still lack basic analysis. And yet perhaps the biggest problem is not the absence of studies but their methods, mediated by contemporary contexts.
The lecture is open to all and free to attend, though it is recommended that you arrive by 5.20 in order to secure a seat.
Eduardo Carrero Santamaria is Professor of Art History at the Universitat Autonoma de Barcelona
Film Screening, followed by Q&A:
The Apocalyptic Visions of Heaven and Hell which Shaped Medieval Art
Monday 12 October 2015 – 6:00 pm
Kenneth Clark Lecture Theatre, The Courtauld Institute of Art, Somerset House, Strand, London WC2R 0RN, UK, WC2R 0RN.
Further information: 2015.10.12_Beatus film screening
Lecture
The Ceramics Collection of the Portuguese Royal Family: the King Consort’s Collection
By Maria de Jesus Monge, Director of the Museu-Biblioteca da Casa de Bragança, Vila Viço
Wallace Collection, London
Monday, 28 September, 5:30 – 6:30PM
Admission free.
Exhibition
El legado de al-Ándalus: Las antigüedades árabes en los dibujos de la Academia
Real Academia de Bellas Artes de San Fernando
Madrid
22 September – 8 December 2015
Includes 175 works, the majority drawings along with six paintings and various prints from the Academy’s collections which illustrate Moorish antiquities from Andalucia.
Online catalogue, by Antonio Almagro and others.
The Golden Age of Neapolitan Painting
From Ribera to Giordano
Exhibition, Musée Fabre, Montpellier
20 June to 11 October 2015
A national loan exhibition exploring 17th-century Neapolitan painting displaying about ten works by Ribera, including his Portrait of a Club-footed Boy, shown alongside work by his Neapolitan contemporaries.
SelgasCano has designed the 2015 Serpentine Gallery Pavillion
Serpentine Gallery
Kensington Gardens/Hyde Park, London
Open to visitors until 18 October 2015.
The Spanish architectural practice SelgasCano unveiled the 2015 Serpentine Gallery Pavilion on the lawns outside the Serpentine Gallery in Hyde Park on 25 June. It has been designed as multifunctional reception and café space in the form of an irregularly-shaped multi-coloured ‘chrysalis’ with many entrances. SelgasCano is the first Spanish architectural firm to have been granted the opportunity to design a temporary pavilion for the Serpentine Gallery.
Jaume Plensa: 1004 Portraits
Richard Gray Gallery, Chicago, 17 June 2014 – 1 December 2015.
Four of Plensa’s portrait heads in stone and cast iron, ranging from 21 to 36 foot in height, are on display in Chicago’s Millenium Park to celebrate its 10th anniversary. They continue the story of the Barcelona-based Plensa’s original 1000 video portraits of local Chicago residents that have illuminated the Crown Fountain since 2004 and are entitled Awilda, Laura, Paula and Ines.