Tag Archives: artistic exchange

Featured Exhibition: Roma en México/México en Roma: las academias de arte entre Europa y el Nuevo Mundo (1843–1867), Museo Nacional de San Carlos, Mexico City, until April 28, 2019

cop_0174The exhibition Roma en México/México en Roma: las academias de arte entre Europa y el Nuevo Mundo (1843–1867) presents the academic and artistic exchange between Italy and Mexico through 93 nineteenth-century works. It focuses on the relations between the Accademia de San Luca and the Academia de San Carlos, and presents the results of an extensive research project by Professor Stefano Cracolici, Director of the Zurbarán Centre for Spanish and Latin American Art at Durham University, and Professor Giovanna Capitelli, of the Università della Calabria in Italy.

Roma en México/México en Roma is divided in eight sections: La fábrica del prestigio discusses Rome’s legitimising power; Obras de viaje is dedicated to the import of exemplary paintings and sculptures from Rome to Mexico; Dramatis personae presents the portrait as the most sought-after genre in the period; Virtud de los clásicos focuses on the importance of Greek and Latin literature in inspiring iconographies; La riqueza del pueblo is a display of works after the live model; La escuela del paisaje includes landscapes by the Hungarian painter Károly Markó El Viejo, among others; La internacional del arte sacro contains religious paintings by students of the Academia de San Carlos; El espectáculo de la historia concludes the exhibition with major historical works.

The show foregrounds works by Mexican artists, from the lesser-known Tomás Pérez, Primitivo Miranda, Tiburcio Sánchez and Epitacio Calvo, to better-known personalities such as Juan Cordero. Francesco Coghetti, Francesco Podesti and Giovanni Silvagni are examples of Roman painters whose works arrived in Mexico and were used to illustrate the art of painting to students of the Academia.

A major publication by Campisano Editore accompanies the exhibition, acting as both an exhibition catalogue and a scholarly introduction to this under-researched topic.

 

Advertisements

CFP: Through, From, To Latin America: Networks, circulations and artistic transits from the 1960s to the present

1923933798International Conference: Through, From, To Latin America: Networks, circulations and artistic transits from the 1960s to the present, Faculdade de Ciências Sociais e Humanas da Universidade NOVA de Lisboa, Lisbon, Portugal, 27 and 28 November 2017
Deadline for paper proposals: 15 July

The project “Through, From, To Latin America: Networks, circulations
and artistic transits from the 1960s to the present” emerges from the
collaboration of three research groups engaged in the development of
transnational perspectives in contemporary art history and curating and
in the study of relations between artistic production and migratory
processes – with a particular focus on Latin America and Southern
Europe. More specifically, the organization of this project involves:
the group “Transnational Perspectives on Contemporary Art” associated
to the research line Contemporary Art Studies at IHA/FCSH-UNL, the
group “Art in a Global Perspective” at CIEBA / FBAUL and the research
project “Decentralized Modernities: art, politics and counterculture in
the transatlantic axis during the Cold War/ MoDe(s)” (HAR2014-53834-P),
at the University of Barcelona.

Through, From, To Latin America: Networks, circulations and artistic
transits from the 1960s to the present – inscribed in the program of
Lisbon 2017 Ibero-American Capital of Culture – aims at opening a
critical space of debate by engaging art historians, curators and
artists of different generations and nationalities to discuss the role
of different forms of dislocation – such as artistic migrations,
exiles, networking, circulations of ideas and theoretical
articulations, artworks and exhibitions – in the shaping of
contemporary art in and beyond Latin America. In this sense, the very
diverse and heterogeneous set of geographical and cultural areas
incorporated by the term “Latin America” are envisioned here as
specific and at the same time as territories strongly connected with
other locations through a complex network of itineraries, circulations,
appropriations and translations. In this network, different historical,
political and economic processes – among them, colonization and
decolonization – play significant roles. This project seeks to explore
the tensions and interrelations between local inscription and
connectivity, habitation and circulation, present enunciation and
revisiting the past.

Two different actions articulate the project Through, From, To Latin
America: Networks, circulations and artistic transits from the 1960s to
the present: an international conference and a set of workshops in the
field of curating, artistic practice and art history. In fact, it aims
to offer different possibilities and forms of engagement to the
participants.

Call for papers
The group “Transnational Perspectives on Contemporary Art”
(Contemporary Art Studies – IHA/FCSH-UNL), the group “Arte numa
perspectiva global/Art in a global perspective” (CIEBA/FBAUL) and the
project “Decentralized Modernities: art, politics and counterculture in
the transatlantic axis during the Cold War/ MoDe(s)” (HAR2014-53834-P)
(University of Barcelona), together with the Program of Lisbon 2017
Ibero-American Capital of Culture, welcome communication proposals from
art historians, curators, art critics and artists for the international
conference Through, From, To Latin America: Networks, circulations and
artistic transits from the 1960s to the present (Lisbon, Auditorium of
Faculdade de Ciências Sociais e Humanas da Universidade Nova de Lisboa,
27 and 28 November 2017).
Proposals for communications can address, but are not limited to, the
following topics:
– The role of different forms of dislocation in the shaping of
contemporary art in and beyond Latin America;
– Interrelations between local inscription and connectivity, habitation
and circulation, present enunciation and revisiting the past;
– Analysis of artistic and curatorial projects that relate to the
questions proposed;
– Exploration of South-South transits and circulations between Latin
America, Southern Europe, Africa and Asia;
– Interconnections between artistic networks and social and political
movements since the Cold War;
– Analysis of how artistic and cultural networks interfered with (or
participated in) the geopolitics of Cold War and globalization.

Submissions
This two-days conference invites proposals of up to 400 words for
communications of 20 minutes. Please also include a brief biographical
note (150 words), institutional affiliation (or independent) and your
contact information. All documents sent should be in word or pdf format.
We can only accept one proposal for each applicant.

Proposals should be emailed by the 15th of July 2017 to the following
e-mail address:
americalatinaconferencia2017@gmail.com
The languages of the conference are Spanish, Portuguese and English.

Applicants will be notified of the results of the selection by late
July / early August 2017.

An edited volume with selected papers presented at the conference will
be proposed for publication.

For more in formation please check the website:
http://americalatinaconferenciainternacional2017.weebly.com