CFP: Art and Social Engagement in the Americas (New York, 2017)

2016-12-ifa-logo2016-12-islaa-logoBeyond the Symbolic: Art and Social Engagement in the Americas

IFA-ISLAA Symposium
Institute of Fine Arts, New York University
New York
14-15 April 2017

Deadline: Jan 20, 2017

CALL FOR PAPERS

The Institute of Fine Arts, NYU, and the Institute for Studies on Latin American Art are pleased to announce the second annual IFA–ISLAA symposium for emerging scholars. “Beyond the Symbolic: Art and Social Engagement in the Americas” will be held in New York on April 14–15, 2017. The symposium will include keynote lectures by Coco Fusco and Andrea Giunta.

This symposium interrogates the relevance of merging art and politics in the Americas, especially in works that explicitly seek to resist political oppression, economic imperialism, and legacies of colonialism through public discourse. We aim to address not only contemporary works that marshal “relational aesthetics” at a moment of profound geopolitical crisis, but any intervention that has sought to target the body politic and yield political or social transformation. Less interested in quantifying the efficacy of such works, this symposium hopes to examine larger questions regarding the potential ability of artistic practice to produce concrete results—that is, the compatibility of art and activism. What constitutes success or failure?

Current graduate students, recent graduates, and emerging scholars are invited to apply. Applicants from fields outside the realm of art history are highly encouraged (e.g. Cinema and Media Studies, Performance Studies, Latin American and Latinx studies, Cultural Studies, History). Papers in languages other than English will be taken into consideration.

To apply, please submit an abstract of up to 300 words to symposium@islaa.org by Friday, January 20, 2017. Applicants will be notified of their acceptance by Monday, February 13, 2017.

Presentations will be limited to 20 minutes, with additional time for discussion. In your application, please indicate your current institutional affiliation and from where you will be traveling. Limited funding will be available to assist with travel expenses.

This symposium is part of the Latin American Forum. Generously funded by the Institute for Studies on Latin American Art (ISLAA) and coordinated by Professor Edward J. Sullivan, Helen Gould Sheppard Professor in the History of Art, the Forum invites distinguished visiting lecturers to the IFA to foster greater understanding and recognition of Latin American art around the world. The symposium is organized by current IFA PhD candidates Brian Bentley, Madeline Murphy Turner, Sean Nesselrode Moncada, and Blanca Serrano Ortiz de Solórzano, and Juanita Solano Roa.

For further information or with any questions, please contact symposium@islaa.org.

Miguel Zugaza: from Madrid to Bilbao

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Miguel Zugaza announces his decision to step down from the Prado and reassume the directorship of the Bilbao Fine Arts Museum next year

This morning, Miguel Zugaza informed the Permanent Committee of the Royal Board of Trustees of his decision to conclude his term next year as director of the Museo del Prado after fifteen years in the position. He also announced his intention to reassume the post of director of the Bilbao Fine Arts Museum on the retirement of its present director.

In a text addressed to Iñigo Méndez de Vigo, the Minister of Education, Culture and Sport, and to Unai Rementeria, Chairman of the Provincial Council of Bizkaia, Miguel Zugaza stated that he “considers the goals established during his term of office to have been fulfilled and expresses his thanks for all the support received.” The Museum’s Director for the past fifteen years considers that “the Museum is now embarking on a new and exciting phase with the focus on its bicentenary and on the completion of the Museo del Prado Campus with the addition of the Hall of Realms.” At the same time, he considers himself “extremely fortunate to have the opportunity to return to the Bilbao Fine Arts Museum (of which he was director between 1995 and 2001) and offer it all the experience he has acquired.”

The Minister of Education, Culture and Sport has personally thanked Miguel Zugaza for the services he has rendered the Museum over so many years and has asked him to continue to be involved in its bicentenary project through the Committee for the 2nd centenary of the Museo Nacional del Prado in 2019.

For his part and in the name of the Bilbao museum’s founding institutions (the City Council of Bilbao, the Provincial Government of Bizkaia and the Basque Government), the Chairman of the Provincial Council of Bizkaia and current president of the Bilbao museum’s Board of Trustees expressed his satisfaction at being able to count on Miguel Zugaza for leading the museum forward after the outstanding contribution made over the past years by Javier Viar Olloqui.

Both institutions have agreed to stay in contact in order to facilitate the transition of directorship of the respective museums. With this aim in mind, the Minister will propose to the Prado’s Royal Board of Trustees the creation of a specific committee at the Museum. As established in its statutes, it will initiate the selection procedure prior to the proposal of a new appointment to the Council of Ministers. Mr Zugaza will remain in his position with all the powers authorised by it until a new director is appointed.

José Pedro Pérez-Llorca, president of the Museum’s Royal Board of Trustees, wished to emphasise that “the Museo del Prado will never be able to sufficiently express its thanks to Miguel Zugaza for his intelligence, wisdom and imagination and the authority with which he has led the Museum”, and that “the results of his efforts, namely the great success of the Prado, speak for themselves.”

Madrid: Master Mateo at the Prado

2016-11-mastermateo2016-11-mastermateo-text-jpgMaster Mateo and his work for the cathedral in Santiago de Compostela

Madrid, Museo del Prado, Villanueva Building

The exhibition brings together an exceptional group of fourteen works that were removed in the past from their original location (the west façade and choir of the Cathedral in Santiago de Compostela) and are now housed in the cathedral museum and in different institutions and private collections.

Notable among them are the recently restored sculptures of David and Solomon, and a Statue-column of a male figure holding a cartouche that was found last October inside the cathedral’s south tower, a discovery that represents an enormous advance in our knowledge of Master Mateo’s activities in the cathedral of Santiago de Compostela.

Co-organised with the Real Academia Gallega de Bellas Artes, and the Fundación Catedral de Santiago.

Curators in Conversation: Ribera across the Generations. 6:30-8:30 pm, Thursday 9th February, 2017

 

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With
Gabriele Finaldi (Director, The National Gallery) &
Edward Payne (Senior Curator: Spanish Art, Auckland Castle Trust)
at
Colnaghi, 26 Bury Street, London SW1Y 6AL

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ARTES welcomes Gabriele Finaldi, curator of Ribera: Master of Drawing at the Museo Nacional del Prado, Madrid (22 November 2016 – 19 February 2017), in conversation with Edward Payne, curator of the exhibition’s second incarnation Between Heaven and Hell: The Drawings of Jusepe de Ribera at the Meadows Museum, Dallas (12 March – 11 June 2017). They will be discussing the genesis of the exhibition which celebrates the publication of the first complete catalogue raisonné of Ribera’s drawings. The event will take place in the stunning new Colnaghi gallery in Bury Street, followed by wine and jamón provided by Spanish restaurateurs Brindisa.

ARTES would like to thank the Instituto Cervantes and its Director, Julio Crespo Maclennan for their support with this event.

This event is open to ARTES members only. RSVP to Alice@colnaghi.com

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Call for Submissions: Travel scholarships, deadline 31 January 2019

Thanks to the generous support of art dealers Coll & Cortés, ARTES offers travel scholarships for BA and postgraduate students at UK universities who are working on any aspect of Spanish, Portuguese or Latin American visual culture before 1800.

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Final year undergraduates and postgraduate students registered for a full or part-time degree course at a UK university may apply for up to £600 towards the costs of travel to Spain, Portugal or Latin America for research purposes (which may include field work, attendance at a conference, or other recognised forms of research). Reports by those previously awarded travel scholarships are available here.

The deadline for these awards is 31st January 2019.

Scholarship application guidelines.

  1. Applications should be made in English as a single MS Word or PDF file and sent to artesscholarships@gmail.com . Applicants are requested to include ‘Travel Scholarship’ in the email subject, but should not expect acknowledgement of receipt.
  2. All applications should include: a) project title, b) a max 100-word project summary, c) a max 600-word explanation of the research to be conducted (including explanation of the necessity of travel); d) a short breakdown of how the money will be spent, together with details of any other funding received; e) an academic CV. Applicants should ensure that an academic advisor sends a reference to the same email address by the 31st January deadline: this may be in English, Spanish or Portuguese. Applications without a reference will not be considered.
  3. Candidates may apply for any other scholarship or award offered by ARTES, but are unlikely to be successful in more than one category in any one year.
  4. Application is open to any student or scholar who can demonstrate compliance with the criteria set out above, other than employees of Coll & Cortés, committee members of ARTES, or their immediate families. Scholarships are not awarded to students who have not yet begun their programme of study, are valid for one year only, and are not renewable. Applications may be submitted for travel conducted in the 12 months prior to the submission deadline, though funding for such trips is likely to be considered less urgent than for forthcoming trips that would not be possible without funding.
  5. Applications will be assessed according to the following criteria: Originality of research, significance of research, feasibility of successful completion, academic rigour (command of the field, spelling, fluency etc), potential of the applicant (an assessment of the strength of the CV, taking into account the student’s current status), financial need, value for money, strength of reference, necessity of travel.
  6. Successful scholarship winners are normally informed by 1st March, and are invited to attend a presentation in London in July (exceptions may be made if the costs of attendance at this event are prohibitive). They are required to write a 600-word report on their funded research project, to be sent to artesscholarships@gmail.com within nine months of receipt of the scholarship.
  7. Any publications arising from research supported by these scholarships should include acknowledgement of ARTES.
  8. The scholarships come with no institutional affiliation, and ARTES and Coll & Cortés cannot take responsibility for the support or welfare of scholarship holders.
  9. The decision of the Scholarship Committee shall be final. The Committee reserves the right to make no awards in cases where it deems that applications are not of satisfactory quality. Coll & Cortés and ARTES accept no legal responsibility to any applicant or third party arising from this notice, or the award or otherwise of a scholarship.  The Scholarship Committee will not enter into correspondence with unsuccessful applicants or their academic advisors regarding its decisions.

Book Launch – Sebastiano del Piombo & the World of Spanish Rome by Piers Baker-Bates

ARTES Committee Member Dr Piers Baker-Bates has published an examination of Sebastiano’s career as a transcultural artist through an analysis of his Spanish patrons in Rome.

This book will prove to be an important tool to the greater appreciation of the artist in advance of the National Gallery London’s forthcoming exhibition Michelangelo & Sebastiano (see link) curated by Matthias Wivel, from 15 March – 26 June 2017.

A discount is available to those ARTES members who would like to buy a copy. Please contact artesiberia@gmail.com for details.

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Book Launch – Art in Spain & Portugal from the Romans to the Early Middle Ages by Rose Walker

ARTES member Dr Rose Walker of the Courtauld Institute of Art has recently launched her latest book on early art in the Iberian Peninsula. A discount is available to those ARTES members who would like to buy a copy. Please contact artesiberia@gmail.com for details.

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Copied by the Sun: The First Photographically Illustrated Book on Art

2016-10-copied-by-the-sun-a4-posterStirling Maxwell Centre
University of Glasgow

Hilary Macartney (University of Glasgow), with Jim Tate (National Museums of Scotland) and Brian Liddy (Bodleian Library)

Copied by the Sun: The First Photographically Illustrated Book on Art

Illustrated talk, book launch and display of collection highlights

University of Glasgow Library Special Collections, Henry Heaney Room

Thursday 27 October 2018
6:00-8:00PM

In 1848, the Scottish scholar Sir William Stirling Maxwell created the world’s first photographically illustrated book on art by adding a volume of Talbotype (or calotype) illustrations to his pioneering book on Spanish art Annals of the Artists of Spain. The photographs, by William Henry Fox Talbot’s assistant Nicolaas Henneman, faded soon after. Nevertheless, this ground-breaking volume pointed the way towards the use of photography in the study of art. This talk launches the publication of a two-volume facsimile and critical edition of the digitally reconstructed photographs. On display will be the related calotype negative (1847) by D O Hill and Robert Adamson of Velázquez’s Surrender of Breda, a highlight of the recent Stirling Maxwell exhibition at the Prado Museum, Madrid, and other items from the Photographic and Stirling Maxwell Collections in the University of Glasgow Special Collections.

Copied by the Sun will be available for cash sale at the special price of £67.00.

Publication details (source: WorldCat):

Title: Copied by the sun: Talbotype illustrations to the Annals of the artists of Spain by Sir William Stirling Maxwell: studies and catalogue raisonné /
Author(s): Macartney, Hilary.
Matilla, José Manuel. 
Corp Author(s): Museo del Prado
Publication: Madrid: Museo Nacional del Prado
Year: 2016
Description: 2 volumes (365 numbered pages, 140 unnumbered pages) : color illustrations ; 24 cm.
Language: English
Standard No: ISBN: 9788415245551; 8415245556

Wallace Collection: Xavier Bray & a Musical Celebration of Spain

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ECHOES FESTIVAL ‘Through Gilded Trellises’: A Celebration of Spain

Friday, 11 November 2016, 7.00pm
The Wallace Collection
Hertford House
London
W1U 3BN
The Wallace Collection welcomes its new Director and Spanish painting specialist Dr Xavier Bray with a special evening concert, ‘Through Gilded Trellises’: a Celebration of Spain, featuring award-winning soprano Natalya Romaniw and acclaimed tenor Luis Gomes. Inspired by the Collection’s impressive assemblage of Spanish Old Master paintings, the concert will highlight music by Turina, Mompou and Granados in addition to Spanish-inspired music by celebrated European composers such as Debussy and Scarlatti. The intimate concert will be held in the Collection’s Great Gallery, surrounded by some of art history’s most recognizable Old Master paintings, including Velázquez’ The Lady with a Fan and Rubens’ The Rainbow Landscape.

The evening will also feature an ‘in conversation’ discussion between Dr Bray and pianist Iain Burnside, where they will consider the wider impact of Spanish painters and composers on European culture.

2016-10-listing-pic-wallace-collectionNatalya Romaniw soprano | Luis Gomes tenor | Iain Burnside pianist

Click HERE for more information.