Madrid: Master Mateo at the Prado

2016-11-mastermateo2016-11-mastermateo-text-jpgMaster Mateo and his work for the cathedral in Santiago de Compostela

Madrid, Museo del Prado, Villanueva Building

The exhibition brings together an exceptional group of fourteen works that were removed in the past from their original location (the west façade and choir of the Cathedral in Santiago de Compostela) and are now housed in the cathedral museum and in different institutions and private collections.

Notable among them are the recently restored sculptures of David and Solomon, and a Statue-column of a male figure holding a cartouche that was found last October inside the cathedral’s south tower, a discovery that represents an enormous advance in our knowledge of Master Mateo’s activities in the cathedral of Santiago de Compostela.

Co-organised with the Real Academia Gallega de Bellas Artes, and the Fundación Catedral de Santiago.

Curators in Conversation: Ribera across the Generations. 6:30-8:30 pm, Thursday 9th February, 2017

 

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With
Gabriele Finaldi (Director, The National Gallery) &
Edward Payne (Senior Curator: Spanish Art, Auckland Castle Trust)
at
Colnaghi, 26 Bury Street, London SW1Y 6AL

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ARTES welcomes Gabriele Finaldi, curator of Ribera: Master of Drawing at the Museo Nacional del Prado, Madrid (22 November 2016 – 19 February 2017), in conversation with Edward Payne, curator of the exhibition’s second incarnation Between Heaven and Hell: The Drawings of Jusepe de Ribera at the Meadows Museum, Dallas (12 March – 11 June 2017). They will be discussing the genesis of the exhibition which celebrates the publication of the first complete catalogue raisonné of Ribera’s drawings. The event will take place in the stunning new Colnaghi gallery in Bury Street, followed by wine and jamón provided by Spanish restaurateurs Brindisa.

ARTES would like to thank the Instituto Cervantes and its Director, Julio Crespo Maclennan for their support with this event.

This event is open to ARTES members only. RSVP to Alice@colnaghi.com

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Call for Submissions: Travel scholarships, deadline 31 January 2019

Thanks to the generous support of art dealers Coll & Cortés, ARTES offers travel scholarships for BA and postgraduate students at UK universities who are working on any aspect of Spanish, Portuguese or Latin American visual culture before 1800.

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Final year undergraduates and postgraduate students registered for a full or part-time degree course at a UK university may apply for up to £600 towards the costs of travel to Spain, Portugal or Latin America for research purposes (which may include field work, attendance at a conference, or other recognised forms of research). Reports by those previously awarded travel scholarships are available here.

The deadline for these awards is 31st January 2019.

Scholarship application guidelines.

  1. Applications should be made in English as a single MS Word or PDF file and sent to artesscholarships@gmail.com . Applicants are requested to include ‘Travel Scholarship’ in the email subject, but should not expect acknowledgement of receipt.
  2. All applications should include: a) project title, b) a max 100-word project summary, c) a max 600-word explanation of the research to be conducted (including explanation of the necessity of travel); d) a short breakdown of how the money will be spent, together with details of any other funding received; e) an academic CV. Applicants should ensure that an academic advisor sends a reference to the same email address by the 31st January deadline: this may be in English, Spanish or Portuguese. Applications without a reference will not be considered.
  3. Candidates may apply for any other scholarship or award offered by ARTES, but are unlikely to be successful in more than one category in any one year.
  4. Application is open to any student or scholar who can demonstrate compliance with the criteria set out above, other than employees of Coll & Cortés, committee members of ARTES, or their immediate families. Scholarships are not awarded to students who have not yet begun their programme of study, are valid for one year only, and are not renewable. Applications may be submitted for travel conducted in the 12 months prior to the submission deadline, though funding for such trips is likely to be considered less urgent than for forthcoming trips that would not be possible without funding.
  5. Applications will be assessed according to the following criteria: Originality of research, significance of research, feasibility of successful completion, academic rigour (command of the field, spelling, fluency etc), potential of the applicant (an assessment of the strength of the CV, taking into account the student’s current status), financial need, value for money, strength of reference, necessity of travel.
  6. Successful scholarship winners are normally informed by 1st March, and are invited to attend a presentation in London in July (exceptions may be made if the costs of attendance at this event are prohibitive). They are required to write a 600-word report on their funded research project, to be sent to artesscholarships@gmail.com within nine months of receipt of the scholarship.
  7. Any publications arising from research supported by these scholarships should include acknowledgement of ARTES.
  8. The scholarships come with no institutional affiliation, and ARTES and Coll & Cortés cannot take responsibility for the support or welfare of scholarship holders.
  9. The decision of the Scholarship Committee shall be final. The Committee reserves the right to make no awards in cases where it deems that applications are not of satisfactory quality. Coll & Cortés and ARTES accept no legal responsibility to any applicant or third party arising from this notice, or the award or otherwise of a scholarship.  The Scholarship Committee will not enter into correspondence with unsuccessful applicants or their academic advisors regarding its decisions.

Book Launch – Sebastiano del Piombo & the World of Spanish Rome by Piers Baker-Bates

ARTES Committee Member Dr Piers Baker-Bates has published an examination of Sebastiano’s career as a transcultural artist through an analysis of his Spanish patrons in Rome.

This book will prove to be an important tool to the greater appreciation of the artist in advance of the National Gallery London’s forthcoming exhibition Michelangelo & Sebastiano (see link) curated by Matthias Wivel, from 15 March – 26 June 2017.

A discount is available to those ARTES members who would like to buy a copy. Please contact artesiberia@gmail.com for details.

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Book Launch – Art in Spain & Portugal from the Romans to the Early Middle Ages by Rose Walker

ARTES member Dr Rose Walker of the Courtauld Institute of Art has recently launched her latest book on early art in the Iberian Peninsula. A discount is available to those ARTES members who would like to buy a copy. Please contact artesiberia@gmail.com for details.

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Copied by the Sun: The First Photographically Illustrated Book on Art

2016-10-copied-by-the-sun-a4-posterStirling Maxwell Centre
University of Glasgow

Hilary Macartney (University of Glasgow), with Jim Tate (National Museums of Scotland) and Brian Liddy (Bodleian Library)

Copied by the Sun: The First Photographically Illustrated Book on Art

Illustrated talk, book launch and display of collection highlights

University of Glasgow Library Special Collections, Henry Heaney Room

Thursday 27 October 2018
6:00-8:00PM

In 1848, the Scottish scholar Sir William Stirling Maxwell created the world’s first photographically illustrated book on art by adding a volume of Talbotype (or calotype) illustrations to his pioneering book on Spanish art Annals of the Artists of Spain. The photographs, by William Henry Fox Talbot’s assistant Nicolaas Henneman, faded soon after. Nevertheless, this ground-breaking volume pointed the way towards the use of photography in the study of art. This talk launches the publication of a two-volume facsimile and critical edition of the digitally reconstructed photographs. On display will be the related calotype negative (1847) by D O Hill and Robert Adamson of Velázquez’s Surrender of Breda, a highlight of the recent Stirling Maxwell exhibition at the Prado Museum, Madrid, and other items from the Photographic and Stirling Maxwell Collections in the University of Glasgow Special Collections.

Copied by the Sun will be available for cash sale at the special price of £67.00.

Publication details (source: WorldCat):

Title: Copied by the sun: Talbotype illustrations to the Annals of the artists of Spain by Sir William Stirling Maxwell: studies and catalogue raisonné /
Author(s): Macartney, Hilary.
Matilla, José Manuel. 
Corp Author(s): Museo del Prado
Publication: Madrid: Museo Nacional del Prado
Year: 2016
Description: 2 volumes (365 numbered pages, 140 unnumbered pages) : color illustrations ; 24 cm.
Language: English
Standard No: ISBN: 9788415245551; 8415245556

Wallace Collection: Xavier Bray & a Musical Celebration of Spain

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ECHOES FESTIVAL ‘Through Gilded Trellises’: A Celebration of Spain

Friday, 11 November 2016, 7.00pm
The Wallace Collection
Hertford House
London
W1U 3BN
The Wallace Collection welcomes its new Director and Spanish painting specialist Dr Xavier Bray with a special evening concert, ‘Through Gilded Trellises’: a Celebration of Spain, featuring award-winning soprano Natalya Romaniw and acclaimed tenor Luis Gomes. Inspired by the Collection’s impressive assemblage of Spanish Old Master paintings, the concert will highlight music by Turina, Mompou and Granados in addition to Spanish-inspired music by celebrated European composers such as Debussy and Scarlatti. The intimate concert will be held in the Collection’s Great Gallery, surrounded by some of art history’s most recognizable Old Master paintings, including Velázquez’ The Lady with a Fan and Rubens’ The Rainbow Landscape.

The evening will also feature an ‘in conversation’ discussion between Dr Bray and pianist Iain Burnside, where they will consider the wider impact of Spanish painters and composers on European culture.

2016-10-listing-pic-wallace-collectionNatalya Romaniw soprano | Luis Gomes tenor | Iain Burnside pianist

Click HERE for more information.

 

 

ARTES private visit to the V&A’s Opus Anglicanum exhibition, 9am, Weds 14 December

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The Toledo Cope (detail), copyright Toledo, Tesoro de la Catedral, Museo de Tapices y Textiles de la Catedral

 

The stunning exhibition of medieval English embroidery at the Victoria & Albert Museum includes several pieces long held in Spanish treasuries, including two wonderful copes from Toledo and Daroca. Curator Glyn Davies has kindly offered to take ARTES members on a private visit to the exhibition on Wednesday 14th December at 9am (ie before the exhibition opens to the public at 10am). Tom Nickson (ARTES Vice-Chair) will also speak briefly about how these English embroideries came to Spain, and their fate thereafter.

 

This event is open to ARTES members only. To join us (£35/£20) see details here. Members can confirm a place by emailing artesiberia@gmail.com, and should arrive at the V&A’s Secretariat Gate by 8.50am (NB, latecomers cannot be admitted).

‘Goyescas’: Music in the Time of Goya

2016-10-goyescas-listing-pic-frame-logoECHOES FESTIVAL

‘Goyescas’: Music in the Time of Goya
José Menor & The Latin Classical Chamber Orchestra

Wednesday, 2 November 2016, 7.00pm
St John’s Smith Square
Smith Square
London
SW1P 3HA

Join Spanish virtuoso pianist José Menor and The Latin Classical Chamber Orchestra on an exhilarating musical journey to 18th-century Spain as they mark the 2016 centenary of the great Spanish composer  Enrique Granados (1867-1916) with a  multi-media programme inspired by the life and times of Granados’ greatest muse, the Spanish painter Francisco de Goya (1746-1828).

Click HERE for more information.
Click HERE to watch a video.
Click HERE to listen to an audio clip.

Wifredo Lam at Tate Modern

2016-09-wifredolamWifredo Lam
Tate Modern
14 September 2016 –  8 January 2017

Click here for events associated with the exhibition.

Artist biography

Wifredo Lam born 1902 [- 1982]

Surrealist painter born in Sagua la Grande, Cuba, of a Chinese father and a mother of mixed African, Indian and European origin. Studied at the Academy of San Alejandro in Havana 1920-3, then went in 1924 to Madrid where he worked in the studio of Fernando Alvarez de Sotomayor, the Director of the Prado, and also in the evenings at the Free Academy. Left Spain in 1938 after taking part in the defence of Madrid, and moved to Paris. First one-man exhibition in Paris at the Galerie Pierre Loeb 1939. Friendship with Picasso, who enthusiastically encouraged him, and with Breton and the Surrealists. Became interested in African sculpture. Fled in 1941 to Martinique with Breton, Masson and Lévi-Strauss, then returned to Cuba where his work was influenced by savage rituals and the tropical jungle. Visited Haiti in 1945 and 1946 and discovered the Voodoo cult; later in 1946 met Gorky and Duchamp in New York and returned to Paris. 1947-52 in Cuba, New York and Paris; left Cuba in 1952 to live in Paris. Since 1960 has also worked regularly at Albisola Marina, Italy. Awarded the Guggenheim and Marzotto Prizes 1964-5. Lives in Paris and Albisola Marina.

Published in:
Ronald Alley, Catalogue of the Tate Gallery’s Collection of Modern Art other than Works by British Artists, Tate Gallery and Sotheby Parke-Bernet, London 1981, pp.404-5