Tag Archives: Film

Mexico 1968 Documentary Series, Instituto Cervantes, London, 02/10/2018 to 23/10/2018

Memorial del 68
1968 is a turning point for many countries that experienced the effects of the desire for revolution of young people, who had been born after the Second World War and did not feel the commitment of historical debt to those events and the type of life that was founded after. The Mexican case was especially painful because the student and social claims were violently repressed by the state forces that ended in what is known as the Tlatelolco massacre. On October 2 1968, more than three hundred people were killed by the army. This bloody response volatilized the desire for change and led to the start of the Olympics in Mexico, which took place between October 12 and 27, making Mexico a place visited by athletes from all over the world.
The programme will be introduced with a documentary by director Nicolás Echeverría, which recovers the voice of its protagonists, the informative display of the events and some conclusions and interpretations about them, thirty years later. Memorial del 68 allows us to understand the complexity of this year in which young Mexicans tried to change the world. Other documentary films complete the programme, which will be extended over four evenings in October, always followed by conversations with the public, a collaboration between the Institute of Mexican Studies / UNAM in London and the Cervantes Institute in London.
For more information about events in the series, click here.
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Conference: Digital Imaginaries of the South: Stories of Belonging and Uprooting in Hispanic Cinemas

maxresdefaultInternational Film Conference (IV TECMERIN Academic Meeting): Digital Imaginaries of the South: Stories of Belonging and Uprooting in Hispanic Cinemas, October 18-20, 2017, Universidad Carlos III de Madrid / Casa de América (Madrid)

Over the past twenty years, digital technology has become the standard in the film production, circulation, and consumption processes. Within this context, Hispanic cinemas have undergone deep changes, both within the countries with an established cinematic tradition, as well as in those that, due to several reasons, had not developed a robust cinematography throughout the 20th century. The analogue paradigm became deeply contested and a new digital framework, which was widely discussed by institutions, film critics, and academics, emerged. This moment coincides with the widespread generalization of national and transnational neoliberal policies that, far from backing diversity, have increased the gap between those “connected” and those “disconnected” (to draw upon Néstor García Canclini’s term); a gap also experienced by those that, even if connected, still occupy subaltern positions.
The speeding of these processes has resulted in an increase of mobility, at work both in the geographical displacement of film professionals and in the emergence of new narrative models that deal with questions of belonging and uprooting, springing precisely from these experiences of displacement. The cinemas of the Global South, and, most specifically, Hispanic cinemas, have actively taken part in these processes, ultimately playing a relevant role in terms of narrative and aesthetic models, and the production, circulation and consumption of film.
Following the main research axes of the R+D project “Transnational relations in Hispanic digital cinemas: the axes of Spain, Mexico, and Argentina” (CSO2014-52750-P), the International Conference Digital Imaginaries of the South: Stories of Belonging and Uprooting in Hispanic Cinemas conference will discuss these themes:
  • The representation of migrations, displacements, exile, and diaspora.
  • Transnational flows of cultural, economic, and human capital in the production and circulation of cinema.
  • The reconfiguration of the regional, national, and transnational Hispanic interactions within the new century.
  • Public discourses and film policies within the region.
  • Hybridization and identity in the narratives on colonization, decolonization, and revolutionary processes.
  • Activism and digital praxis.
  • Genres, authors, stars.
  • Film cultures and cinephilia: festivals, publications, and digital platforms.
  • Minor cinemas: indigenismo, experimental, and/or militant cinemas.
  • Historiographic, theoretical, and methodological problems of so-called Hispanic, Iberian, and Latin American cinemas.

Luis Buñuel: Aesthetics of the Irrational

2015-11-Bunuel
Luis Buñuel: Aesthetics of the Irrational

London, ICA
12 Nov 20156 Dec 2015

Retrospective of the films of Luis Buñuel (1900–1983), celebrating his genius, irreverence and unique poetic style. The season features panel discussions and Q&As with speakers including eminent collaborator Jean-Claude Carrière, grandson Diego Buñuel, and leading academics such as Maria Delgado, Jo Evans, Peter Evans and Rob Stone.