Four Spanish women artists based in the UK discuss their experiences and achievements in the Performing and Visual Arts: Tamara Rojo, Artistic Director of the English National Ballet; Angela de la Cruz, visual artist; Paula Paz, associate director of the Cervantes Theatre; and Isabel del Rio, poet and writer. The discussion will focus on howContinue reading “Panel discussion: Spanish Women Artists in the UK, Edmond J. Safra Lecture Theatre, King’s College London, 11/09/2018, 7–9 pm”
Author Archives: costanzabeltrami
Edilia and François-Auguste de Montêquin Fellowship, Society of Architectural Historians, deadline 30 September, 2018
This award provides support for travel related to research on Spanish, Portuguese, or Ibero-American architecture. The awards consist of a $2,000 stipend for a junior scholar and a $6,000 award for a senior scholar. The awardees will be notified in December and will be recognized at the SAH 72nd Annual International Conference in Providence,Continue reading “Edilia and François-Auguste de Montêquin Fellowship, Society of Architectural Historians, deadline 30 September, 2018”
Featured Exhibition: Gala Salvador Dalí: A Room of One’s Own in Púbol, Museu Nacional d’Art de Catalunya, Barcelona, until 14 October
Gala (7th September 1894 – 10th June 1982), born into a family of intellectuals from Kazan (Russia), spent her childhood in Moscow before moving to Switzerland and then Paris. There she befriended such prominent members of the surrealist movement as Max Ernst. In 1929 she travelled to Cadaqués, where she met Dalí. The two fell in love and started toContinue reading “Featured Exhibition: Gala Salvador Dalí: A Room of One’s Own in Púbol, Museu Nacional d’Art de Catalunya, Barcelona, until 14 October”
Call for Applications: Sculptural Workshops, Botín Foundation, Santander, 17–28 September 2018—deadline 10 August
Since 1994, the Sculptural Workshops of the Botín Foundation have brought together in Santander young artists from all over the world, to work alongside major figures from the art world. For its next edition, which will take place between September 17 and 28, 2018, the sculptor Cristina Iglesias (San Sebastián, 1958) proposes a research workshopContinue reading “Call for Applications: Sculptural Workshops, Botín Foundation, Santander, 17–28 September 2018—deadline 10 August”
A new Murillo at the Museu de Belles Arts, Valencia
The Fine Arts Museum in Valencia has received the outstanding loan of an unpublished painting by Murillo, Nun in Prayer (1665–70), part of the Delgado Collection. The painting will be located in the room dedicated to Spanish Baroque art, in the company of other works attributed to and influenced by Murillo, as well as works byContinue reading “A new Murillo at the Museu de Belles Arts, Valencia”
CFP: Sacred Images in the Iberian Americas until 1700: Processes, Strategies and Agents, Renaissance Society of America Annual Meeting, Toronto, 17-19 March 2019
SACRED IMAGES IN THE IBERIAN AMERICAS UNTIL 1700: PROCESSES, STRATEGIES AND AGENTS This panel proposes an approach to the phenomenon of sacred images through three main elements: processes, strategies and agents. The mark of the sacred and the miraculous was achieved by different procedures: hierophanies, thaumaturgy, paranormal phenomena (sweating, weeping, mobility). Definitely, the agency ofContinue reading “CFP: Sacred Images in the Iberian Americas until 1700: Processes, Strategies and Agents, Renaissance Society of America Annual Meeting, Toronto, 17-19 March 2019”
CFP: Visualizing Scientific Thinking and Religion in the Early Modern Iberian World, CAA 107th Annual Conference, New York, February 13–16, 2019
Chairs: Brendan C. McMahon (bcmcmaho@umich.edu), Emily Floyd (emilycfloyd@gmail.com) In recent years, the consideration of visual and material sources has greatly enriched the study of a wide range of scientific practices in the early modern period. As scholars have moved away from characterizing “art” and “science” as discrete categories, they have increasingly turned to paintings, prints,Continue reading “CFP: Visualizing Scientific Thinking and Religion in the Early Modern Iberian World, CAA 107th Annual Conference, New York, February 13–16, 2019”
Closing soon: Picasso 1932 – Love, Fame, Tragedy at Tate Modern until 9 September 2018
This ground-breaking exhibition features more than 100 paintings, sculptures and drawings by Spain’s best-known artist gives an almost day-by-day coverage of his artistic and social activities during 1932, the year of his first retrospective at the Galerie Georges Petit in Paris. Offering a new insight on Picasso’s ‘year of wonders,’ the show brings together rarely seenContinue reading “Closing soon: Picasso 1932 – Love, Fame, Tragedy at Tate Modern until 9 September 2018”
Job: Assistant Professor (Research): Pemberton Fellowship for the Study of Spanish Art, Zurbarán Centre for Spanish and Latin American Art, University of Durham, UK
This post is full-time and fixed term (1 September 2018 – 31 August 2019). The Zurbarán Centre for Spanish and Latin American Art seeks to appoint an outstanding candidate to a one-year fixed-term Research Fellowship in Spanish and/or Neapolitan Art of the early modern period (1550-1750). This posts offer an exciting opportunity to make aContinue reading “Job: Assistant Professor (Research): Pemberton Fellowship for the Study of Spanish Art, Zurbarán Centre for Spanish and Latin American Art, University of Durham, UK”
Workshop: Transatlantic Spain: the Afro-Hispanic Experience of Slavery and Freedom (15th–19th centuries), Birkbeck, University of London, 6 July 2018
This international workshop aims to contribute to the visibilization of enslaved and free peoples of Afro-Hispanic descent, by exploring their representation in the visual and literary regimes of early modern Spain and the New World, and to generate critical insights into the articulation of slave subjectivities. This gathering, supported by CILAVS, the Centre of IberianContinue reading “Workshop: Transatlantic Spain: the Afro-Hispanic Experience of Slavery and Freedom (15th–19th centuries), Birkbeck, University of London, 6 July 2018”
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