
Mexico 1968 Documentary Series, Instituto Cervantes, London, 02/10/2018 to 23/10/2018


ARTES members are invited to join ARTES’s committee member Dr Edward Payne for a special tour of the exhibition Ribera: Art of Violence at Dulwich Picture Gallery, co-curated by Edward and ARTES member Dr Xavier Bray.
The curator-led tour will take place in the morning of Friday 28 September. The event will run as follows:
9.00–9.15 Coffee and welcome at Gail’s, 91 Dulwich Village, London SE21 7BJ, UK
9.15–9.45 Introduction: Why Ribera? Why violence? Why Dulwich Picture Gallery?
9.45–10.00 Private viewing of the exhibition at Dulwich Picture Gallery (doors open to the general public at 10.00)
10.00–11.30 Curator-led tour of the exhibition followed by Q&A and general discussion
This event is free but spaces are limited. Please write to artesiberia@gmail.com to book your place.

Ribera: Art of Violence is the first exhibition in the UK dedicated to the Spanish Baroque painter, draughtsman and printmaker Jusepe de Ribera (1591–1652). Born in Játiva, Valencia, Ribera emigrated to Italy as a young artist. Proud of his Spanish heritage, he eventually settled in Naples, then a Spanish territory, but never again returned to Spain. A hybrid figure, Ribera had a significant influence on the art of both countries in the seventeenth century.
Introducing this artist to a UK audience, the exhibition will focus on some of Ribera’s most powerful images featuring saints and sinners, flaying and flogging. Ribera’s images of pain have often been described as shocking and even grotesque in their realism. In a common historiographical trope, the artist himself has been labelled as sadistic and violent. Challenging this long-standing interpretation, Ribera: Art of Violence will reveal the complex artistic, religious and cultural discourses underpinning the artist’s violent imagery in paint and on paper. This exploration will be anchored by a number of major loans from North American and European collections, with some works travelling to the UK for the first time.
Click here for more information about the exhibition and related events.
This autumn, Dulwich Picture Gallery will present the first exhibition in the UK dedicated to the Spanish Baroque painter, draughtsman and printmaker Jusepe de Ribera (1591–1652). Born in Játiva, Valencia, Ribera emigrated to Italy as a young artist. Proud of his Spanish heritage, he eventually settled in Naples, then a Spanish territory, but never again returned to Spain. A hybrid figure, Ribera had a significant influence on the art of both countries in the seventeenth century.
Introducing this artist to a UK audience, the exhibition will focus on some of Ribera’s most powerful images featuring saints and sinners, flaying and flogging. Ribera’s images of pain have often been described as shocking and even grotesque in their realism. In a common historiographical trope, the artist himself has been labelled as sadistic and violent. Challenging this long-standing interpretation, Ribera: Art of Violence will reveal the complex artistic, religious and cultural discourses underpinning the artist’s violent imagery in paint and on paper. This exploration will be anchored by a number of major loans from North American and European collections, with some works travelling to the UK for the first time.
A scholarly catalogue will accompany the exhibition, showcasing the new research which has informed the display.
Ribera: Art of Violence is co-curated by ARTES committee member Dr Edward Payne, author of a PhD thesis on the theme of violence in Ribera’s art (2012) and contributor to the catalogue raisonné of Ribera’s drawings (2016), and Dr Xavier Bray (Director, The Wallace Collection), former Arturo and Holly Melosi Chief Curator at Dulwich Picture Gallery, and curator of the National Gallery’s exhibitions The Sacred Made Real: Spanish Painting and Sculpture 1600–1700 (2009) and Goya: The Portraits (2015).
The exhibition will be accompanied by an exciting series of events, from an international study day to Animalis, a contemporary dance performance. Here is a selection of the most interesting…
And last but not least, a curator-led tour for ARTES members, which will take place on 28 September 2018 from 9.00am.

The Clark Art Institute combines a public art museum with a complex of research and academic programs, including a major art history library. The Clark is an international center for discussion on the nature of art and its history.
Fellowships are awarded every year to established and promising scholars with the aim of fostering a critical commitment to inquiry in the theory, history, and interpretation of art and visual culture. In addition to providing an opportunity for sustained research for fellows, outside of their usual professional obligations, the Clark encourages them to participate in a variety of collaborative and public discussions on diverse art historical topics as well as on larger questions and motivations that shape the practice of art history.
Sponsored by the Center for Spain in America, this one-semester fellowship is intended to support the study of all aspects of Spanish art from the early medieval period to the beginning of the twentieth century, as well as the worldwide impact of Spanish art and artists. In addition to research for a publication and/or exhibition on specific artists or periods, we welcome projects examining collecting and connoisseurship of Spanish art—particularly in the Americas—and the influence and importance of Spanish art and its reception throughout the world.
Deadline: October 15, 2018
Click here for more information

This exhibition showcases five centuries of Andean silver-work through more than 350 silver pieces, dating from the conquest to the 20th century. Curated by Ricardo Kusunoki and Eduardo Wuffarden, this major show is a unique occasion to see works never previously displayed to the public, from ecclesiastical, private and public collections in Lima, Cuzco, Arequipa and elsewhere in the country.
Click here for more information.
ARTES members are invited to join ARTES’s committee member Dr Edward Payne for a special tour of the exhibition Ribera: Art of Violence at Dulwich Picture Gallery, co-curated by Edward and ARTES member Dr Xavier Bray.
The curator-led tour will take place in the morning of Friday 28 September. The event will run as follows:
9.00–9.15 Coffee and welcome at Gail’s, 91 Dulwich Village, London SE21 7BJ, UK
9.15–9.45 Introduction: Why Ribera? Why violence? Why Dulwich Picture Gallery?
9.45–10.00 Private viewing of the exhibition at Dulwich Picture Gallery (doors open to the general public at 10.00)
10.00–11.30 Curator-led tour of the exhibition followed by Q&A and general discussion
This event is free but spaces are limited. Please write to artesiberia@gmail.com to book your place.

Ribera: Art of Violence is the first exhibition in the UK dedicated to the Spanish Baroque painter, draughtsman and printmaker Jusepe de Ribera (1591–1652). Born in Játiva, Valencia, Ribera emigrated to Italy as a young artist. Proud of his Spanish heritage, he eventually settled in Naples, then a Spanish territory, but never again returned to Spain. A hybrid figure, Ribera had a significant influence on the art of both countries in the seventeenth century.
Introducing this artist to a UK audience, the exhibition will focus on some of Ribera’s most powerful images featuring saints and sinners, flaying and flogging. Ribera’s images of pain have often been described as shocking and even grotesque in their realism. In a common historiographical trope, the artist himself has been labelled as sadistic and violent. Challenging this long-standing interpretation, Ribera: Art of Violence will reveal the complex artistic, religious and cultural discourses underpinning the artist’s violent imagery in paint and on paper. This exploration will be anchored by a number of major loans from North American and European collections, with some works travelling to the UK for the first time.
Click here for more information about the exhibition and related events.

Open until 27 January 2019, this exhibition explores the career of Bartolomé Bermejo, one of the most fascinating figures within Spanish art of the second half of the 15th century. Bringing together a remarkable group of paintings from Spanish, European and American museums, the Prado is able to present this survey exhibition, which has been organized with the collaboration of the Museu Nacional d’Art de Catalunya and, for the first time, allows for an appreciation of the technical virtuosity and distinctive visual universe of this Cordovan painter active in the Kingdom of Aragon.
For more information, click here.
Following the tragic fire at the National Museum in Rio de Janeiro some online platforms have asked the public to help document the museum’s lost collection by sharing images and other digital material.
The open-access image repository Wikimedia Commons has asked its users to contribute images of the museum’s collection. Instruction are below:

3D repository site Sketchfab has also created a collection of 25 models from the Museu Nacional that can be accessed by anyone, and invites users who might have created a 3D or photogrammetric model of the museum’s artefacts to share their work on the site.
ARTES members are invited to join ARTES’s committee member Dr Edward Payne for a special tour of the exhibition Ribera: Art of Violence at Dulwich Picture Gallery, co-curated by Edward and ARTES member Dr Xavier Bray.
The curator-led tour will take place in the morning of Friday 28 September. The event will run as follows:
9.00–9.15 Coffee and welcome at Gail’s, 91 Dulwich Village, London SE21 7BJ, UK
9.15–9.45 Introduction: Why Ribera? Why violence? Why Dulwich Picture Gallery?
9.45–10.00 Private viewing of the exhibition at Dulwich Picture Gallery (doors open to the general public at 10.00)
10.00–11.30 Curator-led tour of the exhibition followed by Q&A and general discussion
This event is free but spaces are limited. Please write to artesiberia@gmail.com to book your place.

Ribera: Art of Violence is the first exhibition in the UK dedicated to the Spanish Baroque painter, draughtsman and printmaker Jusepe de Ribera (1591–1652). Born in Játiva, Valencia, Ribera emigrated to Italy as a young artist. Proud of his Spanish heritage, he eventually settled in Naples, then a Spanish territory, but never again returned to Spain. A hybrid figure, Ribera had a significant influence on the art of both countries in the seventeenth century.
Introducing this artist to a UK audience, the exhibition will focus on some of Ribera’s most powerful images featuring saints and sinners, flaying and flogging. Ribera’s images of pain have often been described as shocking and even grotesque in their realism. In a common historiographical trope, the artist himself has been labelled as sadistic and violent. Challenging this long-standing interpretation, Ribera: Art of Violence will reveal the complex artistic, religious and cultural discourses underpinning the artist’s violent imagery in paint and on paper. This exploration will be anchored by a number of major loans from North American and European collections, with some works travelling to the UK for the first time.
Click here for more information about the exhibition and related events.

ARTES have organised a trip to Seville for members from 30th November to 2nd December 2018, the main aim being a curator-led tour of the exhibition Murillo IV Centenario, opening that week, as well as visits to the Cathedral, Hospital de los Venerables and de la Caridad, Alcázar, Casa de Pilatos and other sites of art historical significance.
Members must make their own travel and accommodation arrangements but should plan to arrive by Friday evening. A full programme (from Friday night to Sunday early evening) will be posted nearer the time.

ARTES members wishing to join the trip should RSVP to artesiberia@gmail.com. Places will be limited to 15 and will be allocated on a first come first serve basis.*
*We may ask for a deposit to secure a place with the money put towards the cost of dinner on Saturday night.
Images: Moses Striking the Rock at Horeb, c. 1669–70, oil on canvas, 263 x 575 cm, Seville, Hospital de la Santa Caridad
Jesus Multiplies the Loaves and Fishes, c. 1669–70, oil on canvas, 263 x 575 cm, Seville, Hospital de la Santa Caridad