As reported by The Art Newspaper, the Dallas Museum of Art (DMA) is looking to enlarge its Latin American art collection. The museum has created a new endowed curatorial post, the Jorge Baldor Curator of Latin American Art, currently open for applications. It has also made significant new acquisitions of art from the region, fromContinue reading “News: ‘Dallas Museum of Art boosts Latin American focus with new curator and acquisitions’”
Category Archives: News
CFP: Canons and Repertoires: Constructing the Visual Arts in the Hispanic World, Durham University, 20–21 June 2019, deadline 31 March!
The visual arts in Spain have long been haunted by the spectres of six giants: El Greco, Ribera, Velázquez, Murillo, Goya and Picasso. Still today, these canonical figures tower over all others and continue to shape the story of Spanish art, which has been traditionally told in monographic form. Although the strength of the SpanishContinue reading “CFP: Canons and Repertoires: Constructing the Visual Arts in the Hispanic World, Durham University, 20–21 June 2019, deadline 31 March!”
CFP: Arts and Models of Democracy in post-authoritarian Iberian Peninsula, University of Huddersfield, 28–29 November 2019
The process of democratisation in Portugal and Spain originated from a similar socio-political context. Besides having an almost identical geographical context, two long authoritarian and military dictatorships shaped the two counties on the basis of a nationalist and deeply catholic identity. From the point of view of popular culture, both dictatorships promoted a disengaged culture, based on songs, football matches, bullfights andContinue reading “CFP: Arts and Models of Democracy in post-authoritarian Iberian Peninsula, University of Huddersfield, 28–29 November 2019”
CFP: ‘Imperial Entanglements: Trans-Oceanic Basque Networks in British and Spanish Colonialism and their Legacy’, Museum of Liverpool, Liverpool UK, 9–10 August 2019
Port-cities in Britain are known and studied as crossroads and gateways of empire. People, ideas, goods, money, etc. flowed in and out of these porous urban environments. For many people, port-cities were not only a place of transience, they could also be a home city with a strong sense of community. From the 16th throughContinue reading “CFP: ‘Imperial Entanglements: Trans-Oceanic Basque Networks in British and Spanish Colonialism and their Legacy’, Museum of Liverpool, Liverpool UK, 9–10 August 2019”
CFP: Canons and Repertoires: Constructing the Visual Arts in the Hispanic World, Durham University, 20–21 June 2019
CANONS AND REPERTOIRES: Constructing the Visual Arts in the Hispanic World, Durham University, 20–21 June 2019 The visual arts in Spain have long been haunted by the spectres of six giants: El Greco, Ribera, Velázquez, Murillo, Goya and Picasso. Still today, these canonical figures tower over all others and continue to shape the story of Spanish art, whichContinue reading “CFP: Canons and Repertoires: Constructing the Visual Arts in the Hispanic World, Durham University, 20–21 June 2019 ”
Closing Soon! ‘Ribera: Art of Violence’, Dulwich Picture Gallery, London, until 27 January 2019
This is the first exhibition in the UK dedicated to the Spanish Baroque painter, draughtsman and printmaker Jusepe de Ribera (1591–1652). Born in Játiva, Valencia, Ribera emigrated to Italy as a young artist. Proud of his Spanish heritage, he eventually settled in Naples, then a Spanish territory, but never again returned to Spain. A hybrid figure,Continue reading “Closing Soon! ‘Ribera: Art of Violence’, Dulwich Picture Gallery, London, until 27 January 2019”
1 week to go! ‘Ribera: Art of Violence’ opens 26 September 2018 at Dulwich Picture Gallery, London
This autumn, Dulwich Picture Gallery will present the first exhibition in the UK dedicated to the Spanish Baroque painter, draughtsman and printmaker Jusepe de Ribera (1591–1652). Born in Játiva, Valencia, Ribera emigrated to Italy as a young artist. Proud of his Spanish heritage, he eventually settled in Naples, then a Spanish territory, but never again returned toContinue reading “1 week to go! ‘Ribera: Art of Violence’ opens 26 September 2018 at Dulwich Picture Gallery, London”
Do you have photos of the National Museum of Brazil’s collection?
Following the tragic fire at the National Museum in Rio de Janeiro some online platforms have asked the public to help document the museum’s lost collection by sharing images and other digital material. The open-access image repository Wikimedia Commons has asked its users to contribute images of the museum’s collection. Instruction are below: 3D repositoryContinue reading “Do you have photos of the National Museum of Brazil’s collection?”
CFP: Sacred Images in the Iberian Americas until 1700: Processes, Strategies and Agents, Renaissance Society of America Annual Meeting, Toronto, 17-19 March 2019
SACRED IMAGES IN THE IBERIAN AMERICAS UNTIL 1700: PROCESSES, STRATEGIES AND AGENTS This panel proposes an approach to the phenomenon of sacred images through three main elements: processes, strategies and agents. The mark of the sacred and the miraculous was achieved by different procedures: hierophanies, thaumaturgy, paranormal phenomena (sweating, weeping, mobility). Definitely, the agency ofContinue reading “CFP: Sacred Images in the Iberian Americas until 1700: Processes, Strategies and Agents, Renaissance Society of America Annual Meeting, Toronto, 17-19 March 2019”
CFP: Visualizing Scientific Thinking and Religion in the Early Modern Iberian World, CAA 107th Annual Conference, New York, February 13–16, 2019
Chairs: Brendan C. McMahon (bcmcmaho@umich.edu), Emily Floyd (emilycfloyd@gmail.com) In recent years, the consideration of visual and material sources has greatly enriched the study of a wide range of scientific practices in the early modern period. As scholars have moved away from characterizing “art” and “science” as discrete categories, they have increasingly turned to paintings, prints,Continue reading “CFP: Visualizing Scientific Thinking and Religion in the Early Modern Iberian World, CAA 107th Annual Conference, New York, February 13–16, 2019”
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