Since 1994, the Sculptural Workshops of the Botín Foundation have brought together in Santander young artists from all over the world, to work alongside major figures from the art world. For its next edition, which will take place between September 17 and 28, 2018, the sculptor Cristina Iglesias (San Sebastián, 1958) proposes a research workshopContinue reading “Call for Applications: Sculptural Workshops, Botín Foundation, Santander, 17–28 September 2018—deadline 10 August”
Category Archives: ARTES
A new Murillo at the Museu de Belles Arts, Valencia
The Fine Arts Museum in Valencia has received the outstanding loan of an unpublished painting by Murillo, Nun in Prayer (1665–70), part of the Delgado Collection. The painting will be located in the room dedicated to Spanish Baroque art, in the company of other works attributed to and influenced by Murillo, as well as works byContinue reading “A new Murillo at the Museu de Belles Arts, Valencia”
CFP: Sacred Images in the Iberian Americas until 1700: Processes, Strategies and Agents, Renaissance Society of America Annual Meeting, Toronto, 17-19 March 2019
SACRED IMAGES IN THE IBERIAN AMERICAS UNTIL 1700: PROCESSES, STRATEGIES AND AGENTS This panel proposes an approach to the phenomenon of sacred images through three main elements: processes, strategies and agents. The mark of the sacred and the miraculous was achieved by different procedures: hierophanies, thaumaturgy, paranormal phenomena (sweating, weeping, mobility). Definitely, the agency ofContinue reading “CFP: Sacred Images in the Iberian Americas until 1700: Processes, Strategies and Agents, Renaissance Society of America Annual Meeting, Toronto, 17-19 March 2019”
CFP: Visualizing Scientific Thinking and Religion in the Early Modern Iberian World, CAA 107th Annual Conference, New York, February 13–16, 2019
Chairs: Brendan C. McMahon (bcmcmaho@umich.edu), Emily Floyd (emilycfloyd@gmail.com) In recent years, the consideration of visual and material sources has greatly enriched the study of a wide range of scientific practices in the early modern period. As scholars have moved away from characterizing “art” and “science” as discrete categories, they have increasingly turned to paintings, prints,Continue reading “CFP: Visualizing Scientific Thinking and Religion in the Early Modern Iberian World, CAA 107th Annual Conference, New York, February 13–16, 2019”
Closing soon: Picasso 1932 – Love, Fame, Tragedy at Tate Modern until 9 September 2018
This ground-breaking exhibition features more than 100 paintings, sculptures and drawings by Spain’s best-known artist gives an almost day-by-day coverage of his artistic and social activities during 1932, the year of his first retrospective at the Galerie Georges Petit in Paris. Offering a new insight on Picasso’s ‘year of wonders,’ the show brings together rarely seenContinue reading “Closing soon: Picasso 1932 – Love, Fame, Tragedy at Tate Modern until 9 September 2018”
Job: Assistant Professor (Research): Pemberton Fellowship for the Study of Spanish Art, Zurbarán Centre for Spanish and Latin American Art, University of Durham, UK
This post is full-time and fixed term (1 September 2018 – 31 August 2019). The Zurbarán Centre for Spanish and Latin American Art seeks to appoint an outstanding candidate to a one-year fixed-term Research Fellowship in Spanish and/or Neapolitan Art of the early modern period (1550-1750). This posts offer an exciting opportunity to make aContinue reading “Job: Assistant Professor (Research): Pemberton Fellowship for the Study of Spanish Art, Zurbarán Centre for Spanish and Latin American Art, University of Durham, UK”
Workshop: Transatlantic Spain: the Afro-Hispanic Experience of Slavery and Freedom (15th–19th centuries), Birkbeck, University of London, 6 July 2018
This international workshop aims to contribute to the visibilization of enslaved and free peoples of Afro-Hispanic descent, by exploring their representation in the visual and literary regimes of early modern Spain and the New World, and to generate critical insights into the articulation of slave subjectivities. This gathering, supported by CILAVS, the Centre of IberianContinue reading “Workshop: Transatlantic Spain: the Afro-Hispanic Experience of Slavery and Freedom (15th–19th centuries), Birkbeck, University of London, 6 July 2018”
Featured Exhibition: Michel Sittow. Estonian Painter at the Courts of Renaissance Europe, until 16 September at The Kumu Museum, Tallinn
Born in Tallinn, Michel Sittow, studied in the studio of his father Clawes van der Sittow, a respected painter and wood carver. In 1484, the young artist headed to Bruges, the art centre of the Netherlands at the time, probably to work in the studio of Hans Memling, a German who was the town’s mostContinue reading “Featured Exhibition: Michel Sittow. Estonian Painter at the Courts of Renaissance Europe, until 16 September at The Kumu Museum, Tallinn”
Tomorrow: Artistic Trade between Spain and its Viceroyalties from 1500 to 1800, King’s College, Cambridge, 22 June 2018
This is the first conference in the United Kingdom devoted to artistic trade between Spain and its viceroyalties. Referring to Cambridge’s Spanish and colonial art collections and with the indispensable support of the Nigel Glendinning studentship for Spanish studies, this conference brings together scholars specialized in the art from the Spanish Viceroyalties. The speakers willContinue reading “Tomorrow: Artistic Trade between Spain and its Viceroyalties from 1500 to 1800, King’s College, Cambridge, 22 June 2018”
ARTES AGM and Prize-Giving Ceremony Report, Oxford, 14 June 2018
On 14 June 2018 ARTES held its AGM and prize-giving ceremony in Oxford. It was a day packed with special visits to rarely-seen collections of Spanish art in the city. The day started at Campion Hall, a Jesuit private hall which hosts a fascinating private collection of religious art from Europe, Latin America, and from ChristianContinue reading “ARTES AGM and Prize-Giving Ceremony Report, Oxford, 14 June 2018”
ARTES 