This year’s Glendinning Lecture, an annual event in honour of the great Hispanist Nigel Glendinning, will celebrate the 200th anniversary of the Museo Nacional del Prado. Dr Javier Barón will deliver a lecture on how Velázquez and El Greco influenced modern painting. From its opening in 1819, the Prado offered artists a unique opportunity toContinue reading “ARTES Glendinning Lecture: Javier Barón, ‘Two Masters of the Prado: Velázquez, El Greco and Modern Painting’, Instituto Cervantes, London, 27 February 2019”
Author Archives: costanzabeltrami
Lecture: Dr Edward Payne, ‘Le noir Valencian’: Ribera, Gautier and the French Taste for Violent Painting, Durham University, 7 February 2019
7th February 2019, 16:00 to 17:00, Room 146, Elvet Riverside 1, Durham University Paintings by the Spanish Baroque artist, Jusepe de Ribera (1591–1652), prompted a range of contradictory responses in the nineteenth century. Poets, travel writers, critics and artists reacted to his work, especially his striking depictions of violent subjects, at once with admiration andContinue reading “Lecture: Dr Edward Payne, ‘Le noir Valencian’: Ribera, Gautier and the French Taste for Violent Painting, Durham University, 7 February 2019”
Featured Exhibition: Graciela Iturbide’s Mexico, MFA Boston, until 12 May 2019
The photographs of Graciela Iturbide not only bear witness to Mexican society but express an intense personal and poetic lyricism about her native country. One of the most influential photographers active in Latin America today, Iturbide captures everyday life and its cultures, rituals, and religions, while also raising questions about paradoxes and social injustice inContinue reading “Featured Exhibition: Graciela Iturbide’s Mexico, MFA Boston, until 12 May 2019”
Seminar: Dr Núria Ramón Marqués, ‘The Prayerbook of Alfonso of Aragon and Manuscript Illumination in Early 15th-Century Valencia’, Courtauld Institute of Art, 20 February 2019, 5–6pm
The Prayerbook of Alfonso of Aragon and Manuscript Illumination in Early 15th-Century Valencia Wednesday 20 February 2019 5:00 pm – 6:00 pm Free and open to all Research Forum Seminar Room, The Courtauld Institute of Art, Vernon Square, Penton Rise, King’s Cross, London, WC1X 9EW The Psalter-Book of Hours of Alfonso V the Magnanimous isContinue reading “Seminar: Dr Núria Ramón Marqués, ‘The Prayerbook of Alfonso of Aragon and Manuscript Illumination in Early 15th-Century Valencia’, Courtauld Institute of Art, 20 February 2019, 5–6pm”
Job: Assistant Curator, ESCALA and University Art Collections, University of Essex
Assistant Curator (ESCALA and University Art Collections), Library Services Job Reference: REQ02285 Application Closing Date: 11/02/2019 Location: Colchester Employment Type: Permanent, Part-time Salary: £26,243 – £29,515 per annum, pro rata This is an exciting opportunity to assist with the management of a major art collection and contribute to the development of academic and research support services atContinue reading “Job: Assistant Curator, ESCALA and University Art Collections, University of Essex”
200 Years of the Museo del Prado, 1819–2019
On 19 November 1819 Ferdinand VII of Spain inaugurated the Museo Real de Pinturas. Over the following two centuries, the new institution would turn into the Museo Nacional del Prado, one of the world’s most visited museums with an unparalleled collection of around 8,200 drawings, 7,600 paintings, 4,800 prints, and 1,000 sculptures. The Museum will celebrateContinue reading “200 Years of the Museo del Prado, 1819–2019”
Conference: Las mujeres y las artes en la corte española, Madrid, 20–22 February 2019, Universidad Complutense, Madrid
Programme MIÉRCOLES, 20 DE FEBRERO 09:30 Registro de participantes 10:00 Inauguración. Jaime M. de los Santos. Consejero de Cultura, Turismo y Deporte. Comunidad de Madrid. Presentación. Miguel Luque. Decano de la Facultad. MESA I. MUJERES PROTAGONISTAS DE LAS ARTES. MODERA FÉLIX DÍAZ MORENO (UCM) 10:30 Plautilla Bricci: cronaca di un oblio. Consuelo Lollobrigida (Univ. ofContinue reading “Conference: Las mujeres y las artes en la corte española, Madrid, 20–22 February 2019, Universidad Complutense, Madrid”
Symposium: Khipus: Writing Histories In and From Knots, The Mr. and Mrs. Raymond J. Horowitz Book Prize Symposium, Bard Graduate Center, New York, 1 February 2019
There has been much concern and criticism in the West over the absence of the voices of “peoples without history” in the writing of local, regional, and global histories. This concern has been especially profound insofar as it pertains to societies that did not have in the past, or that do not have today, theirContinue reading “Symposium: Khipus: Writing Histories In and From Knots, The Mr. and Mrs. Raymond J. Horowitz Book Prize Symposium, Bard Graduate Center, New York, 1 February 2019”
Closing soon: 2018 Turbine Hall Installation by Tania Bruguera, Tate Modern, London, until 24 February 2019
The Cuban artist Tania Bruguera (born 1968) has been selected to create the 2018 Hyundai commission for Tate Modern’s central four-stories high Turbine Hall. She is best known for her socially and politically engaged installations, which have in the past addressed topics of migration, border control and institutional power structures. She has created a uniqueContinue reading “Closing soon: 2018 Turbine Hall Installation by Tania Bruguera, Tate Modern, London, until 24 February 2019”
Closing Soon! ‘Ribera: Art of Violence’, Dulwich Picture Gallery, London, until 27 January 2019
This is the first exhibition in the UK dedicated to the Spanish Baroque painter, draughtsman and printmaker Jusepe de Ribera (1591–1652). Born in Játiva, Valencia, Ribera emigrated to Italy as a young artist. Proud of his Spanish heritage, he eventually settled in Naples, then a Spanish territory, but never again returned to Spain. A hybrid figure,Continue reading “Closing Soon! ‘Ribera: Art of Violence’, Dulwich Picture Gallery, London, until 27 January 2019”
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