News: Meadows Museum acquires last painting by Spanish master Mariano Fortuny y Marsal

 

Mariano Fortuny y Marsal (Spanish, 1838–1874), Beach at Portici, 1874. Oil on canvas, 27 x 51 ¼ in. (68.6 x 130.2 cm). Meadows Museum, SMU, Dallas.
Beach at Portici by Mariano Fortuny y Marsal (1838- 1874)
Oil on canvas, 27 x 51 ¼ in. (68.6 x 130.2 cm). Meadows Museum, SMU, Dallas.

The Southern Methodist University’s Website announced today that The Meadows Museum has acquired Beach at Portici, the last painting of famed Spanish artist Mariano Fortuny y Marsal (1838-1874).

This large-scale, unfinished work depicts the carefree atmosphere of a bbeautiful summer day at the beach, demonstrating Fortuny’s hallmark ability to capture light in paint.

Fortuny was an especially popular artist with 19th-century American collectors and audiences, as revealed by the American provenance of this work. Indeed, it was featured prominently in the American Pavilion’s “Loan Collection of Foreign Masterpieces Owned in the United States” at the 1893 World’s Columbian Exposition in Chicago, one of the most important international exhibitions of the 19th century.

Beach at Portici will be on view at the Meadows Museum beginning January 19, 2018. From June 24 through September 23, it will be the subject of a focused exhibition, At the Beach: Mariano Fortuny y Marsal and William Merritt Chase. 

 

Extended: Murillo: The Self-Portraits now on until February 11, 2018

 

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Bartolomé Esteban Murillo, Diego Ortiz de Zúñiga, ca. 1655, oil on canvas, private collection, United Kingdom; image courtesy of Sotheby’s

Until February 11, the Frick Collection in New York is celebrating Bartolomé Esteban Murillo, one of the outstanding painters of the Spanish Golden Age, who will turn 400 years old on 31 December. Well known for his religious paintings and his extraordinary depictions of street urchins, he was also an ingenious painter of portraits. This genre remains, however, the least studied aspect of his work. Inspired by the self-portraits in their holdings, New York’s Frick Collection and London’s National Gallery have co-organized a show which will move to London from February 28 through May 21, 2018.

As widely reported by the media, including the Guardian, an exceptional self-portrait by Murillo just discovered at Penrhyn Castle in Wales has been added to the show on account of its exceptionality.
Click here for more information on the show.

News: 200 works of contemporary Latin American art donated to six museums

Cildo Meireles (Brazilian, born 1948). Meshes of Freedom. 1976/77. Iron and glass. 47 1/4 x 48 1/4 x 1 1/2″ (120 x 122.6 x 3.8 cm). Promised gift of Patricia Phelps de Cisneros through the Latin American and Caribbean Fund.
Cildo Meireles, Meshes of Freedom (1976/77), promised gift of Patricia Phelps de Cisneros through the Latin American and Caribbean Fund. Courtesy of MoMA
The Art Newspaper reports that the Colección Patricia Phelps de Cisneros (CPPC) has donated 200 works of contemporary Latin American art to American and European museums including the Museum of Modern Art (MoMA) in New York, the Museo National Centro de Arte Reina Sofía in Madrid, the Museo de Arte Moderno Buenos Aires (MAMBA) and the Museo de Arte de Lima (MALI).
Featuring artworks by 91 artists from 22 countries, the donation is intended to complement the strengths or interests of each museum, celebrating their commitment to studying and exhibiting contemporary Latin American art.

ARTES Coll & Cortés Travel Scholarship report: Sylvia Alvares-Correa (PhD Candidate, University of Oxford)

By Sylvia Alvares-Correa

joosvancleve
Joos van Cleve (attr.)
The Annunciation
1512-1520
Oil on oak panel
Museu de Arte Sacra do Funchal, inv. MASF35
joosvancleve2
Detail of figure 1

The generous award funds provided by ARTES Coll&Cortes allowed me to travel to Lisbon to investigate the transmission of Flemish art, designs, and techniques to Portugal in the late medieval period, on which my PhD research is based. The trip fortuitously overlapped with the exhibition ‘The Islands of White Gold, Art Commissions in Madeira: 15th and 16th Centuries’ at the Museu Nacional De Arte Antiga as well as the ‘Medieval Europe in Motion—The Middle Ages, A Global Context?’ conference hosted at the Calouste Gulbenkian Foundation. Both introduced me to works of art and research with which I had not been familiar and underlined the complexity and ambiguity involved in defining artistic transmission.

quentinmetsys
Workshop or Circle of Quentin Metsys
Triptych of the Descent from the Cross
Oil on oak panel
Museu Nacional de Arte Antiga, Inv. 1285 Pint

The fluid movement of artists and designs between north and south during this period means that just because something looks Flemish doesn’t necessarily mean it is; unfortunately, ‘style’ is often the determinant factor in classifying the origin of artworks in museums as well as in literature. Production methods can help elucidate if not by who at least where an artwork was made. To this end, the research trip sponsored by ARTES Coll & Cortes allowed me to collect data on the different joinery methods used in 15th and 16th century panel painting. Specifically, I sought out works joined by perpendicular dowels. Internal dowels, the predominate joinery method found in the north, in some cases dictated by guild regulations, are less likely to disrupt the surface of the painting; perpendicular dowels, however, tend to protrude slightly to the surface over time and can often be discerned with the naked eye. Current research proposes that the latter joinery method was predominant exclusively in Portugal (though famously employed by Hugo van der Goes as well).

 

quentynmetsys2
Detail of figure 2

My preliminary investigations, however, yielded evidence that perpendicular dowels were utilized not only Portuguese panel paintings, but also in panels believed to be imported from Flanders. While it is too early to draw conclusions, the diversity of joinery methods observed suggest that either perpendicular dowels were not as uncommon to northern production as has been supposed or that certain works in Portuguese collections which have been classified as ‘Flemish’ were perhaps produced locally. I’m looking forward to delving in further!

 

 

 

 

 

Happy Birthday Murillo! Some Events in Seville

murillo_st_justa_and_st_rufina_2
Bartolomé Esteban Murillo 
Oil on canvas
200 x 176 cm
c. 1666
Museo de Bellas Artes, Seville

Baptised on 1 January 1618, Bartolomé Esteban Murillo (d. 1682) became the leading painter of late seventeenth-century Seville. He completed several religious commissions, especially compelling and innovative representations of the Immaculate Conception. He was also an outstanding portraitist, as revealed in the exhibition Murillo: The Self-Portraitson view at The Frick Collection in New York until February 4. The painter also excelled in genre pictures of children, a production which made him extremely famous among foreign connoisseurs and collectors, especially in England and France in the eighteenth- and early nineteenth-century.

As noted in a contemporary document, Murillo had ‘all his life been a parishioner of la Magdalena [in Seville] without any notable absence’. His oeuvre and memory are closely connected to this city in the South of Spain, then a flourishing emporium for trade with Latin America.

Unsurprisingly, this year the city will celebrate Murillo’s 400th birthday with a number of large-scale cultural events and exhibition. Information on many of these can be found on a dedicated website, Murillo y Sevilla. Here are some highlights:

Murillo y los Capuchinos de Sevilla. Reconstrucción (Murillo and the Capuchins of Seville. Reconstruction), exhibition curated by Maria del Valme Muñoz at the Museo de Bellas Artes. Until 1 April 2018.

Murillo y su estela en Sevilla (Murillo and His Followers in Seville), exhibition curated by Benito Navarrete at the Espacio Santa Clara. Until 8 April 2018.

Murillo IV centenario (Murillo’s 4th centenary), exhibition curated by María Valme Muñoz e Ignacio Cano at the Museo de Bellas Artes. 29 November 2018–17 March 2019.

International Conference Murillo ante su centenario: perspectivas historiográficas y culturales (Murillo at 400: historiographical and cultural perspectives), 19–22 March 2018, Universidad de Sevilla.

Closing Soon: Zuloaga en el París de la Belle Époque, 1889-1914

1920px-countess_mathieu_de_noailles2c_by_ignacio_zuloaga
Ignacio Zuloaga
Portrait of the Countess Mathieu de Noailles
Oil on canvas
152 x 195.5 cm
1913
Museo de Bellas Artes de Bilbao

The art of Ignacio Zuloaga (Eibar 1870–1945 Madrid) is often associated with Romantic ideas of Spain’s Black Legend. This exhibition aims to show the painter in a different light, focusing on his connections with the innovations of Belle Époque Paris. The exhibition illuminates the Symbolist milieu in which the Spanish painter moved during his several stays in France. Curated by Leyre Bozal Chamorro and Pablo Jiménez Burillo, it features more than 90 works by such artists as Paul Gauguin, Pablo Picasso, Santiago Rusiñol, Émile Bernard and Auguste Rodin.

 

 

Zuloaga en el París de la Belle Époque, 1889-1914, Fundación MAPFRE Recoletos, Madrid, until 7 January 2018

Extended: Murillo: The Self-Portraits now on until February 11, 2018

 

6082
Bartolomé Esteban Murillo, Diego Ortiz de Zúñiga, ca. 1655, oil on canvas, private collection, United Kingdom; image courtesy of Sotheby’s

Until February 11, the Frick Collection in New York is celebrating Bartolomé Esteban Murillo, one of the outstanding painters of the Spanish Golden Age, who will turn 400 years old on 31 December. Well known for his religious paintings and his extraordinary depictions of street urchins, he was also an ingenious painter of portraits. This genre remains, however, the least studied aspect of his work. Inspired by the self-portraits in their holdings, New York’s Frick Collection and London’s National Gallery have co-organized a show which will move to London from February 28 through May 21, 2018.

As widely reported by the media, including the Guardian, an exceptional self-portrait by Murillo just discovered at Penrhyn Castle in Wales has been added to the show on account of its exceptionality.
Click here for more information on the show.

Featured Exhibition: Fortuny (1838-1874), Museo Nacional del Prado, Madrid, until 18 March 2018

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Mariano Fortuny,
Idyll, 1868, watercolour and gouache on paper, Museo Nacional del Prado

The Museo Nacional del Prado has recently opened an exhibition on Mariano Fortuny y Marsal (1838-1874). This artist, who achieved international renown in the last third of the 19th century, was a skilled painter and draughtsman who excelled in watercolour. He was also a graphic artist and a passionate collector of antiquities.
As with previous monographic exhibitions held at the Prado, Mariano Fortuny (1838-1874) offers a reassessment of the artist’s finest works, drawn from both the the Prado’s extensive holdings and from international lenders, including the more than 30 rarely-seen works from the Museo Fortuny in Venice.

Click here for more information.

 

Opens Today: Murillo at the Meadows: A 400th Anniversary Celebration, December 6, 2017 – December 2, 2018

Bartolomé Esteban Murillo (Spanish, 1617–1682), "Saint Justa," c. 1665. Oil on canvas. Meadows Museum, SMU, Dallas. Algur H. Meadows Collection, MM.72.04. Photo by Michael BodycombDecember of 2017 will witness the 400th birthday of Bartolomé Esteban Murillo (1617–1682), one of the outstanding painters of Golden Age Seville. The Meadows Museum, which holds more paintings by the artist than any other collection in the United States, will celebrate his anniversary with a special exhibition. The display will celebrate the Meadows’ extraordinary holdings of artworks by the artist, and pair them with paintings by Murillo’s Sevillian contemporaries, thus highlighting the artistic context with which he remains so intimately associated.

Click here for more information on this exhibition.

 

Job: Curator for Latin American, Iberian, and Latino Studies, New York Public Library

new-york-public-library-nyplThe New York Public Library is seeking to appoint a Curator for Latin American, Iberian, and Latino Studies. Click here for more information and how to apply.

With a collection that exceeds 46 million items, and a mission to advance knowledge and inspire lifelong learning, the New York Public Library stands as one of the world’s great public research libraries. Its four research centers provide opportunities for engagement with in-depth and unique collections, inspirational reading rooms, exhibitions, programs, and a range of research services.

NYPL’s collections on Latin America, Iberia, and the Hispanic experience in the United States constitute an international resource of considerable importance, measured by the depth and variety of the research materials held, and the large numbers of unique and scarce materials in the collections. The Latin American collections span the history of the region from the earliest rarities to present-day publications and are rich in primary source documents, literary texts, ephemera, and many other resources that serve both the scholar and student. Collections on Spain and Portugal are equally extensive, with particular strengths in literature and history, including manuscripts and rare books from the Golden Age through the Age of Discovery and the Spanish and Portuguese colonial period in the Americas. Building on these historic strengths, the Library has continued to document the history and literature of Latinos in the United States, particularly in New York City. The broad scope of NYPL’s collecting over the years has resulted in a collection that provides extraordinary opportunities for interdisciplinary research across the full range of humanities and social science topics, and, consequently, within each of its four research centers.

The Curator for Latin American, Iberian, and Latino Studies provides essential leadership in the development, management, and promotion of the Library’s research collections in these areas. Based within the Collections and Research Services department, which is responsible for establishing a unified strategic vision for NYPL’s Research Collections, the Curator works collaboratively with staff across the Research Libraries to coordinate the development of the collection and the delivery of research services that help position the Library as a vital resource to support learning, creativity, scholarship, and enterprise.

 

The Curator will provide strong and effective subject expertise and leadership in developing and promoting the Library’s collections documenting Latin American, Iberian, and Latino culture, serving as the primary spokesperson for the collection, and undertaking activities that advance expanded use and other strategic goals.

 In support of teaching, learning, and scholarship, the Curator will contextualize the collections in a variety of ways, including through exhibitions and publications, and will facilitate digital humanities and other scholarly projects, and collaborate on the development of public programming and educational resources.  The Curator is responsible for raising awareness of the collections and cultivating new communities of users, including a supportive donor base. The Curator will actively engage in fundraising activities to support the needs of the collection, fellowships for researchers, and new initiatives.

 Drawing on an understanding of the collection’s historical strengths, its use, and scholarly trends, the Curator will plan for, communicate, and implement strategies to build and shape the collections, and will investigate and make specific recommendations for special collections acquisitions across the Library, including the cultivation and pursuit of major new archival acquisitions.

The Curator will maintain and strengthen existing institutional partnerships and identify and initiate opportunities to collaborate on new approaches to building collections and promoting their use to both a national and international audience.

  • Promotes scholarly, educational, and general use of the collections in collaboration with divisions across the Research Libraries, in particular, the Manuscripts, Archives and Rare Books Division, the Wallach Division of Art, Prints and Photographs, the Schomburg Center for Research in Black Culture, and the Library for the Performing Arts
  • Participates in the ongoing evaluation and assessment of the collections to identify and build on collection strengths
  • Identifies and makes recommendations for the acquisition of special collections. Explores new areas for further development of the collection and cultivates potential donors of materials; manages an acquisitions budget; coordinates a collaborative team approach for ongoing development of the general research collections
  • Actively engages with researchers by providing consultative services; cultivates and builds strong relationships with the academic community through classes, outreach, and strategic partnerships
  • Works closely with the Development staff on fundraising activities by identifying new opportunities, cultivating donor relationships, and preparing grant proposals, and other reports
  • Identifies, evaluates, and prioritizes materials for digitization initiatives and helps facilitate the use of digital collections
  • Collaborates with the Exhibition staff on the preparation of exhibitions that highlight the collections; develops thematic narratives, selects materials, prepares interpretive materials, and supporting publications
  • Keeps abreast of the changing needs of researchers in the field, as well as emerging trends in research libraries, higher education, and humanities and social science scholarship in general
  • Establishes a record of participation in and contributions to the profession by serving on committees and representing the Library at professional organizations, conferences, and various public meetings
 Managerial/ Supervisory Responsibilities
  • Evaluates and makes selections of collection materials in languages other than English, in particular, special collections, including archives, rare books, and other formats.
  • Engages in fundraising and donor relations.
  • Develops concept and content for exhibitions.
  • Prepares scholarly articles and other interpretive materials for publication; prepares donor reports and grant applications.
  • Analyzes and prioritizes opportunities for collaboration in outreach and digitization projects.

Key Competencies

  • Accountability and Professionalism – Demonstrates enthusiasm for and commitment to the position and accepts responsibility for personal actions.
  • Customer Service – Commits to meeting the expectations of internal and external customers.Listens and responds effectively to customer questions; resolves customer problems to the customer’s satisfaction; respects all internal and external customers.
  • Collaboration and Teamwork – Supports a positive team environment in which members participate, respect and cooperate with each other to receive desired results.
  • Job-Specific Knowledge and Skills – Plans, prioritizes, and organizes work effectively to produce measurable results; keeps current with and effectively applies new work methods, skills and technologies to complete work.
 Minimum Qualifications
  • Ph.D. in topic related to Latin American history or Hispanic literary studies, or an MLS from an ALA-accredited program and advanced relevant subject degree.
  • Minimum of five years of relevant professional experience in an academic or research library, or cultural organization setting or equivalent combination of education and experience.
  •  

    Excellent oral, written, and interpersonal skills, including the ability to speak and write effectively in both English and Spanish.

  • Fluency in English and Spanish.
  • Demonstrated knowledge of current practices and emerging trends in humanities and social sciences scholarship and research libraries in general.
  • Successfully demonstrated experience in public speaking, as well as teaching and instruction that promotes the use of primary source documents.
  • Successfully demonstrated ability to work effectively in a collaborative team environment.
  • Demonstrated knowledge of special collections, including archival research.
  • Record of professional engagement and contribution, such as research, publication, and involvement in pertinent professional and scholarly organizations.
  • Successfully demonstrated analytical skills and familiarity with various assessment methodologies.

Preferred Qualifications

  • Working knowledge of Portuguese and at least one other Western European language.
  • Familiarity with library preservation practices.
  • Experience with the preparation and curation of exhibitions.