Call for Papers: Iberian (In)tolerance (8 November: London)

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Paper proposals are being accepted for “Iberian (In)tolerance: Minorities, Cultural Exchanges, and Social Exclusion in the Middle Ages and Early Modern Era,” an LAHP Funded Postgraduate Students-led Conference to be held at Senate House, Bedford Room 37, University College, London.

Keynotes speakers include Prof. Trevor Dadson (Queen Mary University) and Prof. Alexander Samson (UCL)
Submission deadline: 20 June 2018

During the Middle Ages and the Renaissance, minorities in the Iberian peninsula experienced both peaceful coexistence and, at times, violent intolerance. But despite restrictions, persecutions, and forced conversions, extensive cultural production and exchange among Jews, Christians and Muslims defined the life in towns and cities across the centuries, particularly in Al-Andalus. In this context of religious (in)tolerance, the question of limpieza de sangre (blood purity) played an important role in preventing newly converted Christians from occupying high social positions. Recent approaches have highlighted how the question of limpieza de sangre was not only a matter of anti-Judaism or hostility towards Jews and Moors, but was also driven by personal enmity, ambition, and political interest. Also relevant are a series of political decisions concerning minorities, such as conversos or moriscos, which appeared in the two first decades of the seventeenth century and deeply affected the social climate of the time. This is reflected in literary works from the period, when a number of prominent pieces dealt directly with the issues raised by the political reforms. While some of the decisions are very well studied, such as the expulsion of the moriscos in 1609 and 1610, others such as the issue of the Pardons, in which the both Duke of Lerma and the Count-Duke of Olivares were involved, are less well known. It is clear that these circumstances affected the lives of many authors, their poetic trajectories and determined their voices and their works.
We invite proposals for papers in English (15-20 minutes) that explore the relationships among Jews, Christians and Muslims in the Iberian Peninsula from the Middle Ages to the 17th century and how these relationships changed over time, as represented in literary works that mirrored and were influenced by the particular socio-political dynamics of the period.
Possible topics include, but are not limited to:
• Literature and minorities: Conversos, New Christians, MarranosMoriscos.
• Literature and tolerance, convivencia
, cultural exchanges.
• Literature and legality: statutes of limpieza de sangre (blood purity), blood libel, Pardons of 1609 and 1627, Duke of Lerma, Duke of Olivares.
• Literature beyond the Iberian Peninsula, Spanish identity in France, the Netherlands, Portugal, etc.

Send your proposal here

Candidates will be notified by the 15th of July 2018.
If you have any questions please do not hesitate to contact us here: iberianintolerance@gmail.com.

Organisers:
• Roser López Cruz (King’s College London)
• Virginia Ghelarducci (School of Advanced Study)

Reminder: Murillo events in London, today and tomorrow (14–15 May 2018)

Symposium: ‘Collecting Murillo in Britain and Ireland,’ The Wallace Collection, London, 14 May 2018

exhibition_98_fullimagepath__murillo-marriage-side
Bartolomé-Esteban Murillo, The Marriage of the Virgin, c.1660-1670, The Wallace Collection

‘Oh wonderful Spain. Think of this romantic land covered in Moorish ruins and full of Murillos’

Benjamin Disraeli’s 1830 letter attests to the prominence of Bartolomé Esteban Murillo in the minds British travellers and collectors. In celebration of the 400thanniversary of Murillo’s birth, the Wallace Collection, in collaboration with the Centro de Estudios Europa Hispánica, will be exploring this further by hosting an international one-day symposium on 14th May 2018 entitled ‘Collecting Murillo in Britain and Ireland’.

Speakers include Thierry Morel, Veronique Gerard Powell, Xanthe Brooke, Hugh Brigstocke, Isabelle Kent, Xavier Bray, Claudia Hopkins, Thomas Bean, Hilary Macarney and Philip McEvansoneya. We are delighted to have this group of acclaimed scholars coming together to discuss new research surrounding the collecting of Murillo in Britain and Ireland.The seminars delivered will form the basis of a new volume on the subject to be published by CEEH.

Click here to buy a ticket to the symposium

Programme

09:30 – Registration

09:50 – Welcome

Session 1) Early Displays of Works by Murillo in Britain

10:00 – Sir Robert Walpole’s Spanish Pictures. Thierry Morel (Director and Curator at Large, Hermitage Museum Foundation)

10:30 – From Lord Godolphin to John Blackwood and Lawrence Dundas: the first British purchasers of Murillo. Véronique Gerard Powell (Honorary Senior Lecturer, Sorbonne University)

11:00 – tea and coffee break

Session 2) British Collectors in Seville and Madrid

11:30 – Collecting Murillo in Seville: the case of Julian Benjamin Williams (d.1866) and Frank Hall Standish (1799-1840). Xanthe Brooke (Curator of Continental European Art, Walker Art Gallery)

12:00 – William Eden: the discovery of Murillo with his friends in Spain. Travel and collecting. Hugh Brigstocke (independent scholar)

12:30 – The curious case of General Meade (1775 – 1849): his collection in Madrid and its dissemination. Isabelle Kent (Enriqueta Harris Frankfort Curatorial Assistant, The Wallace Collection)

13:00 – Break for lunch (not included)

14:00 – William Buchanan and James Irvine: In-situ talk in the Great Gallery. Xavier Bray (Director, The Wallace Collection) and Isabelle Kent

Session 3) Artists and Scholars travellers to Spain

14:30 – ‘All softness’ – Murillo through British artists’ eyes. Claudia Hopkins (Lecturer, University of Edinburgh)

15:00 – Hand-Book for Travellers in Spain and Richard Ford. Thomas Bean (private researcher)

15:30 – Accessing Murillo: Stirling Maxwell’s contribution to scholarship, collecting and taste in Britain. Hilary Macartney (Lecturer, University of Glasgow)

Session 4) Other Major Collectors

16:00 – Collecting and displaying Murillo in Ireland. Philip McEvansoneya (Lecturer, Trinity College Dublin)

16:30 – Close

Curator-Led Visit for ARTES MembersMURILLO: THE SELF-PORTRAITS, led by Letizia Treves, at the National Gallery, London, 15th May 2018 at 10:00 A.M.
Members must book by emailing artesiberia@gmail.com

ARTES Symposium: Murillo in Perspective, The Courtauld Institute of Art, London, 15 May 2018

13:00 – 14:30   13:00 – 14:30   Registration and opportunity to visit the drawings by Murillo and other Spanish masters in the Courtauld Prints and Drawings Study Room (Please note: directions to the Study Room and information on the visit will be provided upon registration)

14:30   Welcome

14:35 – 15:05   Manuela Mena Marqués, Senior Curator of 18th Century Painting and Goya, Museo Nacional del Prado, Madrid: “Murillo the Draughtsman”

15:05 – 15:35   Xanthe Brooke, Curator of Continental European Art, Walker Art Gallery, Liverpool: “Murillo’s Virgin and Child in Glory: The Afterlife of a Great Baroque Altarpiece”

15:35 – 16:05   Benito Navarrete Prieto, Professor, History of Art at the University of Alcala and Director of the Department of History and Philosophy: “Empathy and Prestige: The Real Reasons for Collecting Murillo’s Work in the Seville of his Patrons”

16:05 – 16:35   Tea

16:35 – 17:05   Laura Alba Carcelén, Conservation Scientist, Museo Nacional del Prado, Madrid’: “At Murillo’s Workshop: Pictorial Materials and Procedures”

17:05 – 17:35   Mairi Macdonald, Birkbeck College, University of London: “Murillo and Depictions of Poverty”

17:35 – 17:55   Discussion and close

18:00 – 19:00   Drinks and tapas

19:30   Invitation to attend a free concert of Spanish Renaissance and Baroque music organised by the Instituto Cervantes in Kings College Chapel (next door to the Courtauld). Please visit this link to book tickets.

For tickets to the conference, please click here

General public £16

Students £11

ARTES AGM in Oxford, Thursday 14 June, 2018

taylorian

10:00 Campion Hall, Brewer St, Oxford OX1 1QS — http://www.campion.ox.ac.uk
Established in 1896, Campion Hall holds extensive collections, including in the areas of Iberian & Latin American art.
Visit Led by Professor Peter Davidson, Senior Research Fellow & Archivist
***Attendees are asked to arrive punctually, as late arrivals may be difficult to  accommodate***
12:00 Taylor Institution
St. Giles’, Oxford, OX1 3NA — https://www.bodleian.ox.ac.uk/taylor & http://blogs.bodleian.ox.ac.uk/taylorian
Established through the legacy of architect Sir Robert Taylor (1714-1788), the ‘Taylorian’ is the University’s centre for the study of Modern European languages and literatures, other than English.
AGM and Prize Giving — Sandwich lunch provided
15:00 Magdalen College
High Street, Oxford, OX1 4 AU — http://www.magd.ox.ac.uk
Founded by William Waynflete in 1458, the College holds wide-ranging art collections.  Visit Led by the Dean, the Revd Dr Jonathan Arnold: Chapel altarpiece, Christ Carrying the Cross (attrib. Valdés Leal/Seville School, 17thC; for in situ discussion)
Venues can accommodate limited numbers only, so book early to avoid disappointment. To book, please email artesiberia@gmail.com, stating

(1) Whether you will arrive in time for the Campion Hall visit
(2) Your membership status

Once your place has been confirmed please pay a small charge to cover costs: £7 for members, or £20 for non-members

  • by credit or debit card (via the CAF website )
  • by cheque made out to ARTES and sent to: 58 Manor Road, Woodstock, Oxon OX20 1XJ
  • by Paypal – simply click the button below.

Donate

 

 

Symposium: ‘Collecting Murillo in Britain and Ireland,’ The Wallace Collection, London, 14 May 2018

 

exhibition_98_fullimagepath__murillo-marriage-side
Bartolomé-Esteban Murillo, The Marriage of the Virgin, c.1660-1670, The Wallace Collection

‘Oh wonderful Spain. Think of this romantic land covered in Moorish ruins and full of Murillos’

Benjamin Disraeli’s 1830 letter attests to the prominence of Bartolomé Esteban Murillo in the minds British travellers and collectors. In celebration of the 400thanniversary of Murillo’s birth, the Wallace Collection, in collaboration with the Centro de Estudios Europa Hispánica, will be exploring this further by hosting an international one-day symposium on 14th May 2018 entitled ‘Collecting Murillo in Britain and Ireland’.

Speakers include Thierry Morel, Veronique Gerard Powell, Xanthe Brooke, Hugh Brigstocke, Isabelle Kent, Xavier Bray, Claudia Hopkins, Thomas Bean, Hilary Macarney and Philip McEvansoneya. We are delighted to have this group of acclaimed scholars coming together to discuss new research surrounding the collecting of Murillo in Britain and Ireland.The seminars delivered will form the basis of a new volume on the subject to be published by CEEH.

Click here to buy a ticket to the symposium

Programme

09:30 – Registration

09:50 – Welcome

Session 1) Early Displays of Works by Murillo in Britain

10:00 – Sir Robert Walpole’s Spanish Pictures. Thierry Morel (Director and Curator at Large, Hermitage Museum Foundation)

10:30 – From Lord Godolphin to John Blackwood and Lawrence Dundas: the first British purchasers of Murillo. Véronique Gerard Powell (Honorary Senior Lecturer, Sorbonne University)

11:00 – tea and coffee break

Session 2) British Collectors in Seville and Madrid

11:30 – Collecting Murillo in Seville: the case of Julian Benjamin Williams (d.1866) and Frank Hall Standish (1799-1840). Xanthe Brooke (Curator of Continental European Art, Walker Art Gallery)

12:00 – William Eden: the discovery of Murillo with his friends in Spain. Travel and collecting. Hugh Brigstocke (independent scholar)

12:30 – The curious case of General Meade (1775 – 1849): his collection in Madrid and its dissemination. Isabelle Kent (Enriqueta Harris Frankfort Curatorial Assistant, The Wallace Collection)

13:00 – Break for lunch (not included)

14:00 – William Buchanan and James Irvine: In-situ talk in the Great Gallery. Xavier Bray (Director, The Wallace Collection) and Isabelle Kent

Session 3) Artists and Scholars travellers to Spain

14:30 – ‘All softness’ – Murillo through British artists’ eyes. Claudia Hopkins (Lecturer, University of Edinburgh)

15:00 – Hand-Book for Travellers in Spain and Richard Ford. Thomas Bean (private researcher)

15:30 – Accessing Murillo: Stirling Maxwell’s contribution to scholarship, collecting and taste in Britain. Hilary Macartney (Lecturer, University of Glasgow)

Session 4) Other Major Collectors

16:00 – Collecting and displaying Murillo in Ireland. Philip McEvansoneya (Lecturer, Trinity College Dublin)

16:30 – Close

ARTES Symposium: Murillo in perspective, The Courtauld Institute of Art, 15 May 2018

murilloheader

13:00 – 14:30   13:00 – 14:30   Registration and opportunity to visit the drawings by Murillo and other Spanish masters in the Courtauld Prints and Drawings Study Room (Please note: directions to the Study Room and information on the visit will be provided upon registration)

14:30   Welcome

14:35 – 15:05   Manuela Mena Marqués, Senior Curator of 18th Century Painting and Goya, Museo Nacional del Prado, Madrid: “Murillo the Draughtsman”

15:05 – 15:35   Xanthe Brooke, Curator of Continental European Art, Walker Art Gallery, Liverpool: “Murillo’s Virgin and Child in Glory: The Afterlife of a Great Baroque Altarpiece”

15:35 – 16:05   Benito Navarrete Prieto, Professor, History of Art at the University of Alcala and Director of the Department of History and Philosophy: “Empathy and Prestige: The Real Reasons for Collecting Murillo’s Work in the Seville of his Patrons”

16:05 – 16:35   Tea

16:35 – 17:05   Laura Alba Carcelén, Conservation Scientist, Museo Nacional del Prado, Madrid’: “At Murillo´s Workshop: Pictorial Materials and Procedures”

17:05 – 17:35   Mairi Macdonald, Birkbeck College, University of London: “Murillo and Depictions of Poverty”

17:35 – 17:55   Discussion and close

18:00 – 19:00   Drinks and tapas

19:30   Invitation to attend a free concert of Spanish Renaissance and Baroque music organised by the Instituto Cervantes in Kings College Chapel (next door to the Courtauld). Please visit this link to book tickets.

For tickets to the conference, please click here

General public £16

Students £11

 

News: the National Gallery acquires a still life by Juan de Zurbarán

n-6669_432pxThe National Gallery, London, has recently acquired Still Life with Lemons, Lilies, Carnations, Roses and a Lemon Blossom in a Wicker Basket, the first work by Juan de Zurbarán to enter a public collection in the UK. On display at the Gallery since 25 April 2018, the work was painted in about 1643–49 by the son of leading Golden Age artist Francisco de Zurbarán. Long overshadowed by his father, Juan was a skilled still life painter documented in Seville between 1620 and 1649. Works by his hand are extremely rare as his career was cut short at 29 by the plague which halved the city’s population.

 

CFP: Maius Workshop Meeting: ‘Imagining Spain and Latin America Abroad’

Short, informal papers are invited for the next meeting of The Maius Workshop, a community of graduate students and early career researchers working on Iberian and Latin American arts, histories and cultures. For more information about the group, please visit their website.

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Édouard Manet
Monk in Prayer (1865)
MFA Boston

The meeting will take place in the Research Forum, The Courtauld Institute, London WC2R 0RN on June 11 2018, 6:00–7:30pm

The theme of the meeting is ‘Imagining Spain and Latin America abroad.’ Discussion may consider exchange, trade, and the foreign reception of Spanish and Latin American art and culture.

Informal presentations should last no longer than 15 minutes.

The Maius Workshop endeavours to create a supportive environment to present new ideas and talk through problems and open questions. Collaborative research is central to the group’s ethos, and it aims to encourage dialogue rather than showcase fully-resolved material.

If you are interested in attending or presenting your work, please email maiusworkshop@gmail.com before May 15, 2018.

ARTES Symposium: Murillo in perspective, The Courtauld Institute of Art, 15 May 2018

murilloheader

13:00 – 14:30   13:00 – 14:30   Registration and opportunity to visit the drawings by Murillo and other Spanish masters in the Courtauld Prints and Drawings Study Room (Please note: directions to the Study Room and information on the visit will be provided upon registration)

14:30   Welcome

14:35 – 15:05   Manuela Mena Marqués, Senior Curator of 18th Century Painting and Goya, Museo Nacional del Prado, Madrid: “Murillo the Draughtsman”

15:05 – 15:35   Xanthe Brooke, Curator of Continental European Art, Walker Art Gallery, Liverpool: “Murillo’s Virgin and Child in Glory: The Afterlife of a Great Baroque Altarpiece”

15:35 – 16:05   Benito Navarrete Prieto, Professor, History of Art at the University of Alcala and Director of the Department of History and Philosophy: “Empathy and Prestige: The Real Reasons for Collecting Murillo’s Work in the Seville of his Patrons”

16:05 – 16:35   Tea

16:35 – 17:05   Laura Alba Carcelén, Conservation Scientist, Museo Nacional del Prado, Madrid’: “At Murillo´s Workshop: Pictorial Materials and Procedures”

17:05 – 17:35   Mairi Macdonald, Birkbeck College, University of London: “Murillo and Depictions of Poverty”

17:35 – 17:55   Discussion and close

18:00 – 19:00   Drinks and tapas

19:30   Invitation to attend a free concert of Spanish Renaissance and Baroque music organised by the Instituto Cervantes in Kings College Chapel (next door to the Courtauld). Please visit this link to book tickets.

For tickets to the conference, please click here

General public £16

Students £11

 

ARTES AGM in Oxford, Thursday 14 June, 2018

taylorian

10:00 Campion Hall, Brewer St, Oxford OX1 1QS — http://www.campion.ox.ac.uk
Established in 1896, Campion Hall holds extensive collections, including in the areas of Iberian & Latin American art.
Visit Led by Professor Peter Davidson, Senior Research Fellow & Archivist
***Attendees are asked to arrive punctually, as late arrivals may be difficult to  accommodate***
12:00 Taylor Institution
St. Giles’, Oxford, OX1 3NA — https://www.bodleian.ox.ac.uk/taylor & http://blogs.bodleian.ox.ac.uk/taylorian
Established through the legacy of architect Sir Robert Taylor (1714-1788), the ‘Taylorian’ is the University’s centre for the study of Modern European languages and literatures, other than English.
AGM and Prize Giving — Sandwich lunch provided
15:00 Magdalen College
High Street, Oxford, OX1 4 AU — http://www.magd.ox.ac.uk
Founded by William Waynflete in 1458, the College holds wide-ranging art collections.  Visit Led by the Dean, the Revd Dr Jonathan Arnold: Chapel altarpiece, Christ Carrying the Cross (attrib. Valdés Leal/Seville School, 17thC; for in situ discussion)
Venues can accommodate limited numbers only, so book early to avoid disappointment. To book, please email artesiberia@gmail.com, stating

(1) Whether you will arrive in time for the Campion Hall visit
(2) Your membership status

Once your place has been confirmed please pay a small charge to cover costs: £7 for members, or £20 for non-members

  • by credit or debit card (via the CAF website )
  • by cheque made out to ARTES and sent to: 58 Manor Road, Woodstock, Oxon OX20 1XJ
  • by Paypal – simply click the button below.

Donate

 

 

Fellowship: Rosaria Cigliano Fellowships at the Fondazione 1563

 

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Claude Lorrain                                                View of La Crescenza, 1648–1650
The Metropolitan Museum of Art

The Fondazione 1563 per l’Arte e la Cultura of the Compagnia di San Paolo launches a competition for 5 Fellowships on the Age and the Culture of Baroque, part of the Rosaria Cigliano Fellowships Program.Disci

 

Research proposals for the 2018 call will need to pertain to the following theme: ‘Landscape and nature (1680-1750).’

The competition is open to researchers born after 1st January 1983 holding a university or master’s degree, or other equivalent degrees, issued by an Italian or equivalent foreign University.
Priority will be given to applicants holding a PhD or equivalent from an Italian or foreign university.

The Foundation seeks studies focused on the following disciplines, which can be approached in a multi- or cross-disciplinary lens:

– social and demographic history
– political history
– history of economics and history of economic thought
– history of science and technology
– history of literature
– history of philosophy
– history of music
– history of theater
– art history
– history of architecture
– military history.

A complete description of the 2018 competition is available online.

Applications will be submitted exclusively using the forms available online and following the procedure indicated on the Foundation’s website under Bandi/ Borse di studio sull’Età e la Cultura del Barocco 2018
at http://www.fondazione1563.it.

Applications must be submitted by 22 July 2018 at 12 am (midnight).

 

Info: elisabetta.ballaira@fondazione1563.it – info@fondazione1563.it