Brings together models, drawings and archival photographs as well as new photography of key buildings, not only those by the Brazilian Oscar Niemeyer and Mexican Luis Barragán but also less well known structures by Cuban architects, such as Hugo d’Acosta.
The exhibition is accompanied by two major publications: a catalogue and an anthology of primary texts translated from Spanish and Portuguese.
Lygia Clark: The Abandonment of Art, 1948–1988, MOMA, New York, 10 May – 24 August 2014.
The first major retrospective of the Brazilian artist (1920-1988) in North America, comprising almost 300 paintings, drawings, sculptures and participatory works. Organized around three themes, abstraction, concretism and the “abandonment” of art.